Fibreglass loudspeaker construction

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diyAudio Member
Joined 2004
Anyone have any links to fibreglass construction techniques, fibreglass orientated projects(doesn't have to loudspeakers) and such like. Really anything to do with fibreglass would be good.

I'm cooking something up but its really just a bunch of ideas in my head at the moment. Don't have a clue how to go about transferring them into reality.

I've got this idea of creating a skeleton frame covering it in cloth and slapping the fibreglass over that then sanding to the shape I want but that's just something I've pulled out the air and vaguely remember seeing years and years ago on the car audio side of things.

Thanks
 
Disabled Account
Joined 2007
Should be a whole ship load of boat building info out there.

Fiberglass hulls are build in molds though. You might want to think about doing it the same way. The biggest advantage is a uniform, thick "gel coat". This is sprayed inside the mold before the fiberglass goes in and provides the ultrasmooth ouside layer.

No more worries with the MDF movement. :)
 
diyAudio Member
Joined 2004
el`Ol said:
I remember a documentation about a low cost Frank Gehry project in Germany where he said this was only possible because of a new production method for molds (I think it was styrofoam, but not sure). Maybe with gypsum instead of concrete...

Wouldn't you need a mold to create the styrofoam mold? Modelling clay or similar might be better since you could shape this by hand, templates and basic tools.

This is what I'm looking at building, its a rough and incomplete sketch so you'll have to use your imagination a little

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ShinOBIWAN said:

Wouldn't you need a mold to create the styrofoam mold?

Exactly that was the clou that they didn´t need a mold for the styrofoam, but made the molds from styrofoam blocks. I don´t remember how they did this, but I think it would make it much easier for you if you were able to produce the enclosure directly from the CAD data.
 
Plaster is a pretty workable material - both for carving/shaping a rough piece, and for use on molds. Its messy, and takes some learning, but is a great medium. If you embed cloth or wire in it, it can have quite a bit of structural strength. I once built a large bed in the shape of a shell out of plaster..
 
ShinOBIWAN said:


Wouldn't you need a mold to create the styrofoam mold? Modelling clay or similar might be better since you could shape this by hand, templates and basic tools.

This is what I'm looking at building, its a rough and incomplete sketch so you'll have to use your imagination a little

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Looks very much like the "Ultimate Monitor"
 
Hello Shin,

You could make a mould out of expanda foam .Make a rough skeleton out of chicken wire spray expanda foam over and use
a rasp file to shape it ,use car body filler to smooth it out .
Then use a fibreglass chopper gun to make a female mould .
Either hand lay it or use a chopper gun to make the positive shape .
Boat builders and surf board makers would be able to help .

Cheers .
 
I second the idea of making a buck first, then a mold from the buck. I have made race-car body panels this exact way with good success. The advantage for you, as mentioned before, is the ability to use a thick gel coat at the surface layer. Your design looks like it is thicker in the middle of the part than at the baffle, this means you will have to use a two piece mold if you chose this method.

I have made free hand bucks using the wire and expanded foam method, it is very challenging to make a symmetric part this way.
The method which worked best for me follows:

If you have access to a large format printer, you can divide the solid model into evenly spaced slices and print of the cross sections. If you really need to save paper, you can print all of the cross sections concentrically on one piece of paper and trim off each cross section as you work your way down to the smallest one.

Standard builders insulation foam (the blue or pink stuff) can be easily cut with a hot-wire or sharp razor knife, and can be stacked ala trans-lam style enclosures to form the basic shape of the part. From here, there is the matter of filling in the steps between layers of foam with auto body filler or plaster and smoothing the shape to your finished part.


Now, here is a little trick I have used to make parts that were not weight sensitive and going on a race car. I have never used it on the scale which you are building and am not sure how well it would work.

You can make a "lost foam" mold by dissolving the foam out from underneath a finished fiberglass layer. With this method you make the buck as described above, then vacuum bag the fiberglass directly to the buck. When the fiberglass sets up, the foam inside can be easily dissolved using common solvents (acetone, lacquer thinner), leaving the shell behind.

I found a pdf that describes this method here: http://www.westsystem.com/ewmag/23/pdf/03-Lost_foam.pdf

The disadvantage with that method is that you will be making two mirror image parts and would have to make two separate bucks, rather than use the same mold for two parts. This makes having symmetric parts more challenging. However, making a mold takes a very long time, so you would not necessarily save time by making a mold. In fact, you would probably spend a lot more money and time making a buck and mold than any other method mentioned so far, but potentially have the best results, and the ability to make duplicates with just a little more effort.

Just some ideas to throw into the fray.

Regards,
David
 
Disabled Account
Joined 2007
If the construct is perfectly symetrical, you would only have to make 1/2 the mold. Mold each half, flip one and join them together.
A seem down the middle of the baffle would be the biggest problem, but easily overcome.
 

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Disabled Account
Joined 2007
gtforme00 said:


Standard builders insulation foam (the blue or pink stuff) can be easily cut with a hot-wire or sharp razor knife, and can be stacked ala trans-lam style enclosures to form the basic shape of the part. From here, there is the matter of filling in the steps between layers of foam with auto body filler or plaster and smoothing the shape to your finished part.


A good material for making the "buck" is the Styrofoam mentioned above. Blue seems to be denser. The buck would be a perfect replica of what the finished speaker would look like. So, it needs to be perfectly smooth. Unfortunately, auto body filler has the same solvent as this foam (styrene) therefore it will dissolve it.
Priming the the smoothed foam with a couple of coats of water based paint will protect it.
 
diyAudio Member
Joined 2004
OK I've found some really nice photo's of a construction using what I think is plaster and filler on a plywood frame.

The pictures and descriptions were taken from http://www.mundohi-fi.com and I'd highly recommend looking at the whole project because its a real stunner.

Could some kind person please translate the text below each image please and I'll go back and edit in the english translation.

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Saqué el plano ploteado y lo pegué en una madera para cortarlo con una sierra de calar de carpintería.

I plotted the plan and attached it to a piece of wood to cut it with a carpenter's saber saw.


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Las 2 espinas dorsales de las 2 caracolas, una vez cortadas.

The spines of the two snail shells after cutting


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Con un compás y con la sierra de calar se procede al recorte y pegado de las costillas las, cuales formarán el esqueleto de la caracola.

With a compass and the saw I proceeded with the cutting and gluing of the ribs which will form the skeleton of the snail shell.


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Lateral terminado de la primera caracola.

First side of the snail shell finished


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Piezas de acero inoxidable, que van instalados dentro de las caracolas, para la fijacion del pié. Su forma curva se adapta a la forma interor de las caracolas.

Pieces of stainless steel to be placed inside the shells for attaching the stands. Their curved shape fits the interior shape of the shells.


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Llené el interior con tejido de fibra de Poliester, lo endurecí con resina, para así conseguir una mayor fijación de las costillas y mayor consistencia.

I fille the interior with polyester fiber cloth and hardened it with resin to ensure the best connection of the ribs with best accuracy.


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Parte exterior de la caracola, una vez recubierto el interior de fibra de poliester.

Exterior of the snail after the interior is covered with polyester fiber


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Con una escuadra se alinean las costillas una a una, para buscar que quede lo más perfecto posible

The ribs are aligned with a square to get them as perfect as possible


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Aquí se puede observar la fibra antes y despues de poner las resinas, y en la parte posterior el soporte de inoxidable

Here you can see the fiber before and after application of the resin and in the rear the stainless steel support


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Lateral enresinado menos la parte donde va la corona del altavoz de graves

Adding resin to the side except where the hoop for the woofer goes.


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Torneé una corona de madera a medida, que es donde va ubicado el altavoz de graves, y se lo pegué con fibra en el frontal.

I turned a custom wood "crown " where the woofer will fit and glued it to the front.


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Prueba para unir las dos partes. La inferior la podeis observar con fibra y la superior si fibra.

Testing how the two halves fit. The lower has fiber the upper without fiber.


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Vista general del montaje de las "caracolas"

Overall view of the mounting of the "snails"


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Pegado del aro donde va ubicado el altavoz de graves.

Glueing the hoop where the woofer goes.
 
diyAudio Member
Joined 2004
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Tenía curiosidad por meter la cabeza dentro de la caracola, para escuchar que tal resonaba, y claro…lo hice.

I was tempted to put my head in the snail to listen to how it resonated, and of course... I did.


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Aquí ya podemos ver como el proyecto va cogiendo forma.

Here we can now see the project taking shape.


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Antes del pegado de las dos mitades, pulí minuciosamente con una pulidora de aire su interior, para su posterior pintado con resinas y lograr que quedara lo más fino posible una vez acabadas.

Before gluing the two sides, I meticulously polished their interiors with an air polisher. They were brushed with resin so that they would end up with the finest possible finish when they were finished.


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Se ha empezado a rellenar las costillas que forman la caracola con pasta de fibra de poliester, y a su pulido basto.

Beginning to fill the ribs that form the snail shell with a paste of polyester/fiber, and smoothed...????


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En los laterales se pueden observar las costillas de madera.

On the sides you can see the wood ribs



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Aquí poniendo pasta de fibra de poliester en el interior de la caracola, esto es una de las operaciones más difíciles

here, one of the most difficult operations, is putting the polyester/fiber paste in the interior of the snail shell.


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Aquí compruebo que el altavoz se ubique bien en su aro, para controlar correctamente las holguras y dilataciones. La pasta de color azul es la pasta del acabado. Se trata de las primeras pruebas del acabado final.

Here I'm testing the driver to make sure it fits well it's opening to control any shrinkage and expansion. The blue paste is the finishing paste (filler?) These are the first tests of the final finish.


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Esto es una prueba de cómo sería el ensamblaje final, para ver como iva quedando el proyecto. Ya se empieza a intuir el acabado final.

This is a test of the final assembly to see how things were going. Now the final finishing begins..


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Caracola ya terminada y rellena de pasta de poliester.

Snail shell finished and filled with the polyester paste.


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Se le ha dado una capa de imprimación para la localización de posibles poros en la superfície.

Now with a layer of (primer?, filler?) to find possible imperfections in the surface


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