Funniest snake oil theories

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Ah, but it is still about the attitude seed that is planted in people's thinking - "What is most acceptable?" is very different from "What is the most objectionable"; in the first you try and find something worthwhile in the test examples, in the second you deliberately focus on the unpleasantness, you delight in finding dirtiness ...
 
There is no damn preference in fidelity, the is only fidelity or lack of fidelity. And dishonest brokers, who prey on the low mentality or low education the buyers possess by selling things that will hurt them in some way (buyers) and convey unearned power to the low lifes (sellers) who sell it to them. Shame on all of you. Those who remain eneducated enough to buy and those who remain immoral enough to sell. That leave any gray area?
 
john curl said:
I listen mostly for two things: irritability, and lack of information conveyed.
Irritability is a subjective matter; what irritates one person may please another so it doesn't tell us much about reproduction.

How can one detect missing information? Comparing two alleged reproductions can detect differences but is one deleting something or the other manufacturing something?
 
How can one detect missing information? Comparing two alleged reproductions can detect differences but is one deleting something or the other manufacturing something?
Because the information, missing in one, makes sense. Unless you ascribe supernatural qualities to the 'better' system, if the extra information fits the context then it indicates a high probablity of being valid! As an example, listening to a string quartet, and hearing sounds that perfectly match individuals breathing strongly with concentration - if this was a chaotic, random creation of the 'more detailed' system, I'm impressed!! 😀
 
Is the breathing on the recording, because it slipped the recording engineers attention, hence a bad recording?

Or is it on the recording on purpose, maybe even emphasised, to market the recording as highly detailed, hence snake oil?

Or is the breathing actually noise from an undersized bass-reflex port that happens to sound like concentrated breathing?
 
Running subjective tests also involves setting up preconceptions in people's minds - I get the impression that most involve questions like, "Which do you prefer?", implying you should like what you're hearing. My approach would be to say, "Both examples you're going to hear are defective, which one has the most disturbing, irritating defects?". One's mental approach is then very different, and one is much more likely to pick up the issues which are the long term listening problems ...

I'd say listen to the music, that's what its all about...you always seam to be chasing these things, audio Hypochondriasis, sometimes I think your mind set adds distortions that you perceive but don't exist.

Ears only John, that no eyes.
 
Is the breathing on the recording, because it slipped the recording engineers attention, hence a bad recording?

Or is it on the recording on purpose, maybe even emphasised, to market the recording as highly detailed, hence snake oil?

Or is the breathing actually noise from an undersized bass-reflex port that happens to sound like concentrated breathing?
Most likely slipped the engineer's attention, a certain recording technique was used to pick up the string tone, with this side effect; the recording label was Teldec. Another, nothing special Eastern European recording was played at the same time, this aspect was not noted at all.

If one listens to live performers, then depending on the acoustics and where you're sitting lots of incidental noises made by the players can be very obvious - it's just part of the human element in music making as far as I'm concerned ... I wouldn't want to attach the word "bad" to it ...
 
I'd say listen to the music, that's what its all about...you always seam to be chasing these things, audio Hypochondriasis, sometimes I think your mind set adds distortions that you perceive but don't exist.

Ears only John, that no eyes.
As I've said many times, most people find it trivially easy to identify whether music heard but not eyeballed is real, or just hifi. What I'm chasing is the sensation of not perceiving that difference - if you're happy with always being aware that the sound you hear is "fake" then I have no desire to interfere with that - but, it's not my cup of tea ...
 
The teflon tape makes all the difference, eh?
 

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fas42 said:
As I've said many times, most people find it trivially easy to identify whether music heard but not eyeballed is real, or just hifi.
The main giveaway is LF extension. Apart from that, hi-fi is supposed to sound like the real thing. Mere audio may not, but often that is not the aim. I seem to recall that you once suggested that a good sound system could be better than reality? No genuine hi-fi enthusiast would entertain such a system.
 
I don't know about LF extension, to me it's usually the quality of the LF - much audio has a boominess, a bloated quality to the bass, which is completely unrealistic.

The sound system could be better than 'real' because the microphone pickups were situated in optimum 'listening' positions, where no person in the audience would ever be able to sit.
 
Ah, but it is still about the attitude seed that is planted in people's thinking - "What is most acceptable?" is very different from "What is the most objectionable"; in the first you try and find something worthwhile in the test examples, in the second you deliberately focus on the unpleasantness, you delight in finding dirtiness ...

The teflon tape makes all the difference, eh?

Uh, what is that for?
 
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