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#1 |
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diyAudio Member
Join Date: Dec 2003
Location: earth
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ok, moving coil cartridges are said to be less susceptible to capacitive loading than mm's.
But the coil inductance will still resonate with the lead and input cap., which the loading resistor damps. so we should vary the load resistor to get a flat response. Not much is said about the lead or input cap tho', surely to get the correct value resistor, we need the correct value cap. as well, so how do we work this out. We should know our cartridge inductance, so we can calculate damping resistor by square root of (L divided by C) And why do mc stages still have input caps, surely they could just use lead capacitance? And what's all this about using resistors to do mechanical damping, too? bit confused.... |
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#2 |
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diyAudio Member
Join Date: Jul 2004
Location: Sudbury, Ontario Canada
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Dan |
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#3 |
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diyAudio Member
Join Date: Sep 2004
Location: virginia
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The formula for the resonant Q is Q=R*SQRT(C/L). Mr. Hagerman's formula for the load resistor R=SQRT(L/C) implicitly uses a Q of 1.0. You want the Q to be between 0.5-0.7. If the Q is higher than 0.707 the response starts to develope a peak as shown on Mr. Hagerman's website.
Of course with a low inductance MC cartridge the peak would be at an ultrasonic frequency F=1/(2*PI*SQRT(L*C)) unless you had a really big terminating capacitor that brought the resonant peak down into the audiable range. With high inductance MM cartridges the terminating capacity is critical. Regards, Ray |
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#4 | |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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Quote:
Moving coil cartridges tend to have lower moving mass, so I would expect their HF resonance to be far less critical. Just as well, really, as the frequency of HF mechanical resonance is determined by tip mass and individual vinyl compliance.
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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#5 | |
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diyAudio Member
Join Date: Jul 2004
Location: Sudbury, Ontario Canada
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Quote:
__________________
Dan |
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#6 |
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diyAudio Member
Join Date: Jul 2004
Location: Scottish Borders
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Hi,
MM require quite small capacitance to balance out the treble peak. Usually in the range 50pF to 470pF. The input capacitance of the phono amp and the cable capacitance are comparable to the lower end of this range and so should be taken into account when adjusting the additional capacitance to correct the MM response. MC require substantial capacitance (due to lower inductance and lower resistance) and the cable and input capacitance can be virtually ignored. I believe typical values are 500pF to 2000pF.
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regards Andrew T. |
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#7 | |
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diyAudio Member
Join Date: Jul 2004
Location: Sudbury, Ontario Canada
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Quote:
__________________
Dan |
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#8 | |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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Quote:
__________________
The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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#9 |
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diyAudio Member
Join Date: Sep 2004
Location: virginia
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If you model the cartridge as a low pass filter in a circuit analysis program, as Mr. Hagerman does, you can look at the group delay (time delay) and see the effect of the capacitive loading on the phase linearity. For example, the Shure V15V has a very nice equiripple group delay with 80 pF load capacity. I can not figure out why Shure recommended a 250 pF load.
Regards, Ray |
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#10 | |
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diyAudio Moderator
Join Date: Jan 2003
Location: Near London. UK
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Quote:
Incidentally, when I first looked at this problem (with the aid of a BBC Model B "computer"), I found that you could make a very quick assessment of a cartridge's relative quality by calculating the resonant frequency from the inductance and recommended loading (it has to coincide with the vinyl/tip mass resonance, and is therefore an indicator of tip mass). That was instrumental in my decision to replace our Shure SC35 catrridges with the recently introduced Ortofon OM Pro.
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The loudspeaker: The only commercial Hi-Fi item where a disproportionate part of the budget isn't spent on the box. And the one where it would make a difference... |
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