John Curl's Blowtorch preamplifier part III

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I still don't see an equivalence between sound and ketchup.

There is one. The blind testing guys are right. The anti-ABX guys are also right.
Seems to me the problem is that the only testing listeners have tried is some form of ABX, which IME is insensitive, as Jakob correctly describes.

To come to some agreement on this issue, a new blind test computer program (for foobar, or otherwise) would have to be written and found to be acceptable by both sets of parties. My own experiments suggest that finding a mutually satisfactory solution should be possible, in theory at least. The big problem is getting a new program in our hands that we can try. If we had such a program, I think the perceptive listener group would find it useful for their own purposes. Here, I am thinking of using it for self-calibration of listening acuity.

If we don't have a good, reliable way to self-calibrate, we are likely to do what humans tend to do which is to become overly influenced by overconfidence bias and think we can hear more than we actually can. It happens. Just as overconfidence bias influence occurs on both sides of some of these arguments we have in this thread.
 
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Max Headroom said:
This is gross generalisation and cannot be applied to all circumstances.
It was a fair generalisation which applies to almost all circumstances. People are easy to fool, especially those who think this does not apply to them.

mountainman bob said:
Yes......I really don’t understand how some believe bias cannot be ignored.
I really don't understand how some believe bias can be ignored. Wait a moment - yes I do understand - it is just a slightly more foolish version of fooling yourself.

Max Headroom said:
Simple, because they have bias themselves, ie an agenda !.
We did not invent the idea of unconscious bias. A priori we might expect that an amp which measures worse will sound worse; that fits in with our simple naive world view that better is better than worse. It was the psychologists and other psycho-xxx people who told us that people are easily fooled, so that worse can be better than better under some circumstances. I guess accepting the results of science is an agenda.
 
JC wrote:
Here are some measurements. Red trace - RCA plug attached to the input RCA jack, yellow - after RCA plug rotation 90 deg back and forth in RCA jack (kind of cleaning)
Despite my intention not to post here anymore, and, with hindsight, stumble these sterile discussions about the sex of angels, I fall over-it. I burst out laughing so much it's true.
Dimitri, you made my day.

Moreover, wanting to reciclate old HITACHIs 2SK135 / 2SJ150 that I love, I spent the day yesterday to design a small 150W amp with them. It's a CFA with a diamond input, a cascode VAS, and a follower transmitter to drive a pair of these two power FETS.
Here my result for 150W (+-50V).
I used RPEREZ models I had that works ok, verified with Cordell models for 134/149 with close results.
I will post it on DIY when i will have real working amp with them, with real measurements and long term... Listening.
With a special dedication to my friend SYN08, whose elegance and intellectual honesty fills me with admiration. Quiescent current at 100mA ( Hitachi tempco ).
Oh, btw, if you ask about stability margin, i will give-you the Rolls Royce answer. Phase margin "sufficient" (>90°).
And I'm sorry, but as far as I can tell your technical (electronics) skills are at best at an half competent amateur (if that) level. I would be happy to recognize any relevant technical contributions that I am not aware of, if you can point me at.
 

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This is as ill-posed a question as it gets. The time-scale of an evaluation has nothing to do with the method.
You can compare short-term with long-term listening (blinded or not, both of course) and you can compare blinded listening vs. sighted (long-term or not, both of course).
You can change only one variable in the game and have to leave the other parameters constant, otherwise it's not a valid investigation of the variable.
Now that you unpack all that, I've never heard of an ABX or similar formal test involving long-term listening.

It's well established (and I've seen others state a few times in this thread, often in relation to ABX/DBT) that the best aural memory (I can hear arguments already, but "best" for at least some purposes) is short-term. In "The Loudspeaker Cookbook" the chapter on speaker testing describes two motorized turntables each with test speakers on them so a listener can quickly switch between speaker pair "A" and "B" to quickly listen to a short passage as reproduced by both pairs of speakers.

But I'm still not aware of any (scientific, reproducible) "hard observations" made from long-term listening. I'm certainly not saying such a thing doesn't exist, as I'm not that well read in audio research, but I've read various claims in this thread and I wonder if there's perhaps an AES article on the topic.
For a trained listener, blinded listening experiments don't have any less resolution than sighted listening. The difference is that sighted listening is influenced by so many more mostly uncontrolled variables than the actual sound alone that make it hard, if not impossible, to draw any conclusions about the sound and the sound alone. That doesn't mean blind listening is totally free of uncontrolled variables and biases, it's not, but their amount and effect is much less.

And I may repeat the first point: blind testing needs as much training as sighted critical listening does. For example, AmirM (founder of the AudioScienceReview forum) was involved with lossy audio codec development and wrote that it took six months of training to be able to identify smallest artifacts.
I can't argue with that. I recall when MP3 became popular (I wrote about this in this thread in recent months), when I first heard a 128k MP3 it sounded fine to me. I had to listen to a CD track encoded at different bitrates to get hints at what to listen for before I could hear the artifacts at 128k. One aspect of new formats is they often generate new types of distortion.
 
Q.E.D. 😀

Well take me for example I have this (apparently rare)
ability to ignore or shut off everything except the goal set forth......if I know there's visual bias or better reviews or more cost involved I can compartmentalize these things so that theyre not a consideration in the final results.
Basically analyzing all the variables mentally without emotion.
It's not really that hard......in fact many times my results are surprising in the sense that I would have thought differently with just an educated guess.
 
This is a table excerpt from a sensory experiment (taste) which compares different test protocols:

yu_ting_table2_exerptvcj8r.gif


(Yu-Ting Huang,Harry Lawless, Sensitivity of the ABX Discrimination Test, Journal of Sensory Studies 13 (1998) 229-239)

Yet another sample of Jakob(x) MO: conveniently jumping from particular to general conclusions.

I am sure everybody would appreciate details on the rationale of jumping from the data for "ABX can lead to false negatives in sucrose content in grape beverage" to the general conclusion (quickly extended to audio testing):

I hope it is now understandable which way "differences" can "automagically disappear".

It depends obviously on the humans, on the test conditions (like protocols, question asked, onedimensional or multidimensional, number of trials and so on) and further on the method used to analyze the results for drawing further conclusions about "audibility" or "sensory difference" in general.

With a special dedication to my friend SYN08, whose elegance and intellectual honesty fills me with admiration.

Why, thank you :blush: :blush: :blush:
 
Jacob2, the best test protocol is the best test protocol for a given investigation, I won't argue about that. My point is: it has to be blind.

I'm sorry,but you made a very strict assertion/statement combined with a question,it was:

To me, it is incredible that people can believe that differences would automagically disappear under blind testing. How can they?

To illustrate the issue I provided an example which explains, which way a difference can "automagically disappear under blind testing" .
Even when the sensory evaluation is a quite simple one (onedimensional and directional) while we are dealing here with multidimensional evaluations.

As you now know, how easily a difference can disappear (if it qualifies for "automagically" is open for debate 🙂 ) do you now accept, that it is not only belief, but something very real?

As I've written literally numerous times, the property "blinded" is a point (that must be included for being able to show validity) - internal validity to be more precise - but is otherwise just a minor point, as a plethora of other things have to be considered to ensure that a test is objective, valid and reliable .

Unfortunately in these forum discussions the "blind" propertiy is still presented as the most important one due to constant underestimation of the difficulties and due to simply neglecting/dismissing the available evidence.
 
Room acoustics to speaker design, is like grounding to amplifier design. It's only a big issue to beginners (well, there are experienced ones that are not of learner types).

Three decades ago I built an amp. Took a few days to solve hum issues with frustration. Called it a day even tho it was not up to normal standard. Today, I know what causing hum, I know how to prevent the issue (instead of how to solve it). Room acoustics is similar.

For my own use, I can't imagine where room acoustics could be a problem. I don't have 'empty' room where I need to put my speakers (bath room may be). I have a dedicated room with full treatment but now used as a storage room for my speakers, amps, and other audio stuff. Small living rooms tend to be 'full'. Books and curtains to diffuse HF, sofa to absorb LF. But the biggest fortune is that my living room is not rectangular 😉

If pcb routing is the first effort to prevent bigger grounding related issues, speaker designed for off axis listening (good dispersion) and smooth LF roll off will make it room friendly too.
Working on room acoustics is assessed by the degree of successful application. It's never complete. You can always improve. Your project plans for amps and DACs can have specs way beyond audible traits. What good will that do other than bragging rights?

Where do I start? There are so many things, but what is clear is that ABX often simply doesn't work and can make things that do not sound the same have a 'sameness' in the end result.

Bottom line, it is not a natural test. You can even argue that the listener is being tested, maybe even more than the equipment.
In your opinion of course. I'm curious, what is your opinion based on?
What if I fear that I will not come up to scratch as a performing monkey? What if I don't perform well under pressure? A person should never be asked "what do you think?" and instead be asked "what piece of music would you like to hear next?" And then just relax, knowing that the dreaded question will not be asked. No pressure, and your chances of coming to grips with what you are hearing becomes much better.

But that does not mean there are no caveats. For example, why are so many audiophiles frustrated reviewers? Instant appraisal can be instant annoyance. A responsible reviewer never reviews on the fly. He wants to live with the equipment, take his time, examine the pros and the cons - and there will always be those and ABX can never take that into account... and so far I have only scratched the surface.
Who said you aren't allowed to take your time in audio ABX?
But having said all that, the Double Blind Test performs a role in some very important ways like pharmaceuticals and placebo effect. I don't think that any one of us here would deny that.
It also performs a role in some very important ways in audio electronics too.

Jacob2, the best test protocol is the best test protocol for a given investigation, I won't argue about that. My point is: it has to be blind.
But but but..., that cripples listener's ability to pick out whatever they are hearing. They have to be allowed to peek so that they can trust their ears when evaluating audio electronics. 😀

Maybe you don't understand common sense - did you miss this course in school? 😉
So it was your stawman argument, as I suspected. Thanks for confirming.

There is one. The blind testing guys are right. The anti-ABX guys are also right.
Seems to me the problem is that the only testing listeners have tried is some form of ABX, which IME is insensitive, as Jakob correctly describes.
How was your experience conducted? Oh, wait, it's classified. :forbiddn: Got it. :yes:

Despite my intention not to post here anymore, and, with hindsight, stumble these sterile discussions about the sex of angels, I fall over-it. I burst out laughing so much it's true.
TNT, as I have pointed out.
Is it a threat or a promise?
Does it matter? :Pinoc:
 
How was your experience conducted?

I tried all the publicly available freeware ABX applications. Foobar ABX is the most developed. None of them are any more sensitive than it. At least foobar ABX allows one to type in starting and ending times of long files so that short segments can be compared. Also, foobar ABX plays both sample files at the same volume level. Whether or not they come out as level matched depends on the files themselves.

If we are going to measure levels for matched comparisons, in most cases I would probably favor using a perceptual loudness VU meter over RMS, peak, average, or other level measurement methods. The best loudness metering plugins money can buy - and my favourite alternative (for only 9 dollars !) - Production Advice
https://www.itu.int/dms_pubrec/itu-r/rec/bs/R-REC-BS.1770-4-201510-I!!PDF-E.pdf
 
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