rang out some OPTs. have a question
 User Name Stay logged in? Password
 Home Forums Rules Articles diyAudio Store Blogs Gallery Wiki Register Donations FAQ Calendar Search Today's Posts Mark Forums Read Search

 Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum

 Please consider donating to help us continue to serve you. Ads on/off / Custom Title / More PMs / More album space / Advanced printing & mass image saving
 12th July 2018, 03:59 PM #21 Kay Pirinha   diyAudio Member     Join Date: Oct 2011 Location: Somewhere in Germany No. This would rule out the inductances of both halves, leaving only the stray inductance between both. Best regards! __________________ "Bless you, Sister. May all your sons be bishops." (Brendan Behan)
 12th July 2018, 04:11 PM #22 mashaffer   diyAudio Member   Join Date: Jun 2004 Location: Indiana The interesting thing is that even a small about of inductance gives near perfect matching in the mid to upper frequencies. The amount of inductance simply moves that matching lower in frequency so if the amplifier is intended for limited bass output (bi-ampimg for example) the inductance is not critical. In this circuit even 4 or 5H gets you down to 100Hz before diverging by more than a couple of dB. Will have to check the effect of adding some more resistive tail. IndTail.png Ran a quick sim. Additional resistive tail limits the maximum deviation but not the frequency at which diversion comes. __________________ The only reason I drive the 91 Colony Park is that I can't afford a 65. Me old school? Couldn't be. Last edited by mashaffer; 12th July 2018 at 04:23 PM.
 13th July 2018, 02:16 AM #23 PRR   diyAudio Member     Join Date: Jun 2003 Location: Maine USA > even 4 or 5H gets you down to 100Hz 5H at 100Hz is 3K reactance. 3K is much more than 1/Gm of a 12AU7. OTOH, at say 10mA total tail current, a dumb/cheap 3K resistor drops 30V. So a say -24V rail (or elevated grids) and 3K resistor does the same as 5H does at 100Hz, except also all the way to zero Hz.
 14th July 2018, 02:31 PM #24 mashaffer   diyAudio Member   Join Date: Jun 2004 Location: Indiana The EV is only rated at 5W v.s. the 10W rating on the other but given their reputation it might be a conservative rating. I will probably try both and see how they shake out. If they end up not being worthy of 50Hz output in the 5-10W range I can use them for the "Music Box" project that doesn't require lower than about 100-150Hz and drop \$50 or \$60 on a pair of Edcors. I should also probably try to "measure" the primary inductance. __________________ The only reason I drive the 91 Colony Park is that I can't afford a 65. Me old school? Couldn't be.
 15th July 2018, 07:35 AM #25 6A3sUMMER   diyAudio Member   Join Date: Jun 2016 If you are going to use an inductor as a current source for a LTP, consider the real impedance of the 2 coupled cathodes. At 250V P-k and 10.5mA, the 12AU7 Gm is 2200uMhos (455 Ohms), and u=17. (Yes, with a 300V supply, the plate voltage will be lower than 250, & other values will change too, but this is just to get a ball park set of values). Post # 22 has plate loads of 22k Ohms. 22k/17 = 1295 Ohms The impedance of one cathode is 1/Gm + Rp/u; 455 Ohms + 1295 Ohms = 1750 Ohms. The LTP cathode pair is 1750/2 = 875 Ohms. I once used a Hammond 20H 100mA choke as a current source for a pair of 6C45pi tubes, running about 10mA each. The laminations that were enough for 100mA at 120Hz worked reasonably well at 40Hz and 20mA. It had quite low distributed capacitance, so it also worked well beyond 20kHz.
Tubelab_com
diyAudio Member

Join Date: Jul 2005
Location: West Virginia panhandle
Quote:
 BTW, George if you are still with me have you tried these UL?
Still here, went to Florida for a while to get a break from the heat! I have not tried UL with any of the ultra cheap OPT's since my application for them is guitar amplification where UL is generally shunned.

Quote:
 When you hit saturation the 50C5's glow like light bulbs.
As most people know, saturation causes the OPT's inductance, and therefore the load the tube is driving to drop severely. This causes the tube current to skyrocket and the power delivered to the load to drop....most of the power supply's DC is burned up in the output tubes making them quite unhappy.

The 50C5's showed no plate color at 400 volts as long as the the amp was driven to full output. Operation at about half power causes worst case efficiency resulting in a slight plate glow in a dark room. Guitar amps are usually run relatively quietly, or at full crank, and the duty cycle is well below 100%, so the tubes may live.

Quote:
 What did you do with the screen voltage?
All bench testing was done with variable lab power supplies, one for the plate, one for the screen. The knobs were twiddled to maximize plate efficiency for each load impedance. Only load impedances to match common OPT's were tested (3300, 5000, 6600, 8000 ohms). The 50C5's liked 110 to 150 volts on the screen depending on load.

The trick I use in a guitar amp is to get this voltage via a resistor from the rectified iso transformer, about 165 volts. The entire preamp chain is also running from the screen side of the resistor. This affords two things. The screen voltage will be around 140 volts at idle, and so will the preamp's B+. This will remain around 130 to 140 volts as the amp is played anywhere below clipping. When the amp is thrashed the screen and preamp B+ voltage drops as low as 110 volts lowering the amps total gain, reducing the output tube's dissipation and self limiting the tube melting factor.

I am building a test amp to see how it will survive in the real world. The plate voltage will be about 330 volts since that's easy to get from doubled isolation transformer. I haven't decided on the OPT yet but the output tubes will likely be 32ET5's or 50B5's. The 32ET5 was from the last generation of tube radios. It gives near 50C5 performance with less than half the heater power. This may allow use of a 50 VA isolation transformer for power. The 50B5 is the same tube as the 50C5 except for the pinout. The 50B5 was in full production when UL adopted "creepage" rules for certification essentially banning the use of the 50B5 in table radios. There are zillions of them in stock everywhere and nobody is buying.

These tubes all evolved from the 6W6 and have similar characteristics with TV vertical sweep tubes. The 12L6, 25L6 and 50L6 are all the same as the 6W6, 12W6 and 25W6. Some tubes, especially the 25W6 / 25L6 carry both numbers. The 7 pin miniatures have the same internal guts with smaller plates. Compare the characteristic curves, these guys can saturate down to tens of volts of positive grid voltage is allowed.

Here is some data from my testing of the 50C5's. The 50C5 has the same size plate as the 6AQ5 which is rated at 10 or 12 watts depending on how it's used. I am assuming that the 5 watt rating on the 50C5 is conservative since it's intended for continuous operation in class A table radios. Testing reveals that a 6AQ5 will red plate at less power than a 50C5, but this depends more on quality of construction that anything else. The 6AQ5 is a cylindrical design which requires colinearity to avoid red spots. the plate is very close to the glass so that red spots make holes in the glass!

Plate voltage was 340 volts, screen voltage ranged from 110 to 150 volts. This page shows the 6600 ohm / 150 volt data. It affords the best overall efficiency, keeping plate dissipation below 10 watts at power outputs up to 30 watts. Screen dissipation is a non issue until clipping is reached, hence the limiting system for guitar amp use where clipping is the norm.
Attached Files
 PowerOutput.pdf (25.0 KB, 12 views)
__________________
Tubelab, it's 5 year mission. To explore strange new tubes, to seek out new circuits and topologies, to boldly go where no tube has gone before......

 16th July 2018, 04:57 PM #27 davorin   diyAudio Member   Join Date: Aug 2005 Location: Zadar, Croatia 50FE5 and 7695 tubes?
 16th July 2018, 07:19 PM #28 Tubelab_com   diyAudio Member     Join Date: Jul 2005 Location: West Virginia panhandle I have never seen a 50FE5 tube and can't find any data sheet for it although I didn't try too hard. I have one used pair of 7695's. On paper they look real good, unfortunately they are rather hard to find. Neither of these tubes are very common and I tend to use tubes that are in plentiful supply. Neither of these are in reasonable stock at my usual tube suppliers. There are less than 10 of each total in a warehouse of 2 million tubes. __________________ Tubelab, it's 5 year mission. To explore strange new tubes, to seek out new circuits and topologies, to boldly go where no tube has gone before......
davorin
diyAudio Member

Join Date: Aug 2005
Data for 6FE5/50FE5 from RCA datasheet book "RC-20-Receiving tube manual".
Attached Images
 6FE5-50FE5-1.jpg (211.2 KB, 38 views) 6FE5-50FE5-2.jpg (174.6 KB, 38 views)
Attached Files
 50Fe5-6FE5.pdf (85.9 KB, 5 views)

Tubelab_com
diyAudio Member

Join Date: Jul 2005
Location: West Virginia panhandle
Quote:
 Data for 6FE5/50FE5
Thanks, I have a scan of the RC-18 and an RC-30 and it's not in those. I have paper copies of several interim versions, but they are still in a box somewhere.

The 50FE5 also loosk like a good choice, but I have none to test. I may stick the 7695's in a board some day, but I still have lots of promising tubes to test first.
__________________
Tubelab, it's 5 year mission. To explore strange new tubes, to seek out new circuits and topologies, to boldly go where no tube has gone before......

 Posting Rules You may not post new threads You may not post replies You may not post attachments You may not edit your posts BB code is On Smilies are On [IMG] code is On HTML code is Off Forum Rules
 Forum Jump User Control Panel Private Messages Subscriptions Who's Online Search Forums Forums Home Site     Site Announcements     Forum Problems Amplifiers     Solid State     Pass Labs     Tubes / Valves     Chip Amps     Class D     Power Supplies     Headphone Systems Source & Line     Analogue Source     Analog Line Level     Digital Source     Digital Line Level     PC Based Loudspeakers     Multi-Way     Full Range     Subwoofers     Planars & Exotics Live Sound     PA Systems     Instruments and Amps Design & Build     Parts     Equipment & Tools     Construction Tips     Software Tools General Interest     Room Acoustics & Mods     Music     diyAudio.com Articles     Car Audio     Everything Else Member Areas     Introductions     The Lounge     Clubs & Events     In Memoriam The Moving Image Commercial Sector     Swap Meet     Group Buys     The diyAudio Store     Vendor Forums         Vendor's Bazaar         Sonic Craft         Apex Jr         Audio Sector         Acoustic Fun         Chipamp         DIY HiFi Supply         Elekit         Elektor         Mains Cables R Us         Parts Connexion         Planet 10 hifi         Quanghao Audio Design         Siliconray Online Electronics Store         Tubelab     Manufacturers         AKSA         Audio Poutine         Musicaltech         Holton Precision Audio         CSS         exaDevices         Feastrex         GedLee         Head 'n' HiFi - Walter         Heatsink USA         miniDSP         SITO Audio         Twin Audio         Twisted Pear         Wild Burro Audio

 Similar Threads Thread Thread Starter Forum Replies Last Post Wigwam Jones Tubes / Valves 9 17th August 2015 08:14 PM ludcam Swap Meet 2 22nd May 2015 04:20 PM flyinglemur Tubes / Valves 6 2nd March 2008 10:33 AM Animalnisse Instruments and Amps 0 9th January 2007 03:24 PM electricashman Everything Else 9 12th July 2006 08:14 PM

 New To Site? Need Help?

All times are GMT. The time now is 04:00 PM.