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#101 |
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diyAudio Member
Join Date: Apr 2007
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I simulated until I determined the best type of devices.Then I built.
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JCM |
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#102 | |
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diyAudio Member
Join Date: Aug 2005
Location: Bukit Panjang
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Quote:
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#103 | |
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diyAudio Member
Join Date: Sep 2006
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Quote:
However, here is an example of an N-channel-only output stage that some might like, and would be symmetrical. Use a pair of N-channel devices in push-pull with an output transformer (as if they were tubes). Cheers, Bob |
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#104 | |
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diyAudio Member
Join Date: Jul 2005
Location: D-55629 Schwarzerden
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Quote:
Crazy Clipping Behavior Quasi Complementary MOSFET Citation 12 TAA Book At this time no P-Ch MOSFETs available - therefore that design. After release P-Channel MOSFETs from IRF several months later Mr. Pass updated this circuit and remove the CFP on bottom. The topology you like is that one from follow URL's - so I think: Zero Feedback Transformer Audio Power Amplifier index Push-Pull using only N-Channel MOSFETs and what about the circlotron like follow URL's (my personal favorite of all push pull variantes)? http://www.amplimos.it/images/CIRCLOTRON_50W.bmp Circlotron amp using N-channel mosfets http://www.davidsaudio.com/Nine.pdf 6moons audio reviews: Thorens TEM 3200 A URL collection from me of the most possible "N-channel-only output stages" you will find there: URL collection of Totem Pole and CSPP (Single Ended related) Solid State Output Stage and there: Only N-Channel MOSFETs (NMOS); better Audio from non complements by Audio Power? For me the most interested topology for universal use to modify exist amps, if the orig. output power devices too expensive or no longer available seems to be follow: It's cheap, it's N, it's dirty, it's.... The CIRCLOMOS!!! unfortunately I haven't time to check out the behaviour until this day. Last edited by tiefbassuebertr; 21st April 2010 at 06:24 PM. |
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#105 |
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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There are 3 topologies that come to mind that make a completely symetrical amp using onlu N-type devices. They all have a phase splitter of some kind in common:
1) totem pole output with bootstrapped concertina type phase splitter (best made with a MOSFET - a BJT would show errors because of Ic not equal to Ie). The top transistor only appears to be working as a follower - the bootstrapping actually makes it common source operation. 2) totem pole output with P-type LTP as phase splitter (usually requires extra positive rail for best rail to rail performance, although bootstrapping can be used with some difficulty). Again, top device only appears as a source follower, since the drive is voltage derived from the LTP output current, terminated to the output, this is a form of bootstrappinf, so the top device again reverts to common source. 3) Circlotron. It requires differential drive with the same DC offset, and is actually possible to do it two ways - source follower based and common source based, but the latter is much more difficult to bias. The source follower version is actually the only topology that comes to mind that utilizes both MOSFETs as anything near source followers and does not require a transformer to merge the phases back together into a single output. The only real disadvantage here are the multiple floating power supplies, bias is actually very simple (don't confuse this with the Bongiorno patent that shows how to cleverly use the Vbe of a BJT output circlotron to compensate itself thermally). |
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#106 | |
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diyAudio Member
Join Date: Jul 2005
Location: D-55629 Schwarzerden
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Quote:
1) totem pole output with bootstrapped concertina type phase splitter (best made with a MOSFET - a BJT would show errors because of Ic not equal to Ie). The top transistor only appears to be working as a follower - the bootstrapping actually makes it common source operation. ... is it really so? - read this: The Tube CAD Journal: symmetrical solid-state output stages http://www.amplimos.it/images/N-CH1.JPG 2) totem pole output with P-type LTP as phase splitter http://peufeu.free.fr/audio/schemas/Kaneda_Mosfet.jpg http://www.amplimos.it/images/2sk77%...MAHA%20B-1.gif |
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#107 | |
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diyAudio Member
Join Date: Feb 2005
Location: Zagreb
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Quote:
From your examples, only the bottom amp in the John BRoskie link works it's outputs as source followers but it's AC coupled. The amplimos amp, and the kaneda amp are precisely the arhitecture I mentioned, as is the B-1, but in the case of the B1 it's using depletion mode VFETs (SITs) so the second stage uses N-ch MOSFETs and develops negative bias - which could be confusing you. Here we are talking about MOSFETs so in 99.99% of all cases enhancement mode devices are assumed, which lends itself to a P-ch (or PNP) LTP as the phase splitter in my example (2). Regarding Broskie's amp, it is possible to do this DC coupled using current conveyors (also LTP's and even simple concertinas could be used to level shift the drive signals for the MOSFETs) but it gets complicated and not easy to manage re stability, as you can't disregard the extra stages. |
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#108 |
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diyAudio Member
Join Date: May 2005
Location: Kaiserslautern
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The problem with all kinds of parallel symmetric (against complementary symmetric) topologies is, that somewhere in the circuit a kind of differential VAS and/or phase splitter means has to be used in such a way, that the two "phases" see different voltage swings and/or completely different output impedances.
Some incarnations of this parallel symmetric paradigm try to solve this by using differential VAS stages running at extreme bias voltage levels and heavy cascoding. The B-I e.g. uses a -200V (the -C voltage) supply to achieve this (and the negative bias of the V-FETs), but nevertheless there is still a bunch of problems: - The VAS for the upper (push) transistor still sees (AC wise) the full voltage swing, while the corresponding path of the lower (pull) transistor sees only the gate voltage variation. - Another drawback of these common parallel schemes is the very ill-informed use of non-inverting feedback, which btw. kills any symmetry from the input stage onwards (by means of unavoidable common mode distortions) ... - Just another con is the inherent asymmetrical slew rate bahaviour (especially of the totem pole flavours of this paradigm) ... The asymmetries introduced by these mechanisms can't be reduced very well, so why even think about such topologies at power levels of 200W (or even 22kW ;-), especially since these tend to love Class A operation ? And finally, believe me, the Yamaha B-I produces lots of even order distortions, which it shouldn't do if the parallel symmetry idea could really work here (and even anywhere else) and it even doesn't sound better than (partially) complementary amplifiers of half the complexity and driver supply voltage and ten times better reliability ... But then there is still the rather dogmatic question, if topological symmetry is an ultimate goal at all, especially since a bridge mode of any topology (and some matching) always leads into a naturally symmetrical behaviour ...
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My amplifier is very musical: It accompanies myself on the grand piano, that's not half bad ! |
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#109 | |
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diyAudio Member
Join Date: Sep 2006
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Quote:
Similarly, those who pursue symmetry just because it looks cool on a schematic are just as likely to end up with a poor-sounding amplifier as anyone else. No amplifier design that I know of is perfectly symmetrical in every sense. Pick your poison, but do so wisely. Cheers, Bob |
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#110 |
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diyAudio Member
Join Date: Jul 2007
Location: Central Berlin, Germany
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Do you happen to have (LT)spice models of the BUZ90x's which actually work? I'm in great favor of those Magnatec/Exicon laterals (have used them several times with zero issues) but I have not found yet spice models that are realistic in any true sense of the word...
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