Replicate super high end... which one?

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I think the Kii is much more of a practical solution. The B&O is like buying a Hummer so you can fight in the dessert, when in fact you are just taking the kids to soccer practice. Way too many features for a speaker that is going to sit in one place. Now, if it were motorized, and followed me around the house then it makes more sense. :)

Best,

Erik
 
It's just so damn hard to clone a top shelf speaker system. How do you get the drivers for starters?

Where do you get the infomation to exactly replicate the crossovers?

[...]

They are very very complex.

[...]

I get a laugh when I see the posts saying "I can beat the big guys at a fraction of the price! Sorry, no you can't, not their top teir work. You might get close, maybe.

I appreciate what is being said here, but I want to point out some shifting terms.

To "clone" a system that uses a specific unobtanium driver is not possible without that driver: to make an perfect copy, you need the units that are indistinguishable from the originals.

To "beat" (rather than clone or replicate) the sound is a different thing.

This I now credit to harmonic distortion of the LF drivers

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For reference the HD of a 1500Al-1 is a fraction of one percent at 100 Watts. Basically a full order of magnitude less than some of the very best woofers the world has to offer.

Most DIY people have experience built around pro drivers because that is pretty much whats available to us. A 2226 sounds dreadful when compared to any of the above mentioned woofers, in a system designed for home listening levels

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Again I am not picking on anybody. But when it comes to top tier systems and I mean world review systems, we can't beat them.

If you think that LF distortion is the key, it should be possible to match or "beat" the low distortion of the unobtainable 1500Al-1 simply by going bigger:
Use a near-equivalent driver, high passed + a large sub, so that the replicating system's 15" driver has an order of magnitude less excursion than the 1500Al-1 does, for the same output.
 
Sonus Faber Stradivari.

Also, I really DO like the sounds of them. I wish someday to have the space to make my own and then listen to my own wide-baffle designs! :)

p-2016-Sonus-Faber-Stradivari-Homage-2.jpg

I chose to mimic a wide-baffle design, though only a 2-way myself.
Certainly not as large as the Strads, but still 'big'.

image_61499_zpsjvsmq82u.jpg


Later,
Wolf
 
I appreciate what is being said here, but I want to point out some shifting terms.

To "clone" a system that uses a specific unobtanium driver is not possible without that driver: to make an perfect copy, you need the units that are indistinguishable from the originals.
Right. That was a point I ws attempting to make.

To "beat" (rather than clone or replicate) the sound is a different thing.
No doubt, and good luck.



If you think that LF distortion is the key, it should be possible to match or "beat" the low distortion of the unobtainable 1500Al-1 simply by going bigger:
Use a near-equivalent driver, high passed + a large sub, so that the replicating system's 15" driver has an order of magnitude less excursion than the 1500Al-1 does, for the same output.


There is no key. Low distortion is a key. Going say five way has the potential to reduce some distortions while creating other issues. If it was easy, anyone could do it.

Barry.
 
I haven't the skills or know how (not even close!), but I'd like to be able to diy the Sanders Sound Systems Model 10e along with his Magtech amp as my choice for high end. I like and agree with his philosophies on reflective sound in a room. Also his product is very innovative and he has solved many issues with this technology. I guess if I won the lottery I'd probably purchase this system to give a go.

Sanders Sound Systems - MODEL 10 Electrostatic Speaker

Sanders Sound Systems - The Absolute Sound - 2016 Golden Ear Award - Model 10e Speaker System August 2016

Sanders Sound Systems - Speakers

Sanders Sound Systems - Amplifiers

Sanders Sound Systems - Frequently Asked ?'s
 
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There is no key. Low distortion is a key. Going say five way has the potential to reduce some distortions while creating other issues. If it was easy, anyone could do it.

Barry.

I was positing splitting only the LF channel, since the LF / midbass bleed was what you focused on here:

With nearly any capable system as the volume is brought up the mid bass grows disproportionately louder and less clear. This I now credit to harmonic distortion of the LF drivers as this phenomenon is entirely absent in my sytems with low and ultra low distortion woofers. For reference the HD of a 1500Al-1 is a fraction of one percent at 100 Watts. Basically a full order of magnitude less than some of the very best woofers the world has to offer.

I know one commercial example that illustrates this perfectly: Osborn speakers.

Untitled Document

He originally offered a bass unit for the Epitome, to split the LF across 2 drivers. Instead of one driver running up to 125Hz, there are two, with the additional driver coming in at 60Hz.

So many people upgraded to using the additional bass unit, that he started packaging them together in a tower. People are willing to pay the ~80% higher price for the Epitome Tower rather than the standard Epitome. This seems like a good indicator that going 1.5 way on the bass (in an otherwise identical system) is a reliable method to make an already nice speaker even nicer.

I get a laugh when I see the posts saying "I can beat the big guys at a fraction of the price! Sorry, no you can't, not their top teir work. You might get close, maybe.

The only way I see this happening is

1) Taking scale to extremes.

e.g. if you owned an Epitome, if you had a choice between

stuffing the port(s) and using a 'cheap' DIY floor-to-ceiling bass array <60Hz (spending $2000 on parts, including eight basic 12" drivers)

OR

Spending a bit more to trade up to Epitome Towers (gaining one additional 10" driver)

...I think the DIY option would 'beat' the second, despite using budget drivers.

2) If the big guy you 'beat' has massive markups for advertising / hype / cosmetics / whatever.
 
I think it's easier to improve on something that exists than to think of something better.
All this talk about high end speakers, nothing about how to use it in a room.

One thing we can do better as DIY is to make the speakers and room work together. I bet Magico or JBL or whatever favourite you may have in mind did not know where and how you'd like to place your speakers. You might have a clue, so use that!
 
Heed Ronald's admonition that failing to consider the degree of synergy - or lack thereof - between a speaker system and the room can lead to unsatisfactory results. This may mean extensive acoustical treatment and/or Room Correction software now so readily affordable, or rationalizing ( i.e. "downsizing" ) the size and power of the system.
 
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