Emitter bypass caps in a CE stage

Status
This old topic is closed. If you want to reopen this topic, contact a moderator using the "Report Post" button.
Missed the flurry of replies, sorry....here is the diagram I have been talking about. Hope this clarifies everything.

The difference between AC and DC gain is not much seeing the differences in magnitude - 1200 ohms vs 150 ohms. BUT - there is a small but insignificant change if the 150 ohms is shorted out.

Rc/Re would be overall AC and DC gain if Ce is not present. If Ce is present Rc/Re would be DC gain. Then AC gain would be Rc/re (Re is too large to take into consideration).
 

Attachments

  • Untitled-1 clip.jpg
    Untitled-1 clip.jpg
    56.8 KB · Views: 78
Yes, you have all the values perfectly right. I replaced Re with 2k2. Before doing so, I removed the Ce cap and discovered that the distortion I heard went away. That was what made me decide that I would be better off turning the gain down. Now there is a 2k2 there. Everything else is the same. Gain is 2.6. Input impedance goes up as well.

Funny thing is, it plays louder at a lower volume setting now! These effects are of course in both channels. I will get this measured to see what is going on. In the meantime I am going to just keep using it, with possibly a 470uF for Ce. I like what I hear right now - it more than keeps up with present day opamp based units sonically.
 
I've heard motor-boating before, this did not sound like it. More like when SS's and cymbals hit it got distorted like bacon frying in a pan - best description I can think of here :D 2k2 certainly fixed the issue.

Antonio, the cap reduces feedback and increases signal gain. The larger it is, the lower the frequency where it takes effect.
 
Last edited:
Antonio, the cap reduces feedback and increases signal gain. The larger it is, the lower the frequency where it takes effect.

True, as discussed earlier, but I was curious as to why the designer added this large cap for such a small change in gain. I've seen numerous designs where the shunted resistor is at least the same resistance as the remaining series resistor, and some designs where a much smaller capacitor was used presumably for some added phase margin.
So its just another one of my why was it done that way curiosities?
A little more of the schematic and maybe we can put this curiosity to rest.

Thanks
-Antonio
 
I was raising the possibility that the designer reduced the LF gain to remove the possibility of LF instability with the combination of Amplifier and PSU that he used to develop the design.
Yeah that maybe a possibility....

Here's a link to the schematic

http://www.fotoalbumet.com/u/00/24/40/files/Manuals/Model-700C_1.PNG

:)

It did have those carbon resistors though I find it hard to believe that these would cause this much hf distortion. It's got metal films now in all feedback related areas.
 
Well, it is an obsolete model. It was in production around 40 years ago so I am not sure if anyone will pursue legalities now. If anything I have been trying to make it perform well - I have not really modified it, just changed a resistor value to stop it distorting. There are many factors in play here, certainly not faulty design - I am not really trying to find fault or change the essence of the design here.
When I considered buying it, I figured I will need a good tech who is willing to go the distance and a lot of dough or I could buy the measuring equipment myself and have even more fun executing the necessary steps, including gaining a better understanding of audio circuitry and design.

I've decided its best to go the second route. In the end I will have more than just that preamp. I certainly know the basics to do everything the right way so it does not look like someone botched up its innards. And I do not have a commercial interest.

Thank you all for participating in this thread - it has helped me a lot.
 
Status
This old topic is closed. If you want to reopen this topic, contact a moderator using the "Report Post" button.