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#1 |
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diyAudio Member
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After building my first pair of speakers, I was very happy. Since I had put a fair amount of thought into the enclosure design, they produced a respectable amount of bass for their size. However, I always knew that I would want a subwoofer at some point. So, one day I started playing with ideas and testing out various subwoofers in WinISD. My main criteria was flat response down to 20Hz (no less than -1dB). The primary constraint was that no side could exceed 24". This was both for purposes of practicality, and due to the fact that MDF only comes in 24" increments. There was no way I would build a) a subwoofer of 48" in any dimension, or cut 32" out of a 48" piece & throw it away (wasteful!).
The box was constructed from: - 1" MDF (walls) - 0.5" MDF (shelf bracing) - 4" ID ABS drainage pipe - 0.75" MDF (port flare) - Damplifier butyl rubber / aluminum foil deadening (walls) - 0.125" closed cell foam sheets (walls) - 1.5" open-celled acoustic foam (walls) - Solid red oak (legs) - Solid red oak & veneered plywood (base) - All MDF joints Gorilla glued & screwed - Various hardware to attach base & driver Since I wanted flat response down to 20Hz, that basically ruled out a sealed box. While ported enclosures have less desirable group delay properties, and you need to be careful about running signals below the tuning frequency, they can deliver what I want. I selected a subwoofer with above-average excursion, you know, just in case I ever watch a movie with an earthquake scene! I seriously doubt that I will be running much of anything below the tuning frequency (19Hz) except a test signal. The driver I opted for was the Tang-Band WQ1858. I would also like to mention that I purchased Vance Dickason's Loudspeaker Design Cookbook V7 around the time I finished this project. The timing was strange, I know. Anyway, I read it through entirely, and it had a great deal of knowledge. Some people criticize it for being a giant advertisement for LEAP, and it felt like that for half of one chapter. Otherwise, it was a great book! It confirmed some things I had observed during the design process, and pointed out a few that I should have considered more (but after verifying, turned out that I was lucky). So, the subwoofer would be used with the 2-way's I built. It is now all driven by: - M-Audio Fast Track Pro as a DAC from my laptop - Behringer DCX2496 Digital Crossover (3-way) - 3 x Behringer A500 Amplifier Anyway, enough blabbing! Let's get some eye candy up. First-off, here was the predicted "ideal" response of the sound system. Red is the sub, green the mid & blue the tweeter (the latter two from the first link in here). ![]() I also picked up a Behringer ECM8000 measurement mic. Since I have the M-Audio box I was all set to go! The box also lets me get the guitar amp & FX gear out of the room, which raises the GAF (not WAF quite yet). The response is pretty dependent on where you measure from, so this is just one sweep taken from HOLMImpulse. I prefer a little more bass, so I leave it ~2dB above the other stuff (the DCX2496 makes tuning painfully easy). ![]() While designing it, I made an Excel sheet to account for the internal volume. Once I had things mostly figured out, I modeled it in CAD & used that to compute the actual internal volume. The Excel sheet was fine for getting within ~3% though! ![]() Initially I thought about stuffing the box, but most things I read indicated that stuffing ported boxes is not ideal, and that there is not really an effective volume gain. Well, I tried a few combinations in WinISD to see what would happen with NO volume gain, 10% & 20% gain. The changes weren't terribly substantial, so I figured it would not be a big deal if I added/removed it later on. ![]() The initial design utilized a bent port, facing down with the driver. ![]() ![]() I found that this wouldn't fit well at all with the bracing, so I just used a straight port. This more closely resembles the final design. The port flare was made form a scrap of 0.75" MDF. ![]()
Last edited by bmwman91; 8th January 2010 at 07:30 PM. |
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#2 |
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diyAudio Member
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Here were some of the raw materials.
![]() Is the port large enough? (actually, according to Vance D’s book a 4” port is the bare minimum for a 12” sub, although the only way I got port noise was running a lot of power under 20Hz….I was not too concerned). ![]() I trimmed the pieces to size (the sub ended up being a 23.875” cube, not 24”…don’t forget that a “24”” piece of wood has a tolerance!). The box was jointed with rabbit grooves. Here was a neat shot of my sawdust-containment system lol. ![]() Here was the top of the sub. I also have to toss in a gratuitous super-macro shot. You know, it wouldn’t be a proper write-up without at least one! ![]() ![]() Naturally, before doing too much else you must test fit things. A little sanding always helps things along, too. ![]() ![]() This project had a number of circular cuts. I made a base for the router out of some 0.25” wood scraps & used this bolt as the pivot point. This was the start of the port hole (recessed, not all the way through). A little sanding got it fitting in very snugly. Gorilla glue was added to seal the deal. ![]() ![]() I also received the driver around this time. It weighs in at 2 grown housecats.
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#3 |
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diyAudio Member
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I was very pleased with the unit. The frame was cast aluminum and felt very sturdy. The connectors were also convenient.
![]() ![]() The port flare was a fun bit of work. It took 2 tries to get it right. The 2 puttied holes are from screwing it down so I could use the router & a round-over bit on the outside. Once the glue cured, I rounded the inside as well. I then puttied the MDF-ABS interface to make it smooth. ![]() ![]() ![]() For those who might be curious, here is how I rigged the router to do the holes. The router is too old to find a circle cutting kit for it, and who pay for one anyway! ![]() ![]() ![]()
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#4 |
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diyAudio Member
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Here is the Damplifier applied to the port. It made a substantial difference in the feel of the port. It went from sounding like a flimsy hollow tube to a dead concrete conduit when knocked on. I also made the arrangements for the terminal block on the rear panel.
![]() ![]() The biggest pain in the whole thing (excluding painting) was the shelf bracing. It took a little trial & error to figure out the best way to clamp it all. The best solution was to drill holes & screw it down to a larger wooden base plate, which was then clamped to the table. Wooden guides were made & screwed to the work pieces. It made no difference, surely, but I puttied all the holes haha. This was one instance where I gave in & stopped fighting the obsessive-compulsive urges. All edges of the bracing had 0.25” roundovers routed in. ![]() ![]() ![]() Did I mention that the router makes a horrendous mess? ![]() I practiced the cuts for the bottom bracing that needed to fit around the driver. At this point I didn’t want to make any mistakes, and practice always helps. ![]() Half of the cuts are done! ![]() I was really sweating by now…the last of the cuts were about to be done, and I had that feeling that I was about to be punished for not making any mistakes earlier. Luckily, it all worked out. I guess that every once in a while, you get to do a project without any major “oops” moments.
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#5 |
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diyAudio Member
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So, the cutting was done with! Yay! Now the task of test fitting & trimming everything dry could start. All I have to say is that there is no such thing as too many clamps.
![]() ![]() ![]() Since I was already committed to overbuilding this thing, I chased out the T-nuts & fasteners to make them all fit nicely. One advantage of having worked on my own cars for a long time is owning all sorts of tools, including full tap & die sets. They definitely come in handy when you want to clean up threads on rusty suspension parts (or just get out old thread locker). ![]() ![]() Once I got all the bracing to fit together smoothly and align well with the walls, I clamped & screwed them. Somehow I had neglected to account for the port flare properly (this was almost an “oops” moment), so I carefully used the router to nibble material off. I then rounded the edges over & sanded like crazy. ![]() ![]() ![]() At this point it was time to start adding dampening to the walls. Damplifier is my weapon of choice (mainly because it is zero-mess and odorless). ![]() Of course, my trusty sidekick was keeping me company (the cat). My girlfriend stopped by to see the progress as well.
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#6 |
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diyAudio Member
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Now I started adding foam. I doubled up on the port so that it would sandwich snugly into the notches in the bracing, thus reducing the chance of buzzing / vibration.
![]() ![]() I free-hand trimmed the edges to ~45 degrees to that the walls would actually fit together. When everything was dry-fitted, I clamped all sides together & pre-drilled the screw holes. I wanted to be able to glue, assemble & screw as quickly as possible. ![]() ![]() ![]() ![]() The bottom was not installed until after everything else had cured. I needed to start on the oak base, and wanted to test fit it with the bottom before assembling the box. Drilling holes and making corrections with the base on the box would lead to a box full of sawdust. The base was made from veneered plywood & edged with solid red oak to hide the ply. Plywood is much more dimensionally stable with varying humidity than solid wood, which why I always use this method on large plane surfaces. ![]() Here are the legs. They are attached to the base via 3/8-18 hex cap screws & T-nuts. ![]() ![]() I applied some “Natural” colored Danish Oil to finish them.
Last edited by bmwman91; 8th January 2010 at 07:34 PM. |
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#7 |
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diyAudio Member
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Now that the box was fully assembled, I could start the finishing process on that as well. All screws were countersunk & puttied. It took 3 applications of putty & sanding to get them flush (it shrinks as it cures, leaving a depression, so you have to apply more later).
![]() Prior to rounding the edges over (0.5” radius), I used some 60 grit sandpaper with a vibratory sander. This quickly took care of the minor alignment issues on the edges. After rounding the edges, I hit it all with 400 grit paper. ![]() ![]() Next, I applied 3 coats of sanding sealer. MDF, especially if it has been sanded, will drink paint / sealer like your alcoholic cousin at a wedding with an open bar. Sealing the MDF is crucial before painting it. The first two coats were applied with a brush. The third came via a HVLP spray gun. ![]() Once the sealer was cured, I carefully sanded it with some 400 grit paper. Some drips had formed around the port, so that took some careful work to correct. Paint is such a pain, particularly if the results are supposed to look good. Anyway, I moved on to the final coat. This was just your basic Rustoleum enamel, flat black. The HVLP gun was a little tricky to get dialed in since this stuff was very thick and needed serious thinning. ![]() Initially, I thinned it with acetone. This did not work out so well. Acetone evaporates very quickly. In fact, it dries fast enough that each pass of the gun was unloading wet paint onto mostly dried paint. The results weren’t great. ![]() The next cup of paint was thinned with low-odor mineral spirits. This stuff takes much longer to evaporate, so each pass of the gun blended much more evenly. The banding almost completely disappeared after the paint dried, and was only really noticeable under fluorescent light at extreme angles. ![]() ![]() Once it cured for about a week, I moved it inside. All that remained was to assemble it. Initially, I tried stuffing. Upon removing the stuffing, the sub suddenly sounded much clearer. Stuffing it made it have a muffled quality to it (although I really cannot say how much of this is real & how much is psychological). I never measured the response with the stuffing. ![]() All wiring is generic Dayton Audio 12ga stuff from Parts Express. Take a guess at which group I fall into in DIYAudio’s biggest thread.
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#8 |
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diyAudio Member
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I talked my roommate into helping me move the subwoofer from my parents’ house to our apartment (I have no garage/shop, so I make a mess at their house). This is where I finished up the assembly.
![]() ![]() Shortly after finishing the sub, I received the audio gear. ![]() Since I work as a mechanical engineer, I have access to some fun test equipment. I ended up taking our portable DSA & accelerometers home to see just how much I could shake things! The resonant frequency of the floor is about 27Hz, and I can pull 0.3Grms on the floor running ~150W into the sub. ![]() ![]() ![]() ![]() So, there you have it! This concludes the story of my first subwoofer build. I sort of adhere to the “go big or go home” mantra. Typical “American” thinking, I know. In some cases though, it can be a lot of fun! |
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#9 |
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diyAudio Member
Join Date: Feb 2006
Location: Hillsborough, NC/McLean, VA
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Very cool
__________________
Jim J. |
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#10 |
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diyAudio Member
Join Date: Nov 2007
Location: München, Bavaria, Germany
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Very nice build, and very detailed write-up. Me likey!
Have yourself a celebratory beer (Disclaimer: unless of course the 91 in your username refers to yourself and not your e30. klankymen in no way condones underage drinking in the free and tolerant land of unlimited possibilities and drinking at 21)But seriously great work. How big is your room? It looks quite small. Would be interesting to know as I'm planning on putting a biggish sub into a 16 square meter room myself. How are the room modes? |
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