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#1 |
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diyAudio Member
Join Date: Mar 2007
Location: California
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I'd like to get some expert opinions on my setup for linear distortion testing. Although not specifically Pass Labs related, I'm posting in this forum because I believe this is where I will actually find people who can provide insight and knowledge on this issues.
I finally acquired some testing "gear" that I can use to check frequency response and distortion for power amps (single ended mode only) that I am building and/or using. These can be chip amps, class AB or class D amps - pretty much anything I guess. The testing gear is a computer based scope and spectrum analyzer, as well as the usual multimeter. I know from a loopback test that the distortion and noise floor of the soundcard is very low (e.g. 0.0015% THD at 1k Hz) and the frequency response is very flat and wide. I am using a dummy test load consisting of one or more 4-ohm non-inductive power resistors (100W) and one or more 3W 0.1 ohm metal film resistors, connected in series. I am connecting the dummy resistor load to the single ended output, with the cold lead connected at the 0.1 ohm end of the load and the hot lead at the other. I connect the testing probe across the 0.1 ohm resistor only - this lets me connect directly to the computer (soundcard) inputs because the voltage drop across the 0.1 ohm resistor is 41 times (4 ohm load) or 81 times (8 ohm) LESS than the total voltage across the load, bringing it down within line level. I always check DC offset and make sure that I have the leads connected correctly so that the one probe is at ground potential. The soundcard input connections are made with a half a cut up pair of cheap RCA interconnects, the wires of which are connected via sets of clip on leads across the 0.1 ohm resistor. The other half of the cut up interconnects are used to connect the soundcard output to the amplifier input via some additional clip on leads. In this way I can use an internal waveform generator to apply a pure sine wave tone to the amp inputs, and then get a voltage proportional to the amp output back into the computer, which I analyze with the spectrum analyzer to get distortion levels for each harmonic. I use different fundamentals between about 100 Hz and 10k Hz to check the distortion profile versus frequency. I've been able to conduct some preliminary tests, and they look OK. I tested an old Sanyo STK chip amp (a STK4141v, 25+25W, click me for datasheet) into 8 ohms and found moderate distortion levels (e.g. 0.15% at full power) dominated by second order. Lots of PS noise (mains frequency and overtones). Distortion was higher (e.g. 5 times higher) at frequencies below about 300Hz, dropping to about what I expected around 500Hz, and remaining low up to 10k Hz. I attached some plots of this. I also attached the spectrum taken with the amp on but input shorted, and with the amp off (noise floor). I have used this amp to power an active 2-way system and you could definitely hear the distortion in the lower octaves! This was part of the reason that I decided to start testing distortion levels... Does my setup seem like a proper way to go about distortion and frequency response testing? What (if any) other things might I be concerned about? Thanks for any and all advice! -Charlie |
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#2 |
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diyAudio Member
Join Date: Mar 2007
Location: California
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One thing that I (just now realized from the set of measurements shown above) is how much the power supply harmonics are effecting the distortion measurements.
Look at the plots of "amplifier on but no signal applied" versus "noise floor" (you can hold you mouse over the images of the attachments before enlarging to see the file name). "Noise floor" is just the measurement system picking up electronic noise (the amplifier is off). It's mostly 60 Hz mains noise. When I turn on the amp but hold the input at ground, additional power supply harmonics show up. These are significant as high as 11th order (720Hz)! Wow. I had been puzzled why the distortion was increasing for lower frequencies. I randomly chose 100Hz and 300Hz for "low" frequencies. I just realized that these have some harmonic components that correspond to the PS harmonics:
So it looks like I should remake the power supply. It is currently a small inline bridge (with a 4A current rating) and 3000uF caps on the rails. I have the parts around to replace these parts with a new bridge and a two stage PS like Nelson suggests for the F5 Turbo (Ah Ha, a Pass labs connection at last!), that is a first bank of caps, then a series resistor on the rail, then another bank of caps. This forms an RC low-pass filter and should reduce this junk. Probably just increasing the capacitance will reduce ripple and harmonics, which I assume are feeding through the chip amp due to a low PSRR. Food for thought... -Charlie Last edited by CharlieLaub; 26th September 2012 at 06:27 PM. |
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#3 |
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diyAudio Member
Join Date: Mar 2007
Location: California
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OK, here's an actual question (maybe for NP himself):
In your F5 Turbo power supply, with the RC filtering of the rails, what kind of sane limits should be put on the series resistor? The larger the resistor, the more filtering, but also more voltage drop and perhaps reduced "recharge" rate of the second set of caps. So, how does one decide just how large the resistor can be, or what tradeoffs should be considered? Any relevant math or handwaving is welcome. -Charlie |
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#4 |
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The one and only
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So good so far. You will probably refine all this down the line, but you'll
know why when you do it. The power supply noise thing is a matter of actual supply noise and also the ability of the circuit to reject that noise (the PSRR - Power Supply Rejection Ratio - as distinguished from PFRR, the Propositions to Females Rejection Ratio). If you have more noise in the supply, you need more PSRR, and vice versa. The other thing you have to watch out for is that some of those line harmonics may relate to any ground loops between the amplifier and the computer system. I occasionally have to lift AC Earth connections on the power cords to get that down. As to resistance values, I usually use either nothing at all or .1 to .5 ohms depending on the amount of power and the capacitance involved.
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#5 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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What results would you get if you just measured the amp output with the input connected via a long lead to a remote 100ohm dummy source?
That may let you experiment with cable routing and PSU adjustments to reduce the mains fundamental and harmonics. |
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#6 | |
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diyAudio Member
Join Date: Mar 2007
Location: California
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Quote:
NP: probably not a mains ground loop. Mains connection is a polarized (2-prong) plug only. Perhaps a ground loop at the line (input) level? I am connecting the output ground back to the soundcard. Here is my plan for revamping this: 1. Remove existing PS caps and bridge 2. Wire up external bridge and caps and connect then at the current PS cap location on the amp board 3. create star ground on PS 4. route speaker return (grounds) to star instead of through amp board 5. route a separate ground wire to line level grounds on amp board 6. replace input cable with shielded coax (Belden 1505A) This should result in reduced noise and hum... -Charlie |
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#7 | |
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diyAudio Member
Join Date: Mar 2007
Location: California
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I've completed testing of "REV 1" of the power supply. Originally my plan was the following (with added comments in blue):
Quote:
a. the transformer center tap b. a ground wire that connects to all the ground on the PCB c. the returns for the speaker connections This is not a grounded power supply, otherwise earth/safety ground would be connected here, too. I bypassed the speaker fuses that were part of the previous signal flow. I also removed the existing input cabling (unshielded) and added two small screw terminal blocks to which I could directly connect a shielded cable. I connected the dummy load (8 ohm configuration) as before and remeasured the distortion at the same frequencies used previously, as well as with no signal input, and the amp off and caps drained to give an idea of the measurement noise floor. See attached plots. The new PS has made a large difference in the 100 Hz - 500 Hz distortion levels, which now measure quite low: 100 Hz: 0.0158% 300 Hz: 0.0130% 500 Hz: 0.0222% 1k Hz: 0.0385% 5k Hz: 0.145% 10k Hz: 0.257% Not sure why distortion at 5k and 10k Hz is high, but I can live with it for now. So, this is a great improvement. Also the noise floor with the amp on but no input signal is much lower. All components at -115dB or so. That's a 25dB reduction for 60 Hz, and about 10 dB for the harmonics. This may partly be due to the use of shielded input cabling and a shielded measurement probe. The REV 1 power supply is just the standard fare unregulated dual rail setup. I'm hoping to add two more caps and a couple of series resistors on the rails for REV 2, which will be similar to the power supply for the F5 Turbo that NP outlined in the build notes. It will be interesting to compare the two versions. Anyway, quite an improvement so far, and now a very nice little amp! These measurements were done into an 8 ohm load with PS rails around +/-32VDC. The amplifier IC is able to deliver about 40W per channel under these conditions. -Charlie . |
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#8 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Do not locate the Main Audio Ground on the smoothing cap Zero Volt Bus.
You must separate those two to ensure separation of the charging pulses from the audio signals referencing the Main Audio Ground. |
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#9 | |
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diyAudio Member
Join Date: Mar 2007
Location: California
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Quote:
Remember, there is no earth ground in this system. It uses the "polarized" plug that is common in the US with low power equipment. -Charlie |
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#10 |
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diyAudio Member
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Might try testing with MultiTones -- If you can find the software/hardware to do it.
Also take a look at your whole system.... measure the thd/harmonic/Im from source to speaker terminals of the power amp. get the whole distortion data for your entire system -- as that is what you are actually hearing. That total distortion level can tell you a lot... like which harmonics are dominate and where the most improvement could be done. -RNMarsh |
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