Hi,
I’m planning to build a modified Flex-8 speaker from MTG. I have questions that I hope some of you could answer.
#1
Without changing the internal volume or box tuning, I would like to design the box in a more altec-ish fashion. That is: bass cabinet with front port, and "naked" horn on top.
Do you think it might dramatically alter the sound? — because of baffle diffraction, speakers alignment, port shape and placement etc…
#2
How critical is the choice of the horn? I like the Celestion H1SC-8050, but I feel a wider shape would both be more æsthetic and adapted to my objectives (I’d like the widest horizontal dispersion possible).
I’m thinking Dayton Audio H6512, Dayton Audio H812, BMS 2119, B&C ME45… Would those work with the LaVoce DF10.101LS?
I know that horns shapes and materials affect sound, but my question is how much? Does changing the horn necessarily calls for a dramatic redesign of the crossover?
—
In a nutshell, I guess I’m asking how much these small edits could ruin the sound, or not.
Note that I’m not a hifi-purist looking to the ‘perfect’ sound. My concern is avoiding to spend hours and hundreds on a project that is predictably going to sound bad.
Thanks everyone 🙂
PS: MTG, if you read this, thank you so much for your blog. It has been immensely helpful.
I’m planning to build a modified Flex-8 speaker from MTG. I have questions that I hope some of you could answer.
#1
Without changing the internal volume or box tuning, I would like to design the box in a more altec-ish fashion. That is: bass cabinet with front port, and "naked" horn on top.
Do you think it might dramatically alter the sound? — because of baffle diffraction, speakers alignment, port shape and placement etc…
#2
How critical is the choice of the horn? I like the Celestion H1SC-8050, but I feel a wider shape would both be more æsthetic and adapted to my objectives (I’d like the widest horizontal dispersion possible).
I’m thinking Dayton Audio H6512, Dayton Audio H812, BMS 2119, B&C ME45… Would those work with the LaVoce DF10.101LS?
I know that horns shapes and materials affect sound, but my question is how much? Does changing the horn necessarily calls for a dramatic redesign of the crossover?
—
In a nutshell, I guess I’m asking how much these small edits could ruin the sound, or not.
Note that I’m not a hifi-purist looking to the ‘perfect’ sound. My concern is avoiding to spend hours and hundreds on a project that is predictably going to sound bad.
Thanks everyone 🙂
PS: MTG, if you read this, thank you so much for your blog. It has been immensely helpful.
A short narrow vertical will give you wide vertical dispersion except at higher frequencies.a wider shape would both be more æsthetic and adapted to my objectives (I’d like the widest horizontal dispersion possible).