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#531 |
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Banned
Join Date: Apr 2002
Location: Germany, Clausthal
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thats ok, for you, those F1 people (i doubt they can hear anything - that job must cause hearing loss) and M Schumacher, who has a face that silly, i doubt he even can spell "music".
Most of us other need to listen to real world speakers, and for those real world amps are just fine, as long as they stay somewhat below 1% or so at full output. |
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#532 |
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diyAudio Member
Join Date: Apr 2002
Location: Prague, Kitakyushu, Fukuoka
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till,
do you know what is the difference between speaker distortion and solid-state distortion (spectra)? And you surely know that the distortions superimpose, there is nothing like masking of amplifier distortion by speaker distortion. And you would probably be tolerant to 1% 2nd harmonic of the speaker and not to 0.1% 9th harmonic of the amplifier. |
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#533 |
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diyAudio Member
Join Date: Aug 2003
Location: Prague,Czech Republic
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Be only little bit immodestly to yourself, it's easy
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#534 |
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diyAudio Moderator Emeritus
Join Date: Jan 2003
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I appreciate both efforts. People who aim for the nicest and smoothest sound are as valuable as the ones who try to develop a more refined product in terms of measurements. Most good designers will seek for a compromise of both. But then, we do have plenty of threads to discuss this.
/Hugo |
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#535 |
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diyAudio Member
Join Date: Aug 2003
Location: Prague,Czech Republic
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Hugo, nicest and smoothest sound is not on oportunity to refined products, rather on the contrary. All is only about this thing, that some who don't know to make " refined product " still look for excuse, that worse things are good enough. It is normal human behaviour - Ezop was write two thousand years ago about Fox and sour bunch
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#536 |
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diyAudio Member
Join Date: Aug 2003
Location: Auckland, New Zealand
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Quote:
using INA134 thoughThe input which is floating, will take a non balanced or balanced signal (or anything in between) and output a differential signal It will have as good (even better than a single INA) CMRR even with single ended input aswell as with balanced input, dont know if this is relavent but its a very usefull circuit |
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#537 |
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diyAudio Member
Join Date: Aug 2003
Location: Auckland, New Zealand
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INA2134
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#538 |
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diyAudio Member
Join Date: Apr 2004
Location: Nebraska, USA
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I had to ask for a visual on the windings. I'm asking about setting up the individual wire. Included is a graphic I hope is sent correctly.
Are you using a group of windings all aligned at a starting point, aligned on common center, or threaded in on a ratio? The last option I think was covered in a post about keeping the windings equal and therefore all phase correct. Although I have wondered if layering and then using a separate layer-wound concept would help. I needed to ask about the windings. Otherwise, I can collect together most of the needed parts list from early posts. I'm also waiting to hear of compatible preamps. This will be my only hurdle, because I'd like to use an AV unit for the preamp ( a few video inputs, and audio inputs, and control of ), and run these amps for individual channels or on active crossover setups on all channels. If cost begins to be an issue, I will probably plan for a left/right/sub configuration, instead of 5.1 or 6.1. I, for one, wish there were a more powerful word than congratulations to Susan for the amp design. Many thanks all, GH |
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#539 | ||
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diyAudio Member
Join Date: Feb 2003
Location: Los Angeles, CA
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Quote:
I talked to one of the two engineers in charge of the INAxxx products at TI this week and he agreed that this configuration will work perfectly. Actually, he was surpised that TI never introduced a line receiver that is balanced in-balanced out. Quote:
I plan to use ~20 foot interconnects across my living room, so it might be a benefit. |
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#540 | |
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frugal-phile(tm)
diyAudio Moderator
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Quote:
http://www.gedlee.com/distortion_perception.htm dave
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community sites t-linespeakers.org, frugal-horn.com, frugal-phile.com ........ commercial site planet10-HiFi p10-hifi forum here at diyA |
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