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#241 |
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diyAudio Member
Join Date: Jul 2005
Location: D-55629 Schwarzerden
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Hallo Sonny,
you are right. Nevertheless in most cases the sonic quality by only resistor instead of a OP-AMP based I/U converter is better (only by DAC ICs with R2R at output) I haven't try AD797 together with external differential jFET input amp (this could be better solution as only resistor) but compared to the OP-Amp types OP275, OPA2604, 2132 and 627 only resistor is the better solution (it is my experience) Additional enhancing of sound quality I get, when I replace the resistor through a common base circuit (common gate circuit) with current source and output buffer like D1 from Passlabs. Who knows about checking a discrete I/U circuit by p-spice simulation? Best regards Andreas |
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#242 |
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diyAudio Member
Join Date: Oct 2001
Location: Denmark
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OpAmps.....
You know .. The AD797 is one of the best audio opamp designs around. The second stage, The VAS stage is very very very high impedan't. Followed by a high quality buffer. It's impressive performance is due to a very high. It's noise figure of 0.9nV is equalent to 50Ohm resistor. It is not a jfet input. So as soon the feedback resistors rise in value. The current noise will be dominant. In the datasheet an example with feedback resistor in size of 1K will result in 3nV. At this point a cmos or jfet opamp has a better performance. To use opamp's in I/V conversion the openloop gain must be as high as possible to get as linear conversion as possible. The lowpass filter should be added to the feedback loop of the I/V converter to get optimum performance. The reason is the glitches that is present in some DAC's ... The Bandwith of the opamp's should be at least 10 times higher than the selected crossover frequence. So if you select a lowpass filter of 100KHz The GPBW of the opamps should be at least 100KHz * bandwitdthheadroom * gain_of_opamp. So if you have a gain of 10 times and a LP frequ. of 100KHz .. Then the opamp should have at least 10MHz. With a GPBW of 10MHz and a freq. of 100KHz you will only have a openloop gain of 100 times ~the opamp will not be very linear.... If you want's to have a openloop gain of 10.000@20KHz (The opamp will be very linear) then the GPBW should be atleast 200MHz. Something to think about. |
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#243 |
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diyAudio Member
Join Date: Jul 2005
Location: D-55629 Schwarzerden
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Hallo Sonnya, best thanks for all informations. How I can actually tested an I / V converter circuit by pSpice simulation? - I have the CAD software "Circuit Maker". The main problem, that I see is how I prepare the generator with an internal resistance of 0 ohms for I-Output? - at best I open in this context a new topic
"what must I do to simulate I/U (I/V) converters for TI PCM DAC. with R2R (e.g. PCM1704)?" |
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#244 |
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diyAudio Member
Join Date: Aug 2004
Location: Novi Sad, Vojvodina
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Nice to see this very old thread living again from time to time...
I have tried searching but ended up with nothing. In advance I apologize for my ignorance, and if my idea is some kind of engineering blasphemy or so... I beleive it was very common in many diyers favorite - TDA1541 based players, to use dual opamps for conversion and output stage. I thought why not use AD844 in place of first opamp for I/V conversion and my favorite AD797 as second? My friend has tried many combinations in his marantz 94 because in it's circuitry it's is already two mon.opamps per channel.
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...is I disappear. There is ONLY the music. |
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#245 |
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One Seriously Addicted to Audio and Electronics
diyAudio Member
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Your idea is not uncommon, at least not for me or in the CD63/67 mods thread
I've been experimenting with lots of opamps over the last few years. My favorite combo is the AD8610 with AD8510 for my CD67-OSE at the moment. For a TDA1541 DAC, the AD797 is a nice one indeed, but I also like OPA211 and AD8597. Regards, Ray |
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#246 | ||||
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diyAudio Member
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Quote:
In standart the best would be AD846 Quote:
for best performance input diff voltage should be very low (several millivolts). Output stage also has noy good linearity... To obtain maximum results using this opamp should be very accurate, with an excellent understanding of the theory of negative feedback and characteristics of different opamp Quote:
Quote:
__________________
"In developing audio devices we can always find creative non standart solutions that will ensure the best sound" (с) www.overture.org.ua Last edited by Nazar_lv; 11th October 2009 at 07:41 PM. |
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#247 |
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One Seriously Addicted to Audio and Electronics
diyAudio Member
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NE5534 also has no local feedback in the input stage. UGB is only 10MHz. Distortion sucks.
I don't like the 5534. Ray Last edited by 6h5c; 12th October 2009 at 07:31 AM. |
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#248 | ||
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diyAudio Member
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Quote:
With proper schematic, PSU and PCB tracing, by linearity he has only few competitors with high voltage PS (LME49710, LT1468, ADA4898). Quote:
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"In developing audio devices we can always find creative non standart solutions that will ensure the best sound" (с) www.overture.org.ua Last edited by Nazar_lv; 12th October 2009 at 09:11 AM. |
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#249 |
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One Seriously Addicted to Audio and Electronics
diyAudio Member
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UGB and GBW are very similar, so I don't know where you get the 60MHz from.
And how does it do with a few 100 pF of capacitive load? Is it still linear then? Regards, Ray |
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#250 |
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diyAudio Member
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GBW = gain 57-60db f=100kHz
If you compensate pole all right As I talk above its not a simple opamp in using, only professionals can use 5534 correctly (SSL, Amber etc)
__________________
"In developing audio devices we can always find creative non standart solutions that will ensure the best sound" (с) www.overture.org.ua |
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