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#81 | |
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diyAudio Member
Join Date: Oct 2005
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Hello Angelo,
You asked a lot of questions and I prefer to reply one after the other. The large horn system on homepage of the Melaudia association : http://www.melaudia.net/zimage/pavFD-533x400.jpg doesn't belong to me but to a friend. I still have not listened to this horn but shall during the weekend of March 28th and 29th because Melaudia organize a public demonstration of that system (well the bass reflex will be different, the Onken W enclosure will be used). Best regards from Paris, France Jean-Michel Le Cléac'h Quote:
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#82 | |
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diyAudio Member
Join Date: Mar 2004
Location: 714
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Quote:
I guess i've been looking at the wrong places when it comes to compression drivers then. Those highend drivers you've mentioned are out of reach for me, so i'll have to go with cone drivers for the lowend instead. How do you feel about loading a dome midrange for a midrange unit? The fs should be around 400hz right where i want it. do i model it the same as a compression unit using the measured T/S from a regular baffle? thanks again for your contribution Kev |
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#83 | |
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diyAudio Member
Join Date: Oct 2005
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Hello sqlkev,
Low mid compression drivers are rare and expensive at the moment. Most 2inches compression drivers from JBL, TAD, etc... don't give good results when loaded by a low-mid horn. If you want to use a compression driver that you can use in the low-mid (at the exepense of a lowered max power), you have to choose one with the diaphragm using a non metallic suspension (with the exception of exotic suspension as in the JA6681B). Friends of mine obtained good results with Radian compression drivers (or even with JBL 2inches drivers and a Radian diaphragm). If you want to initiate yourself to low-mid compression drivers on horns there is a very cheap solution (but the results are surprisingly good for the price!), try this: http://www.skytronic.co.uk/product/index.php?s=952.207 I am not very familiar with dome midrange even if 15 years ago I used to play with a Dynaudio loudspeaker which was excellent. If you limit its use to above 1kHz this loudspeaker recommanded by Helmuth seems promising (very good waterfall). http://www.diyaudio.com/forums/showt...95#post1774395 Yes you can use T&S parameters of your loudspeaker to simulate the horn (in Hornresp, Akabak, J Horn...) . Best regards from Paris, France Jean-Michel Le Cléac'h Quote:
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#84 |
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diyAudio Member
Join Date: Feb 2004
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A few posts back, you were talking about the power factor or reactivity/resistance ratio of horns. We had a lot of discussions about that on AudioRoundTable.com a few years back, mostly about how it appeared in truncated horns like basshorns but also how it appeared in every horn to a greater or lesser extent, depending on acoustic size, flare features and boundary conditions.
In the post below, there are a couple dozen links to references around the internet with very useful information, which I think you'll find germane to this discussion and also to acoustic waveguide discussions. Pipe mode and Helmholtz resonance, directivity, evanescent modes and wavefront propogation are referenced there. |
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#85 |
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diyAudio Member
Join Date: Jan 2009
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Hi there tinitus: Out of sight, cool audio set-up with the below the stage horn. Could you comment on your preception of the sound and provide some details for this horn?
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#86 | |
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diyAudio Moderator
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#87 | |
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diyAudio Member
Join Date: Oct 2005
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Hello Wayne,
Thanks for the pointed list of links, it is interesting to have such compilations. I used to read few disscussions on your website but not that one. Bass horns are good examples to illustrate the "tuned pipe" effect of truncated horns. I am aware of that and that's why I recommand bass horns as in the attached file. These are few examples: http://img383.imageshack.us/my.php?i...280x768ac0.jpg http://www.diyaudio.com/forums/attac...amp=1236807427 (The best bass I could listen to was delivered by that "Le Cleac'h" bass horn built by my friend Frédéric Lebas) Those 2 examples will still show some diffraction due to the upper edge of the mouth but that one http://ndaviden.club.fr/pavillon/exemples/front.jpg will have less due to its height quasi equal to the height of the room. One advantage of using the total width of a room for building such horns is that the quasi cylindrical wavefronts can develop gently very far from the throat (see attached graph). The amount of reflected energy as I could see on pulse measurement of the second horn is low. Best regards from Paris, France Jean-Michel Le Cléac'h Quote:
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#88 |
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diyAudio Moderator
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Speaking of impedance in horns, here is a graph just for fun. My measurement of the same 1" compression driver with 3 different loads.
Magenta line is the driver unloaded (no horn) Green line is a homemade roound Tractrix horn. Mouth diameter ~10" Blue line is the same driver on an Altec 811b horn. Note the midband ripple. I couldn't seem to find it, but I did have a measurement of the 811 horn with a roll-over added to the mouth. It was smoother. |
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#89 |
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diyAudio Member
Join Date: Feb 2004
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I did not mention before to scan through the other posts in the thread on ART for more links, but do. In particular, see the ones about the Acoustical Klein-Gordon Equation, Benade's papers on musical instrument acoustics and the original "Basshorn or Transmission Line" post that compares a basshorn with a tuned pipe. It shows (resistive/reactive) impedance and amplitude response using a Hornresp simulation of a typical basshorn.
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#90 | |
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diyAudio Member
Join Date: Mar 2005
Location: Taiwan
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Quote:
__________________
Hear the real thing! |
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