Are Round Horns Better

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To Everyone, I know that round horns take up a lot more room and don’t forget about the construction difficulties Is there any benefit in sound quality and output level ? Maybe less reflection back when folding the expanding horn ? Subs / Mids and Tops ? I would love to hear what you know about this

Kind Regards clf
 
Well, there are elliptical / oval shaped horns too! It combines both: better sq and different v/h dispersion.

But for low frequency reproduction, its quite unpractical to make huge round horns and even then it does not make sense that much as it does for midrange and up.
 
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To Everyone, I know that round horns take up a lot more room and don’t forget about the construction difficulties Is there any benefit in sound quality and output level ?

They are undefeatable when the mechanical footprint and the acoustic resistance are the most important factors.
The sound rendering quality depends of the parameters that you've putted in the "soundfield equation"
 
I run round tractrix horns from 700hz to 5khz and the only issue with then is they beam like crazy. No problem for me because I only have one chair in my room. When I sit dead center between the horns,and they are pointing right at me, the sound stage is better than any speakers I've ever heard.

12 inches either side of center and it all falls apart.
 
I run round tractrix horns from 700hz to 5khz and the only issue with then is they beam like crazy. No problem for me because I only have one chair in my room. When I sit dead center between the horns,and they are pointing right at me, the sound stage is better than any speakers I've ever heard.

12 inches either side of center and it all falls apart.

Yup. Head in a vice. It works quite well for many, many systems, but how we perceive tone, both from a hearing mechanism and a personal interpretation standpoint, makes laserbeam setups impossible for some listeners- they notice the absence of reflections. For others, it's the clearest lens into the music and so it's preferred.
 
To Everyone, I know that round horns take up a lot more room and don’t forget about the construction difficulties Is there any benefit in sound quality and output level ? Maybe less reflection back when folding the expanding horn ? Subs / Mids and Tops ? I would love to hear what you know about this

Kind Regards clf

Wavelengths hate symmetry. Here's a short list of reasons why round horns are inferior:

1) round horns have symmetrical radiation. Generally we prefer wide horizontal beamwidth and narrow vertical beamwidth.

2) round horns suffer from a dip on axis. The dip is caused by the symmetry of the device.

3) a fraction of the energy radiated by a horn is reflected back down the throat. AKA "higher order modes." In a round horn, those reflections are symmetrical.

4) For a given footprint, a round horn may have narrower beamwidth because the volume of the horn is 29.3% less than a rectangular horn. (Because a circle has a smaller volume than a square.)

There's probably some other reasons I forgot.

For my money, rectangular waveguides are the best choice. They break up the symmetry and offer the widest beamwidth for a given footprint.

I'm also a fan of taking it a step further and breaking up the symmetry all the way to the phase plug, like Voishvillo does in the JBL ring radiators.
 
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@Patrick, your conclusions are half baked

1. The shape of the source and the room are incompatible with each other, finer compromises are needed to make the transition.

2. Dips are due to inadequate treatment. All shapes deal with the same diffraction. Non round scatters more in a less controlled way.

3. Sufficient treatment is a thorough treatment, on a round device.

4. Why assume these things are being left to chance?
 
Are Round Horns Better, for a given volume is maybe what I should have asked,
Example: you have just completed your horn in hornresp, now that data is the same no matter what shape it is.
So are Round Horns Better is the only variable. Maybe different parts of the horn could have a different shape but will always have the correct volume for that section
Now my view is and I’m no expert but looking at it from a flow point of view and from the fact that humans have been making horn for thousands of years and none of them are square also if you look at an orchestra, the drums are round the wind instruments are round, even the hole in an acoustic guitar is round etc. A round speaker fitted to a rectangle shape at the start of the horn would have far more uneven pressure applied to the cone and also a degree of filtering I would think, also not forgetting turbulence and air flow noise from uneven pressures, isn’t this exactly what you need to avoid when trying to connect / couple with the air, and all this before you have even compressed the air.
 
My thinking the way a horn should be, working on the basis of flow rate and minimal reflections within the horn all the way to the mouth are,
At the start a round entrance, a round compression zone, when the horn has to be folded the shape would become oval at the rate of expansion of the horn only, then back to round again, as you are approaching the mouth the shape would become rectangle only because of the size a round mouth would have to be but you must also consider vibration at the mouth so bracing would be required
Am I right in this thinking or completely way off, do sound waves bounce of the internals of a horn like you hit a ball around a squash court ?
 
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