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#1 |
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diyAudio Member
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I have a pair of 2418h drivers and bi-radial horns I'd like to use in a two way design. I don't need to get high sound pressure levels from them... home not pro use. How low can I go with a crossover point? Opinions? Experiences?
Thanks, bassnkeys in MN |
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#2 |
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diyAudio Member
Join Date: Nov 2003
Location: iowa
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how big is the horn ? Which horns do you have ? 2344 ?
jbl crosses it over (3622n) to a big horn (15" x 30") at 1,300hz. That same horn also can be crossed at 650hz. I'm not sure where the driver naturally rolls of (plane wave response). No matter what horn, I'm thinking to cross 24db @ or above 1khz. Norman |
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#3 |
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diyAudio Member
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The horn lenses are roughly 6" x 12". They are from stage monitors. I think I'll need a mid or a different horn/lens combo. It seems as though JBL only used them above 1200 at the lowest, usually above 1500. My low drivers are 2235h's.
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#4 |
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diyAudio Member
Join Date: Nov 2003
Location: iowa
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er, that's a small horn, I'm thinking 1,500hz seems right, but loaded on a baffle, it may go a bit lower.
But crossing that high is awfully high for a 15", but your ears may disagree. I think the 2235 rises in response past 500hz, rolls at 900hz, has a couple of resonances at maybe 1,300 and 1,700. And you will lose off axis response past 800hz. I'd recommend a larger horn and/or a smaller woofer (like a 12") or 2 to catch the compression driver. Norman |
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#5 |
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diyAudio Member
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I'm thinking of going with a larger horn. A three way would be another route in which case I'd have to go to electronic crossover as I'm not engineer enough to do a 3 way X-over design for horns. Any ideas on a large horn/lens to match up with my 2235's? X-over around 800hz maybe.
Thanks. |
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#6 |
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diyAudio Member
Join Date: Nov 2003
Location: iowa
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hmm........
I use a 750hz crossover point, but my horn is 14" x 24" and I use a 1.4" compression driver. A good compromise for a large 2-way for me. I can run it that low (with a large enough horn) because the the compression driver goes fairly flat low on a plane wave graph versus most 1". And it goes up pretty high, unlike 2" that are usually in strong breakup mode to get something that measures flatish past 10khz. www.electrovoice.com/downloadfile.php?i=1703 electrovoice.com/downloadfile.php?f=HR90%20EDS.pdf I'd run an active crossover if I were you, but look for cd-eq on it and you may need to build a small network to boost the highs even more. Very tricky stuff to do all passively, especially with the horn/driver Zspikes. Jbl ran a 2344 horn in the 4430 loudspeaker (2-way). 4430/35 the 4430 DIY thread To me, you want a horn that keep directivity down to the crossover point. I like 40x90 dispersion, but I lose vertical directivity below 2khz. So I may have a dip 750hz - 2khz in the far field due to it losing di. Nice place to have a dip. The 500hz horns (behind some movie screens) require 3' x 3' horn mouths to keep directivity all the way down to the crossover point. That's bigger than most people's bass horns. Norman Last edited by norman bates; 13th May 2012 at 01:42 PM. |
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#7 | |
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diyAudio Member
Join Date: Feb 2006
Location: Cascais
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Quote:
JBL 3722/3722N Two-Way ScreenArray Cinema Loudspeaker System. http://www.jblpro.com/catalog/suppor...pe=3&docid=620 JBL 3722-HF | Performance Audio Audio Profesional Bocinas http://www.jblpro.com/pub/cinema/3622N.pdf ???????????? : JBL 3731 About a 3-Way (3731): http://cn.jblpro.com/catalog/support...pe=3&docid=618 The semi clone of JBL 3731's build thread - AVS Forum You have good information from various combos from Wayne Parham also. Pi Speakers - Product Measurements and Datasheets Others Best Horn for JBL 2426H Driver? |
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