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#1 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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Some simulation results investigating TPC/TMC/‘pure Cherry’ and other obfuscating stuff. This started out as an exercise to see if LTspice can simulate ‘real life’ stuff from when commercial PA design was important to me.
I hope yus gurus will use it as a base point for some of the ‘compensation’ discussions in the threads on Bob & Doug’s books. I’m also hoping Bob & Doug will be encouraged to do more ‘real life’ work on ‘pure Cherry’ rather than declare it unworkable. Starting point is Douglas Self’s fig 6.16 from his 4th ed. cos that’s close to what I was playing with in 1990. I’ve used Bob Cordell’s BJT models and some FET models from Scott Wurcer. These give the worst results of any models I can find so are likely to be close to real life. I’ve used mjl21194/3 cos they are the worst of Cordell’s OP devices and closest to Self’s mj802/4502 and the Sanyo device I used. This gave Self'’s results for THD with frequency … and also what I remember from 20+ yrs ago, which was encouraging. Remember, all dis theory en simulation is useful … not cos the mathematical rigour or how it supports some pet theory .. but ONLY if it has some connection to ‘real life’ and gives us insights into the behaviour of amps and how to improve / design them. Self & Cordell’s books are useful … not cos they expound many theories … but cos … for their pet topologies & ideas, they show ‘real life’ results from their experience and relate them to the simulations and calculations. eg asking Self to pontificate on the virtues of CFAs is non-productive. He doesn’t see the virtues … and more importantly, hasn’t done much ‘real life’ work on them. I check virtual (and real) stability with a large variety of loads including pure capacitance from 33p to 100n as described in Discrete Opamp Open Design Some tweaking of stability done with added ‘zeros’ with judicious use of C2/7/9 and .TRANS. Check if C4 across the ‘bias spreader’ is appropriate and if something across R15 is needed. BTW, this is all stuff you check & tweak in ‘real life’ … eg if you change devices in production The Open Loop responses are done with a Tian probe (LTspice4\examples\Educational\LoopGain2.asc) at the –ve feedback point. Connect R5 to Ground for this. .AC closed loop responses (not shown) to check for excessive peaking. Connect V2 to R5 for this. For these and plain .TRANS, you need to get rid of the ..
First off is Two Pole Compensation (TPC) around the VAS. I’ve sorta used Cordell’s method by splitting Cdom and taking a tweak resistor R23 to earth. C7=4p7 from the stability tests. Distortion at 20V into 8R up to 10th harm. using Eugene Dvoskin’s Total Harmonic Analyzer from the LTspice Yahoo Group including stuff from jcx. The distortion residual shows 2 cycles of 20kHz with the fundamental superimposed at 0.01% to give some idea of scale. Ignore the lower freq waveforms. Takes a long time. Last edited by kgrlee; 1st May 2013 at 09:27 AM. |
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#2 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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Next, we follow Michaelkiwanuka’s advice and take R23 to the output instead of ground to give Baxandall’s Transitional Miller Compensation (TMC).
I won’t enter the pedant’s debate about the equivalence or otherwise between TPC / TMC but note the final result shows very small improvement in distortion. Neither of these compensation circuits have been optimised so I invite the various champions to offer improvements for both configurations on what I think is near a ‘real life’ device. |
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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What I miss in your good stuff are some conclusions.
What is the best you think? TPC or TMC
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lineup |
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#4 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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Prof. Edward Cherry suggested Cdom should be fed, not by the VAS collector, but from the output. I think someone calls it Output Inclusive Compensation but I like ‘pure Cherry’ as he not only popularised but also analysed it in various JAES papers.
Various gurus say it is difficult to make stable but in my experience, it is no worse than plain Miller. Cherry offers the VAS emitter resistor R22 as a powerful tool to control the stability of this local loop. It reduces the transconductance of its input which. if made big enough, will always make things stable. I’ll offer a useful zero by decoupling R22 with C9 in the low nFs. But pure Cherry is probably too frisky to use with Triple output stages and a supa dupa VAS. Maybe OK for Triples and a single BJT VAS but then its Ccb starts to matter. This is the fabled 1ppm THD at 20kHz so this performance is well past the stage where layout, decoupling and grounding play an equal if not more important part in THD performance. The circuit has some nice properties besides simplicity and high performance.
Last edited by kgrlee; 1st May 2013 at 09:49 AM. |
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#5 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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All the PA gurus have their own pet obsessions. This pseudo guru needs to declare his.
Last edited by kgrlee; 1st May 2013 at 09:50 AM. |
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#6 |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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#7 |
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expert in tautology
diyAudio Member
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Hang on a second. Are you saying that amps preferred by "golden ears" types that you have *tested* ring, as in parasitic oscillation on reactive, "real world" speaker loads?? Or some other sort of oscillation??
This is a new sort of assertion on me. I find it surprising. Perhaps some more information would help focus this?? _-_- PS. overload or clipping performance does make a difference, assuming the amp gets clipped (a good assumption, in my view), which is why a whole lot of folks, myself included, do not prefer bipolar devices as the output devices of choice. Going farther down that road, I think it is part of the reason that so many seem to like zero loop feedback tube designs...
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_-_-bear http://www.bearlabs.com [...2SJ74 Toshiba bogus asian parts - beware! ] -- Btw, I don't actually know anything, FYI --
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#8 | |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Quote:
It does not surprise me at all. Poor stability margins WILL give rise to a different sound from adequate stability margins. I have said this in the past, more than once ! |
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#9 | |
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diyAudio Member
Join Date: Nov 2009
Location: Cape Town
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Quote:
I remember Bob saying he's found many commercial amps that show oscillation on part of the waveform. I don't remember him saying anything specifically about golden ears approved amps. |
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#10 | |
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diyAudio Member
Join Date: Nov 2011
Location: Cooktown, Oz
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Quote:
![]() You don't need Audio Precision etc to see this. Any old scope, signal generator and a big old guitar speaker will do. Try frequencies just above the resonance and various levels. But my serious investigations into Golden Pinnae stuff was circa 1990. Modern stuff may be better ... but somehow I don't think so. ![]() The educational efforts of Self, Cordell & a few other worthy gurus have done little to stem the Loony .. I mean Golden Pinnae brigade. The classic LEAK, Radford and QUAD valve stuff don't misbehave like this. Their designers knew about this and are rightly contemptious of many Golden Pinnae designers. |
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