THis is silver wire, I order for OPT & pre-amp output or interstage.
they conatin 4N & 5N.
this is 4N & 5N monocrystalline silver wire.
thx
thomas
they conatin 4N & 5N.
this is 4N & 5N monocrystalline silver wire.
thx
thomas
An externally hosted image should be here but it was not working when we last tested it.
I have another (probably very 'noobe' -ish) question [apologies]:
How critical is it that the tubes within the Aikido circuit proper are the same?
e.g. If I wanted to use 7193/2C22's in a balanced Aikido line stage, I'd have 8 tubes, meaning 16 top-cap cables
-- which strikes me as a bit of a mess to wire up without mistakes. Could I replace a quad of those with an electrically similar tube type like the 6/12SN7 ??
How critical is it that the tubes within the Aikido circuit proper are the same?
e.g. If I wanted to use 7193/2C22's in a balanced Aikido line stage, I'd have 8 tubes, meaning 16 top-cap cables
-- which strikes me as a bit of a mess to wire up without mistakes. Could I replace a quad of those with an electrically similar tube type like the 6/12SN7 ??
grubyhalo said:
Do you know how much gain you need? Broskie has tables at the end of the user manual here:
For nine pin tubes:
http://www.tubecad.com/Nine-Pin_Aikido_PCB.pdf
For Octal tubes:
http://www.tubecad.com/Octal_Aikido_PCB.pdf
These tables list gain, output impedance, etc. for a given B+ and R values. The gain of the Aikido is roughly half the mu of the first tube, so pick an input tube to get the gain that you need and pick an output tube for low Zout that will play together well for a given B+
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