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#11 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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I've mentioned from time to time Cherry's formulation of this test - put 2 different frequency signals at each end of the resistor between amp channels and you sweep the output over a large region of the I,V plane
same frequency, differing phase simulates manyaspects of complex impedance load Quote:
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#12 |
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diyAudio Member
Join Date: Jan 2004
Location: n.e england
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JCX. Do you have those articles by Cherry and would you be willing to PM them to me? They sound like interesting reading but not being an AES member I can't access them. I had thought about joining the AES but heard too many things about it being "not what it used to be" and not worth joining... or maybe in having to ask you for the articles I'm proving myself wrong!?
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Repairs and mods to Real Hi-Fi, guitar amps and P.A. in North East England. http://www.arklesselectronics.com |
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#13 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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I don't have digital copies - the most active years for SS amplifier design info was in 1970's-80's JAES articles, tapering off thru the 90's, very few later articles are amplifier circuit design oriented
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#14 |
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diyAudio Member
Join Date: Jan 2010
Location: Midwest U.S.A.
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What a great thread with wonderful suggestions!
Have had great success with this unraveling faulty designs. Many amps have great phase margin under no load conditions. Put on the complex load and that phase margin magically disappears and the amp breaks into oscillation on a portion of the wave indicating gain is more than one at with 180 degrees of phase shift. Very bad for audio. This can also show well common mode problems in stereo designs and lack of power supply rejection. Most amps I have tested show line frequency spikes on the virtual ground channel. Enjoy
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What the other guy said----Standing on the shoulders of giants. New avatar- no more little array
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#15 |
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diyAudio Member
Join Date: Dec 2006
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i've actually built a device for doing the current source method. it's a Howland current source with an added output stage. i need to do a bit more testing with it, but i need to replace the TL072 with something that has a bit wider power bandwidth first.
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Vintage Audio and Pro-Audio repair ampz(removethis)@sohonet.net spammer trap: spammers must die |
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#16 |
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diyAudio Member
Join Date: Jan 2010
Location: Midwest U.S.A.
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I noticed there is discussion of "complex speaker load" and would really like to add:
In stereo speakers the left speaker produces sound which drives the right speaker acoustically and thereby produces an electrical signal in the transducer which then is applied to the inverting input of the feedback amplifier. Loudspeakers are more than loads. Loudspeakers are sources of signals. Generators if you will. Further, any RF around is picked up well by most speaker cables and likewise applied to the inverting input. All these sources of noise and signal somehow must be controlled by the amplifier. Driving the output of the amplifier with either real or simulated signals and using the amplifier as a virtual ground is sound engineering practice with this thread adding many techniques to this sound practice. Of course one does not find many consumer amplifiers which are designed this way.
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What the other guy said----Standing on the shoulders of giants. New avatar- no more little array
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#17 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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in domestic setups typical speaker electrical-acoustic efficency is order of 1% - so coupled electrical-acoustic-electrical efficiency will be <<0.1%
if you don't terminate the "microphone" speaker you can measure the terminal V directly - then dividing by the speaker's impedance give a estimate of the current the amp would have to supply to to keep the speaker terminals at the commanded V the number is trivial for any ampifier with low Z/high damping factor - less than many nonlinear terms from the speaker's own inductance/motor/suspension caused nonlinear currents again Cherry's articles shows that distortion for these external error currents are equal or lower than the distortion from the forward signal causing the output stage to put out the same current - for low output impedance/high feedback factor amps their is no issue for any current within the output/supply's I,V limits Last edited by jcx; 10th January 2012 at 03:01 PM. |
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#18 |
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diyAudio Member
Join Date: Jan 2010
Location: Midwest U.S.A.
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It is not gnats if you throw in room modes and consider woofers. I have seen over 0.5 volts come out of an inactive driver driven by the other channel. Further, many amps will pass a lot of current but make extremely lousy virtual grounds. To simplify, at the output terminals low output impedance and an amazingly high input impedance. Now I know this sounds out of balance and that is exactly how many amplifiers and other power supplies behave.
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What the other guy said----Standing on the shoulders of giants. New avatar- no more little array
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#19 |
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diyAudio Member
Join Date: Feb 2003
Location: ..
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still gnat sized - 500mV/8 Ohm ~= 60 mA which is about 1/2 the Class AB bias current per output Q recommended by just about everyone excepting perhaps Doug Self
at low frequency a high feedback SS amp can have uOhm output impedance my sim above is showing <10 uOhm output Z at 7 kHz - admittedly Class A baised - but not actually what I would call a high feedback amp the thread is in the Solid State amp forum, the topic is testing Solid State amp designs, specifically those designed to approximate Vsource outputs there is no need to get excited over "back driven by the room sound" effects on such amps - at SPL compatable with human life |
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#20 |
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diyAudio Member
Join Date: Jan 2010
Location: Midwest U.S.A.
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JCX- believe what you want. Your "SIMs" are almost a complete waste of time and worthless unless that sim is accurately calibrated to a REAL circuit. I have the lowest output impedance amps made and none are micro-ohm scale in the output impedance which shows clearly your statement to be false. Go test a REAL amplifier and not some imagination on a computer and discover the FACTS and not your wishful sim. I do not happen to listen to simulated music on virtual or simulated speakers. In short, pretty much everything you say is incorrect. At least you are consistent. Further, I was talking input impedance at the output terminals and you are talking output impedance. Not the same thing in reality at all.
I would like to take this moment to say to everyone with a sim not calibrated to a real circuit with real result, you all mislead yourself and many others with your nonsense notions of how amplifiers work and performance of those circuits. All of you sim people need to build you "sim" with real parts and find out just how far off those sims are from reality. Indeed, I believe DIY audio should have some method for SIM heads to be segregated from people who actually build and test real circuits as sims are pretty much straight fantasy until accurately calibrated where a real circuit just cannot lie.
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