I see there's as much problems in the high frequency region as the bass region in many recordings.
Some have way too much and/or unevenly distributed.
Not to get me started on the crazy mids in modern popular recordings, screaming seems to be the norm.
Many cymbals seem to have much of their output around 8khz.
Something's happening over 10khz, but not a whole lot on most recordings.
Whatever happened to the 90's somewhat balanced downwards slope sound response, easily visible in a spectogram.
Bring back the uneducated kids to the studio chairs that have not yet learnt the point of using a compressor.
Some have way too much and/or unevenly distributed.
Not to get me started on the crazy mids in modern popular recordings, screaming seems to be the norm.
Many cymbals seem to have much of their output around 8khz.
Something's happening over 10khz, but not a whole lot on most recordings.
Whatever happened to the 90's somewhat balanced downwards slope sound response, easily visible in a spectogram.
Bring back the uneducated kids to the studio chairs that have not yet learnt the point of using a compressor.
I wonder if hearing loss low pass filter causes phase distortion......
It would if there were a receiver following the filter that could detect phase. Which leads to an obvious question....
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