More than a few, at this point. 
Having actually been there and knowing well the sound of those particular voices and instruments from repeated exposure, I'd humbly submit that I know when the reproduction is realistic, within the limitations of the stereo paradigm.
If you get the idea that I won't/don't listen to poor recordings of great music, I've done a poor job of communicating. Sturgeon's Rule applies- 95% of the music I have is poorly recorded or mastered.
Having actually been there and knowing well the sound of those particular voices and instruments from repeated exposure, I'd humbly submit that I know when the reproduction is realistic, within the limitations of the stereo paradigm.If you get the idea that I won't/don't listen to poor recordings of great music, I've done a poor job of communicating. Sturgeon's Rule applies- 95% of the music I have is poorly recorded or mastered.
Then the ghost Rise Stevens will not have to haunt you.More than a few, at this point.
If you get the idea that I won't/don't listen to poor recordings of great music, I've done a poor job of communicating. Sturgeon's Rule applies- 95% of the music I have is poorly recorded or mastered.
But how can this be? How can a system sound best with good recordings? Isn't it the RECORDING that is supposed to sound - with the amp only tasked with reproducing whatever is thrown at it - good recordings, bad recordings - as faithfully as possible?
Iow, a good amp should not add or subtract or change anything, just transparently reproduce. Thus, bad recordings sound bad, good recordings sound good - precisely because a good amp doesn't add it's own opinion.
Jan
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Well, I guess it depends how bad the recordings are and how tolerant the listener is to them. I'm not gonna sit there gritting my teeth thinking that I should be enjoying a bad recording just because I have transparent audio system. If I wanted that I could get a dentist to drill my teeth. Luckily for me I find quite a large part of my music collection to be quite reasonable quality. For some reason - perhaps the complexity of the recording there seem to be a disproportionate amount of classical recording that are below par.
. . . and you guys with analogue systems are in a different universe - you have all kinds of background noises to mask out all the nasties - Let's face it analogue can be the cleverest prettifier of all
While some WANT forgiveness, I find that accuracy WITHOUT significant added irritation can give the best possible sound. That is my goal, at least.
Many good amps add 'irritation' due to residual higher order non-linearities.
Some 'open loop' tube amps don't add 'irritation' but they are not completely accurate. That has been our dilemma for decades. How do we get both?
Many good amps add 'irritation' due to residual higher order non-linearities.
Some 'open loop' tube amps don't add 'irritation' but they are not completely accurate. That has been our dilemma for decades. How do we get both?
It current limits between 8/4, its a toy ......
Yep, especially at $1..........
For Higher order non linearities surely the first approach is heavy biasing, then after that going through the design element by element and eliminating every possible source of HF resonance with suitable damping measures and having no unsoldered connections anywhere - can't think of anything else.
edit: John, One thing I really don't understand is how you get your amps sounding good without using snubbers on your bypass caps. For me this is a recipe for a bad sound - am I missing something ?
edit: John, One thing I really don't understand is how you get your amps sounding good without using snubbers on your bypass caps. For me this is a recipe for a bad sound - am I missing something ?
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Yes indeed. I have lots of CDs and LPs that are really bad recordings, and I don't play them after the first few tries.
OTOH, music I really like I can enjoy no matter the system - even on the kitchen table radio. Go figure
Jan
I have heard systems that sound great with great recordings then collapse with so-so stuff. The most recent one I can remember was at T.H.E show last summer. Coffman Lab's - some of the best sound I heard. BUT only with great recordings. Lounge Audio LCR went through a pivital design change at the end of 2011 because of similar reasons. Maybe I'm letting my green designer skills, or lack, of show; But I have run into this crossroad more than a few times.
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