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#1 |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Maybe it's not the best bedtime reading (or maybe it was the spicy BBQ
late at night) but as I was reading "Beam Power Tubes" by O.H. Schade and contemplating the Eimac 4-65A tetrodes lying in a pile of wood shavings on the workbench, I sketched a tetrode with plate feedback and a high impedance triode as the lower leg of the grid divider and called it a night. What a silly way to use a triode, I thought. And I want grid current... Well, by morning the triode had morphed into a pentode, then into a MOSFET, then the tetrode itself morphed into a MOSFET, with the following connections. If feedback can turn a pentode into a linear triode, why not start with a MOSFET? I think the basic relationships are similar to what Schade describes but I make some simplifying assumptions below. I also left out some protection diodes. Probably some errors also... But in the context of plate feedback discussions elsewhere I thought it would be of interest. Cheers, Michael |
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#2 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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You are only now discovering this?
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#3 |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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- You are only now discovering this?
I guess... Thought it would be fun to play with and build a one-stage SE'T' amplifier with only local feedback. The idea is to use it as a triode in-circuit. Do you have a reference for prior work? I couldn't find anything on a quick search. Michael |
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#4 |
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diyAudio Member
Join Date: May 2004
Location: Hertfordshire
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I wondered if this was the same Schade who did the classic work on rectifiers and it was. Schades curves avaliable here page 118 onwards Also an example of Power supply design for an audio amplifier page 126
http://www.ieeta.pt/~alex/docs/Appli...20Handbook.pdf |
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#5 |
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diyAudio Member
Join Date: Dec 2001
Location: Hickory, NC
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Hi Michael,
I think that circuit is pretty much what Ken was calling a Fetron or Fetrode. I think he said he found it somewhere else too. There was an article in Electronics World some time back on making a SS sub for tubes, not sure if that would be the original. OT: ever get any info from Bob Carver on his mysterious 6AL5 DC restorer? Don
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Ohms Law V = I R |
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#6 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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If nothing else, Nelson Pass' "Zen" is the same basic circuit.
And his slightly overcomplicated "Aleph" current source an Anti-Triode (or Anti-Fetron)... I doubt Nelson designed either with any regard toward Triode or Anti-Triode emulations. Its still a good circuit, no matter what angle of sandy or hollow state thinking brings one around to it. More than once I've posted P-Channel Fetrons for discussion. Seeing no need to offend the glass world with a redundant N- Channel competitor. And the same circuit bent around a GTBT as a potential stand- alone emulator for an Anti-Triode (not requiring a reference). |
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#7 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Copy and paste: one of many days I wasn't quite thinking straight.
Only first of these three circuits halfway seems to make any sense... Often finding my own past ramblings as difficult to comprehend as anyone else. |
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#8 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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And another nutty idea gone entirely wrong...
I think my intention was P-Fetron on the left side, and Brute bridged P-Antifetron on the right side? Abuse a bifilar dual voice coil sub as a very low impedance PP transformer to directly drive a full range loudspeaker in tandem. Or maybe the driver side was the P-AntiFetron? And the passenger side then P-AntiAnti? I forget now what bizarre point I was trying to prove by this exercise??? ------------------------------------------ Anyways, the point I'm trying to make here today: That they all share a simplified version of Schade's local feedback scheme. A resistive divider repairing the "broken triode" hidden in Tetrodes, Pentodes, and certain sandy devices. |
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#9 |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Hi Ken,
I just returned from a similar archaeology expedition, and found indeed a number of your fetron references wrt. O.H. Schade, which is apparently what I just recreated. Now I know what you were talking about all this time! I'm a little curious why emulating 3/2 power is important. What's wrong with a device that has more constant mu and Rp over it's op range? I didn't call it a fetrode because that's a registered trademark of a biosensor company. So at least it looks like I've distilled it down to a few parts with a simple explanation ;-) I think it can make a practical one-element amplifier with a nice triode characteristic, as well as a teaching tool about triodes and pentodes for people raised on solid state... Also this simplified circuit can be directly mirrored to P-version, with an n-buffer and p-gain element. I'm expecting my plate curves to look a little different, though... more like DHTs; very linear down to the bias current baseline. I think I'll at least try to get some curves from an actual circuit here. Cheers, Michael |
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#10 |
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diyAudio Member
Join Date: Jan 2008
Location: Eureka, CA
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Don
- ever get any info from Bob Carver on his mysterious 6AL5 DC restorer? First, an interesting assertion that trying to negative peak detect the common cathode current would fail because of common mode current. (I actually did have a problem with a positive feedback of some kind that appeared to be related to common mode current) I wonder if he follows these groups... He didn't elaborate further except to say that balance control wasn't as important as bias stability was, that anything with a time constant has a negative impact on music, that sampling schemes aren't reliable and don't account for drift, and that his scheme continuously corrects zero-signal current without a time constant. Apparently *not* by negative peak detecting cathode current minima. So what could a vacuum diode do uniquely to this end? I should try again to follow up but have been working on other pursuits. I do agree with avoiding sampling and time constants and also think continuous correction is possible. Maybe as I get more interested in class AB operation I'll look into it again. Michael PS FETRON may not be a current trademark, but was apparently used by Teledyne (an ex-employer of mine) as a trade name for a solid state FET based replacement for vacuum tubes. They were used in telephone equipment and found some use in guitar amps (Mesa Boogie). They were packaged in 9-pin and TO-3 like cans. So FETRODE and FETRON are already well known names for other devices (though the FETRON is a similar use, it was a high voltage depletion mode FET, not a Schade application of local feedback). So I'll stick with MOStrode for now. I can only find MOST RODE motorcycles... |
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