Check the XLR pinout. GND is not usually in the center (odd but true).
And.... a lot of XLRs in hi-fi and even in full pro audio are not push-pull. A lot are single-ended with "ground balance" or "ground sensing" or just plain unbalanced. Here that is a waste of a LM3886 and its heat.
And.... a lot of XLRs in hi-fi and even in full pro audio are not push-pull. A lot are single-ended with "ground balance" or "ground sensing" or just plain unbalanced. Here that is a waste of a LM3886 and its heat.
I honestly did not know the actual pin-out of the XLR (the image is just an example to illustrate the question)Check the XLR pinout. GND is not usually in the center (odd but true).
And.... a lot of XLRs in hi-fi and even in full pro audio are not push-pull. A lot are single-ended with "ground balance" or "ground sensing" or just plain unbalanced. Here that is a waste of a LM3886 and its heat.
are you saying using a bridged lm3886 is not recommended?Check the XLR pinout. GND is not usually in the center (odd but true).
And.... a lot of XLRs in hi-fi and even in full pro audio are not push-pull. A lot are single-ended with "ground balance" or "ground sensing" or just plain unbalanced. Here that is a waste of a LM3886 and its heat.
No he's saying you shouldn't assume that the XLR carries two 180-degree out of phase signals on pins2 & 3.
but if it is input is truly balanced, the circuit would work?No he's saying you shouldn't assume that the XLR carries two 180-degree out of phase signals on pins2 & 3.
Yes, I can't see why not. But note that the circuit isn't complete, no power supply or muting components are shown.
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