Bob Cordell Interview: BJT vs. MOSFET

Hi John or Bob,

sorry for revisiting an old question regarding V(Re). In the early 80's Dan Agostino launched his KRELL KSA50 which at the time was a very impressive piece of sound equipment, even by today's standards.

He seemed to break all rules regarding the optimum setting of 15 - 20 mV across RE, in fact he was running each at 620 mV acros 0.68 Ohm.

How come that amp had very high aclaim and became very popular for its incredibly revealing sound quality and solid bass. and still remains one of the refereces by todays audiophiles.

Furthermore he used the MJ15003/4 combination that you seem to dicard as rubbish. Motorola on the other hand was under the impression that they created a good complementary pair for high quality audio.

He used those transistors way into the 90's. The KRELL is capable of driving incredibly akward loads loud while remaining in full control of it. What did Dan do wrong to achieve this a successful piece of equipment.

Regards Nico
 
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Nico Ras said:
Hi John or Bob,

sorry for revisiting an old question regarding V(Re). In the early 80's Dan Agostino launched his KRELL KSA50 which at the time was a very impressive piece of sound equipment, even by today's standards.

He seemed to break all rules regarding the optimum setting of 15 - 20 mV across RE, in fact he was running each at 620 mV acros 0.68 Ohm.

How come that amp had very high aclaim and became very popular for its incredibly revealing sound quality and solid bass. and still remains one of the refereces by todays audiophiles.

Furthermore he used the MJ15003/4 combination that you seem to dicard as rubbish. Motorola on the other hand was under the impression that they created a good complementary pair for high quality audio.

He used those transistors way into the 90's. The KRELL is capable of driving incredibly akward loads loud while remaining in full control of it. What did Dan do wrong to achieve this a successful piece of equipment.

Regards Nico

Nico,

I think the factors for success of the KSA are pretty complex. It was physically and (partly) conceptually a new kid on the block.
I never owned one, so have no 1st hand experience, but what I hear among my audio friends is that you either love them or hate. I have friends that don't want to touch a Krell with a pole, and some others can't buy enough Krells.

Jan Didden
 
Nico Ras said:
Hi John or Bob,

sorry for revisiting an old question regarding V(Re). In the early 80's Dan Agostino launched his KRELL KSA50 which at the time was a very impressive piece of sound equipment, even by today's standards.

He seemed to break all rules regarding the optimum setting of 15 - 20 mV across RE, in fact he was running each at 620 mV acros 0.68 Ohm.

How come that amp had very high aclaim and became very popular for its incredibly revealing sound quality and solid bass. and still remains one of the refereces by todays audiophiles.

Furthermore he used the MJ15003/4 combination that you seem to dicard as rubbish. Motorola on the other hand was under the impression that they created a good complementary pair for high quality audio.

He used those transistors way into the 90's. The KRELL is capable of driving incredibly akward loads loud while remaining in full control of it. What did Dan do wrong to achieve this a successful piece of equipment.

Regards Nico

I'd just like to point something out here. We often hear lots of talk about linearity, and see a lot of detailed analysis by Self for example, but there is much more to bias point than static linearity, which by the way is easily improved with feedback. ft, for example, is highly dependent on Ic, one reason being that we need to have available current to charge junction capacitances. hfe is also dependent on Ic and junction temperature, run an output stage hot and hfe goes up. There are many factors to consider. There is a reason to use high bias in the VAS and even the diff amp which is to have enough class A idle current so that the stage can easily drive the non-linear junction capacitances.

Edit: should have mentioned that Krell is a Class A or near Class A design, the others are speaking of optimal Class AB biasing.

Pete B.
 
Nico, I am not going to argue with you about it. I know from experience, and the specifications of the devices.
It is just like when I tried to hop up a 54 Chevy six with 2 carbs and a dual exhaust. It was a good attempt, but I would have been much better off to start with a 55 Chevy V8, by a long shot. However, the first Corvettes used a Chevy six engine, so I guess it could have been possible to be successful with it. Of course, the professional mechanics shook their heads at me at the time, about 45 years ago.
 
john_ellis said:
Hi all

sorry if this diverts the thread a bit, but in all the debate about MOSFET and bipolar I'd like to know if anyone has tried the SIT transistors developed some time ago.

I've never found anyone who sells these. But they should be as good as tubes - similar output characteristics, mostly second breakdown proof (I would hope) but they seem difficult to find.

Apart from SITs, (no info on their use yet) my recommendation is that bipolars are good for up to about 100W and above 100W maybe MOSFETS are needed.

I'd agree that even the best bipolars from ON Semi still won't have the SOA of a MOSFET at up to ~ 400V. But who wants a build a 4kW amp anyway? Anyone who wants to become deaf?

cheers
John


Hi John,

Thanks for the lead, but I've never heard of SITs. Where did you hear about them?

Cheers
Bob
 
Nico Ras said:
Hi John or Bob,

sorry for revisiting an old question regarding V(Re). In the early 80's Dan Agostino launched his KRELL KSA50 which at the time was a very impressive piece of sound equipment, even by today's standards.

He seemed to break all rules regarding the optimum setting of 15 - 20 mV across RE, in fact he was running each at 620 mV acros 0.68 Ohm.

How come that amp had very high aclaim and became very popular for its incredibly revealing sound quality and solid bass. and still remains one of the refereces by todays audiophiles.

Furthermore he used the MJ15003/4 combination that you seem to dicard as rubbish. Motorola on the other hand was under the impression that they created a good complementary pair for high quality audio.

He used those transistors way into the 90's. The KRELL is capable of driving incredibly akward loads loud while remaining in full control of it. What did Dan do wrong to achieve this a successful piece of equipment.

Regards Nico


I think the KSA50 was a 50 watt per channel Class A amplifier. Being Class A, the question of voltage dropped across RE is not relevant in the context of optimal Class-AB biasing. I forget how many pairs of devices he ran in parallel.

Note also that the use of Class A mitigates somewhat the need for speed in the output devices, since there is no abrupt crossover. Therefore, in this application, the speed of the MJ15003/4 may have been OK. Also, if a good T-like driver circuit was used, and lots of pairs were used, beta and beta droop issues would have also been mitigated.

Bob
 
Hi Bob

John Curl mentioned them already!

Static induction transistors were first made something like 20 years ago maybe longer. At the time they were introduced they were much like JFETS but had diffused channels between elements of a buried grid.

The grid spacing was chosen so that they fully deplete at zero bias, the idea being that they didn't need to be turned off at turn-on, like ordinary JFETS.

On the other hand they were poor in terms of output characteristics - low Early voltage, more like triodes. And, presumably, it would have been possible to force them into bipolar mode if the grid/gate bias were too large.

Thought they might be the best solid state equivalent to triodes, and require less overall feedback in a push pull amp.

They're still being researched - latest devices in SiC operate at 600V or more. 10 kW amp anyone?

But I've never seen a production version from anyone yet. I guess someone might make them somewhere.

Cheers
John
 
KSA50:

Used 2 pairs of 15003/4, with (IIRC) ~1.9A total bias.

The amp was only biased for 50w classA into 8ohms, so if the slowness of the outputs was an issue it would/should manifest itself while the amp was driving 2ohm reactive loads, for which it was considered one of the best amps around...not that I've looked at the spectrum of the output while driving 2ohms, so I have no clue what the real change from classA to classB does to the distortion.

Are crossover non-linearities mitigated in their effect or character by their occurence at higher output levels in a heavily biased amp?

Stuart
 
Re: KSA50:

Stuart Easson said:
Used 2 pairs of 15003/4, with (IIRC) ~1.9A total bias.

The amp was only biased for 50w classA into 8ohms, so if the slowness of the outputs was an issue it would/should manifest itself while the amp was driving 2ohm reactive loads, for which it was considered one of the best amps around...not that I've looked at the spectrum of the output while driving 2ohms, so I have no clue what the real change from classA to classB does to the distortion.

Are crossover non-linearities mitigated in their effect or character by their occurence at higher output levels in a heavily biased amp?

Stuart


Stu, thanks for pointing this out. Good point about the 2 ohm load. I agree with John that XO distortion will tend to be less audible if the transition is at high levels.

Bob
 
I agree with John that XO distortion will tend to be less audible if the transition is at high levels
if this high bias makes the distortion less audible , but measure worse, when looking at the KSA50 specifically,
then can the corollary apply to any high bias BJT amplifier?
i.e. move the bias up from optimum to high bias and the distortion increases but becomes less audible.
 
AndrewT said:
if this high bias makes the distortion less audible , but measure worse, when looking at the KSA50 specifically,
then can the corollary apply to any high bias BJT amplifier?
i.e. move the bias up from optimum to high bias and the distortion increases but becomes less audible.


This is hard to answer in the general case, but do keep in mind that the percentage of time that the amplifier is spending at higher power levels is quite small. This is because of the high crest factor of music. So if that is the only time it distorts significantly, it might be perceived as not so bad. Taken to an extreme, realize that it is likely that tube amplifiers, with their limited power, are probably clipping a lot more than solid state amplifiers (but of course they often are clipping in a softer way, and that compressive type of distortion is different than crossover distortion). I apologize for having to be so speculative here; there may be others who have a better answer to this question.

If I had to err on one side or the other of bias, I would always err on the side of an amplifier that was over-biased than under-biased, as long as no thermal stability or reliability problems arose.

Bob
 

GK

Disabled Account
Joined 2006
Bob Cordell said:



Thanks, Glen, this seems to make sense. Sounds like you are building a version of the amplifier Pioneer did a long time ago in the 70's and was written up in the JAES. It was a really neat concept. The REAL amplifier was a low-voltage Class-A amplifier whose rails were boostrapped by a big Class-AB amplifier driving the "ground" of the floating LV power supply of the Class-A amp. I've always been tempted to build one. So, if I understood, your op amp supplies are bootstrapped in an essentially "feedforward" way by the output of the Class AB amp. Moreover, I guess you could just be using the LV rails that drive the Class A amp for this. This approach means no feedback through the bootstrap and alleviates that stability concern. Is that about right? Cool.

This is not an inexpensive amplifier, right? Each of the Class A amplifiers needs an independent floating LV supply, right? If you are going fully balanced bridging, that means two of these extra floating supplies per channel, right?

Bob


Never seen that JAES paper, but it probably pretty much the same thing. You are corrrect about the opamp rails, although I have now changed my mind and will derive the opamp rails from the input signal. That will avoid the ripple on the ground driven power supplies.
No, this isn't a cheap design. It's an esoteric amplifier for my loungeroom. Rated at 512W rms per channel into 4ohms in class A. 350W total idle dissipation in each channel, 8A bias for each of the four class A stages.
Each channel heatsink measures 1500X240X90mm. The final unit will also have built in oscilloscopes as signal monitors to give it that 50's RF transmitter look :)
 
G.Kleinschmidt said:



Never seen that JAES paper, but it probably pretty much the same thing. You are corrrect about the opamp rails, although I have now changed my mind and will derive the opamp rails from the input signal. That will avoid the ripple on the ground driven power supplies.
No, this isn't a cheap design. It's an esoteric amplifier for my loungeroom. Rated at 512W rms per channel into 4ohms in class A. 350W total idle dissipation in each channel, 8A bias for each of the four class A stages.
Each channel heatsink measures 1500X240X90mm. The final unit will also have built in oscilloscopes as signal monitors to give it that 50's RF transmitter look :)


Wow!! That should keep you warm on those cold winter nights! Keep us posted on your progress.

Cheers,
Bob
 

GK

Disabled Account
Joined 2006
AndrewT said:
I may have asked this before in another thread but please forgive me if I repeat myself.
How does 350W dissipation tally with 8A bias in 4 stages?


The Class A stages are low voltage, each with a dedicated +/-10V power supply which is ground driven by a Class AB stage to follow the output signal.
+/-10V @ 8A = 160W. The amplifier is a bridged design so there are two class A and two class AB stages in each channel. There is a total of 320W idle dissipation in the class A stages of one channel plus another 30W idle dissipation in the class AB stages.