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#71 | |
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diyAudio Member
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My exsperience is they are fine as long as there is a few volt on the input off the cap. Actually I prefer them instead off MKP, MKT etc. Do not the treble from M.. ! |
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#72 | |
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diyAudio Member
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I know well enough how it works in such cases: there are someone else who have almost nothing of technical knowledge, but who decide how the professionals must do it (because costs, and so on). I really feel sorry for the professional people in such situation... But... BDP95 had not those AC coupling caps on the analogue output, it were 200$ cheaper, and it were all right with the final stage in that DC coupling. If the design it were done without AC coupling, the resulting cost of BDP105 should be lower (benefit). This AC coupling do not improve in any way the output stage. This is obviously... It degrade the signal, no matter the caps quality. In this case is not even possible to think to have very high quality caps on that board. It is a cost case, right? And what for use caps there if is better without? At last it may be used non polarised caps. I can hardly understand the reason to isolate the output. It is a justification Oppo came out with, that it were reported in few cases (BDP95) that amp input it were disturbed in one way, or it were about offsett on input (!!!) on few of the amps types... So what? Oppo may customize a whole design, production of thousands of its products, degrade the analogue output stage quality on an new player model (which else it come with many others improvements...), only to be adapt it to just few types/cases of amps which it were designed in a very special way? Such explanation (how it were presented) just do not hold... But anyway... I will conclude now with an comment to john curl post. I have now any doubt that the headphone output it may sounds exceptional. This output do not have AC coupling, the headphone channel final chip is very good in parameters (I know how it works...), it have a very high slew rate, and the headphone line it have paralleled 2 of the DAC channels on it... I believe you that it sound best. I just did it before (in another case): I coupled the headphone out (adapted) to my amplifier. It were a very, very good sound out of that device... I used that connection for a while, but I found out further an even better way to do it... Just removed the headphone final amp chip... I think that all of us can agree with that "rule": less components/processing in the signal path, better that signal at the output. It could be interesting to hear your opinion (as a beta tester) about the analogue outputs on XLR/RCA... Can you say the same about the player another analogue outputs? But let`s wait the first reviews, and the firsts owners comments about this disputed subject...
Last edited by Coris; 14th November 2012 at 06:27 PM. |
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#73 | |
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diyAudio Member
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First a such cap may have a large capacity to assure a very low pass. 100µ it may be quite right on the calculations, but one hear very well that is not enough... I`m quite sure that your self have experienced the difference, in bass domain, when is about an AC coupling, and an DC one... An electrolytic cap is made as usually as an coil, and it have many foil turns inside. This mean quite high inductance in the signal path... There are few very expensive caps witch are made other way... Is not in this case we talk about... 105 have absolutely usual isolation caps on that outputs... Such caps have parasitic inductance, resistance and those parameters are not very stable in time, specially when is to endure enough high frequency signals through... This may be an explanation for that low as possible voltage AC signals may goes through such coupling... The polarisation of such caps it present some parameters for the AC signal in one way (+), and not the same parameters for the signal in opposite way (-)... It is this good for an high fidelity signal which will goes through such caps? I do not think so at all... Therefore the right design in this area is using non polarised caps... The AC coupling caps in Oppo design of 105 model are not paralleled (as is to be seen in the presented pictures) with another small capacity caps, but with much better ESR/ESI parameters to improve the high pass of the AC coupling. Is this good for the signal high end spectrum? I do not think so at all... Maybe are enough arguments for now... But all those thing are well known of the most of they who have something to do with electronics... Last edited by Coris; 14th November 2012 at 06:59 PM. |
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#74 | |
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is choosing a less facetious title...
diyAudio Member
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the lambda are not my favorite stax, bass response is pretty tame, I prefer O2 MkII Last edited by qusp; 14th November 2012 at 07:14 PM. |
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#75 | |
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diyAudio Member
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No mater what John use to use, the headphone line in BDP105 it may be better than the normal outputs. The design is different and it benefit of more DAC channels than the other outputs. I trust more this output than others... |
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#76 |
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is choosing a less facetious title...
diyAudio Member
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I do a LOT of headphone listening, i'm pretty involved in headphone audio for work. IE8 are a bit bass heavy for me and I like slightly more bass than neutral with headphones
I agree, just pointing out that it would have had no effect on his opinion. on much of this we are on the same page. no matter how competent these designers are, theyve been muzzled by the lawyers and created a flawed analogue output, each of the 8 internal dacs has a phase and polarity flip and they have a DSP in this thing, it would have been possible for them to use 8 channel mode for the stereo out and cancel the DC completely before the output and still have balanced out, many different ways. basically they were listening to the advisers, it has nothing to do with cost, a better job could have been done with the output for less money. ruining it for everyone just to cater for people with badly designed 'balanced' amps that have a different input impedance on negative and positive phases, thus causing offset. but as I mentioned and Coris, even if they had to make that choice, using polar caps was a dumb move... not competent choices even if they are competent designers. there is no upside to that decision Last edited by qusp; 14th November 2012 at 08:41 PM. |
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#77 | |
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diyAudio Member
Join Date: Dec 2003
Location: Sydney
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Quote:
The reason for sound coupling capacitors is to provide DC segregation between the source and the amplifier / pre-amp. It had to be done. If you don't like this solution - remove the caps. Many high end HiFi solutions REQUIRE these capacitors – the owners flatly refuse to use any component in their sound-chain that can cause any potential damage to their bellowed 100K + set-ups… OPPO does not want to be liable for any potential damage to 3rd party equipment AND does not want to bear repair costs under warranty, for their players as the result of direct coupling and potential damage back to the output stages inside the players. Boky Last edited by Extreme_Boky; 15th November 2012 at 02:40 AM. |
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#78 |
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diyAudio Member
Join Date: Jul 2003
Location: berkeley ca
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Coris, I am a capacitor expert, and have long suggested on coupling cap free designs, BUT in the case of the 105, you are in error. The caps are necessary (unfortunately) but they are the best caps for the job that would fit. Ceramic caps would be FAR worse, sonically, and polypropylene caps would be too large.
The ONLY way around the caps is SERVOING, or changing the circuit design, and in my opinion, is not worth the change in performance, at least for this design. |
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#79 |
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diyAudio Member
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I think electrolyts are fine if they are god quality. In my I/V stage there is 8 coupling electrolyts 2 for each phase. 10 Vdc on them. I prefer this solution instead a more complicated design. But I still do not like IC in a product like this.
We heard the Oppo 95 in our Hifi Club and nobody wished to buy it. I am pretty sure it is the analog stage. |
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#80 | |
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diyAudio Member
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