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#1 |
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diyAudio Member
Join Date: Sep 2006
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Sometimes ago, I showed an example of a power buffer based on a 100% feedback ratio:
Is the CFB topology superior, and why? The purpose was to show that pure VFB topologies too can offer valuable performance, yet it pushes VFB to its extreme To put things in context, this example was taken from one of the many circuits I experimented in relation with non-switching topologies. Some years ago, I set out to study various NS strategies, and I needed an output topology that had decent performances to begin with, but more importantly one that allowed an easy control of the individual bases with a good deal of gain, and the ability to mix transparently the noble signal and the non-switching engine. I selected that kind of circuit as a test-bed, since it fulfilled my requirements for symmetrical circuits. Note that I don't claim to have created it: I used something existing (perhaps an Allison variant I had seen somewhere, I don't remember exactly) and adapted it. Anyway, this was not a concern, since my focus was on the NS engines I grafted onto the initial circuit. The particular iteration shown (MaxiB04c) is an example of such circuits, not the most valuable, and I chose to disclose it simply because it illustrated very clearly the point I wanted to make. Unlike a few others, this one has never been physically tested. In total, I studied tens, perhaps hundreds of variants and built half a dozen of them. But in the end, I didn't feel the concept was mature and safe enough to base an actual amplifier project on it. I shelved it and went on to study other types of symmetry with NS engines. That's how the Circlophone came to be. Although the performances were not in the same league, this concept allowed for extremely good, safe and effective amplifiers. Back to the buffers, it is always possible to downgrade an amplifier of the MaxiB variety and revert to the original base circuit: we just have to strip it of the auto-bias engine, and replace it with something more conventional, like a diode string. That is shown in "MiniB". The performances are decent, but there are a number of drawbacks:
I will begin to examine the solutions in the next post
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#2 |
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diyAudio Member
Join Date: Apr 2003
Location: Eastern Pennsylvania
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As you point out, the input stage design places significant performance demands upon the driving preamp's output stage.
Your utilization of the bias spreading pair as part of the global feedback implementation seems clever.
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Ken |
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#3 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Elvee.
Both circuits look great! I would say it even can have better figures of THD than my LU Buffer. This is because the output stage is sziklai, CFB complementary feedback. I hope people look into this thread. This is simply a great way to get a good buffer with very low distortion. Regards, Lineup
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lineup |
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#4 |
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diyAudio Member
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We need good buffers to put on the output of some nice valves
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"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. |
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#5 |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Valves and tube preamplifiers is a good idea, Bigun
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lineup |
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#6 |
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diyAudio Member
Join Date: Sep 2006
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Let us first look at the DC offset issue:
it is the easiest to deal with. To ensure proper compensation, each path between input and output must have homogeneous junctions and they have to operate at similar current densities and have similar dissipations. This is not difficult to achieve: the positions of Q8 and Q10 have to be swapped, and the diode string (or Vbe multiplier) has to shunt a current of 5mA. These simple measures will push the offset below 10mV, without any matching and with no temperature dependency. The other points will require much more fundamental changes.
This renders triples practically compulsory; I do not have much sympathy for this arrangement, but in this case it is practically unavoidable. Let us see the result: now, all B-E junctions have their homologous in front of them, in the right order, meaning the compensation is correct, except for one important point: the input transistors are subjected to the full supply voltage, making the compensation ineffective, and stressing the input transistors. The input impedance has been raised by the Hfe factor, but we still need to properly adress the speed/compensation issue, and we have to solve the voltage/dissipation problem. We will see in the next post that a clever use of cascoding can satisfactorily resolve these issues
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#7 |
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diyAudio Member
Join Date: Sep 2006
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Cascoding is a necessity, it requires two additional transistors but it also brings side benefits:
The transistors of the input "engine" being subjected to small and similar voltage excursions, they are much more linear, and their residual non-linearity is compensated in some measure: this brings a further reduction in THD level. It is also time to rationalize the compensation, and to further increase the speed. To do that, we need to establish links between the positive and negative sides of the circuit: this allows one side to help the other when it finds itself unable to generate the transient currents necessary for fast transitions. This is done by interconnecting the main nodes by capacitors or RC circuits. The capacitor between the base of the two OP is larger than usual: it is necessary in this case because of the poor complementarity between the 3055 and 2955: it helps equalize the differences between the two polarities, and keeps even order non-linearities down. With better devices, it could have a more normal value.
But even in this case, the THD would remain well under 1ppm for the OP stage alone. By including it in multiple feedback loops together with a similarly clever voltage amplifier, THD levels under the ppb are well within reach. Perhaps more on that later.... PS: With the mods, the static offset is 87µV (in sim obviously), and the input impedance @1KHz is ~40 Megohm, see last pic:
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Last edited by Elvee; 17th November 2012 at 07:57 PM. |
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#8 |
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diyAudio Member
Join Date: Nov 2007
Location: Dallas
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Tansistors you have chosen for rush cascodes are available in DIPs.
Having 4 all the same batch and temperature is maybe important... |
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#9 |
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diyAudio Member
Join Date: May 2007
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It seems to me that one can rearrange the input stage (Q8~Q11) from two Rush cascodes to two LTPs, and get somewhat similar result. It would be like the Class-I without the non-switching bias.
Adv: 1.Simpler circuit, no need for the four bias diodes (Q5/6/12/13) 2.More options of dual transistors of same sexes than mixed sexes (THAT?) Disadv: 3.Slew rate is limited by current source at LTP's tail. But if Q8~11 are replaced with complementary JFET pairs, then it is a whole new ball game. 4.If connected as Rush cascodes there are no need of Q5/6/12/13 and I3/5 due to the self biasing nature of JFET. 5.If connected as two LTPs (as John Curl/Sansui diamond differentials), you don't need current sources at LTP tails so slew rate is faster. 6.Disadv: complementary JFETs have few options, low voltage and power rating. Best Regards, Edward Tam Last edited by kf_tam; 18th November 2012 at 05:08 AM. Reason: grammatical mistakes |
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#10 | |
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diyAudio Member
Join Date: Dec 2005
Location: the north
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Quote:
This is the way to do it !!!! For example 2SK170+2SJ74 ![]() I might setup such a circuit!
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lineup |
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