It's not the final word on how to create an impedance balanced output, but Rick has some interesting comments about the tradeoffs of different ways of doing this. Note that using cross-coupled op-amps to create an unbalanced output also has problems, especially if they are ever connected to an unbalanced input.
http://www.prosoundweb.com/install/sac/n27/rick/balout-1.shtml
P.S. The only aspect of a balanced signal source that makes possible a higher CMR is how well balanced the impedances of the two source pins are. Having a differential signal on the + and - signal leads is irrelevant to this issue. Since improved CMR is the reason people use balanced wiring this is worth consideration.
Phil
http://www.prosoundweb.com/install/sac/n27/rick/balout-1.shtml
P.S. The only aspect of a balanced signal source that makes possible a higher CMR is how well balanced the impedances of the two source pins are. Having a differential signal on the + and - signal leads is irrelevant to this issue. Since improved CMR is the reason people use balanced wiring this is worth consideration.
Phil
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PMA said:Here it is:
That'd work.
But if you don't need that additional 6dB of gain, you can accomplish the same thing more simply with this arrangement:
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Joined 2002
JOE DIRT® said:I`m surprised the DRV134 has not been mentioned yet in this thread......I have a couple and the specs seem pretty good
DIRT®
Of course, DRV134 for unbalanced --> balanced, and INA134, INA217 and INA103 for balanced --> unbalanced converters.
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