John Curl's Blowtorch preamplifier part II

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the "phycho" part is due to the fact that while we listen with our ears, what we heard is sent to the brain and gets processed there....

Which is why I simply cringe at the "trust your ears" mantra. That's perfectly fine when it comes to purely subjective preference, bug it does nothing to inform the objective reality. But most of those who parrot that phrase are working from the premise that it does and are in complete denial of our humanity.

se
 
Do we know that the sinus and the square were not level-matched? And if electronically level-matched, there would still be a significant attenuation of harmonics by most tweeters.

If the argument is that you can't hear sine waves above the fundamental in a square wave, then they should not be level matched! Only the level of the fundamental in the square wave should match the level of the sine.

But the limits of hearing to a 20,000 hertz bandwidth has been mostly show to be incorrect by researchers with more modern equipment. There is a difference between testing with a sine wave and doing a bandpass limiting test.

A simple demo we do here is to play a 30,000 hertz tone. Folks don't "hear" anything but can tell the instant you turn it off. (Easy to measure that there are no subharmonics with the gear around lying around.) Now level that is required is a bit of a different tale.

Most small headphone transducers will do 30,000 hertz for those who wish to actually try things for themselves.
 
There is a difference between testing with a sine wave and doing a bandpass limiting test.

A simple demo we do here is to play a 30,000 hertz tone. Folks don't "hear" anything but can tell the instant you turn it off. (Easy to measure that there are no subharmonics with the gear around lying around.) Now level that is required is a bit of a different tale.
I'm happy to not be a totally crazy audiophile who believe in magic and deserves to be burned for sacrilege against the laws of psycho-acoustics.
I am told that the stake was quite disagreeable.

BTW: I remember to had, long time ago, my hearing tested by a doctor of the occupational medicine. He told-me that, at this time, I was limited at 15KHz. "There is a problem, doctor", I said to him. "You are using to diagnose the bandwidth of the people an headphone that is unable to reproduce such high frequencies at an acceptable level !". I knew this headphone very well and had made measurements of it, between some others. ;-)
 
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What middle ear parameters tell about impedance matching and high frequency hearing

Is one article that covers the limits to hearing in mammals. With bone conduction frequencies as high as 150,000 hertz can be detected by children. This drops to 50,000 hertz for adults. It is presumed that mass damping of the ossicle that is thought to be the limiter for high frequency response.

Of course we all know that all new research stopped once we left college....

So the bone conduction research was done in 1950 and should apply to most here.
 
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None of the available couplers for headphones can make meaningful measurements above about 8 KHz. The cavity resonances and other aspects of the coupler prevent it. You can try free space measurements (Audeze does this) and get some idea of what happens at the driver. The plot shown has significant response at 20 KHz which is pretty good.

Relating that to what happens at the eardrum is a problem. Even with a probe mike in the ear canal you still get that type of response. If you crank up the HF so you can see it in the plots you get "Beats" sound, something only tenuously connected to reality.

The ear has a transient response that does not match its frequency response. Its much faster I have been told.

Hearing test headphones are more about consistency with measuring a population. Switching headphones can completely invalidate the measurements compared to the thousands of others who have been measured for hearing loss. I would not use headphones as a means for quantitative testing of ultrasonic sensitivity on humans. Just too many variables.
 
Current technique is not to use a headphone for testing. Instead a transducer drives a small tube. So even though the wave is created by a piston with a small tube it can present as a point source. This is then spot frequency calibrated. A very small tube has a resonance well above the frequencies of interest.

One can however demonstrate limits with a small light weight transducer typical of ones that are used in some earphones.
 
:cheers:
jcx, my ears are not more special than the nose of a "nez" (perfume creators). It means just my *culture* in matter of sound, musical instruments, and music production is ...special. because all our individual cultures are unique, because no two people have the same life ... and the same soul.

Now, for the second part of your messages, Psychoacoustic researchers, if they exists, are just tying to put numbers on "average psycho", on my point of view. Their work can help, like Fletcher and munson's, but they cannot enter in our brains like music do and don't know the way I or an other is 'feeling' ;-)
Like nobody is able to say we all perceive the colors the same way.

University Professors, well, if you are talking about the guitar lessons of Larry Carlton, oh, Lord, yes, he knows what he is talking about. ;-)
For most of them, what did they produced, apart reproducing other ideas and words ? What I called 'intellectual' ;-)
Textbook authors ? It is not because something is printed that it has any added value, if you see what I mean.

"self proclaimed internet audio gurus", well do you really think i consider myself as one ?

Just I have a passion for music. So I have studied electronic, like a race car driver can study mechanic. I believe that I share with John Curl the experience to have been very close to musicians and instruments, PA systems, recording studios, and electronic design in the same time. With a difference, one was 70/30 and the other 30/70 when it comes to the pressure of our feet in the two worlds. And, ask him, we are not so many to had been professional in the both worlds.

I don't pretend to teach something, oh, Lord, not. I doubt of everything, including my own believes.
I would love to have your certainties.

Well about this matter of harmonics, I used sometimes to add in my recordings some bumps in the response curve of voices at 40 or 50 KHz. It change the sound, every body who was present at this time noticed. Now, is-it because it change the acceleration of the speakers, or our ears are more sensible to the fast peak changes than average values, or some kind of IM added at lower frequencies, I don't know.
But the volume answer, no way: we use faders in our mixing desks for the levels ;-)
As I said, just try it. I will be interested by your results, I'm not interested in any 'theory trying to demonstrate the contrary of what I had experienced myself.

Amen.
 
I tend to agree with John. The musical content does come first, but I'd be a liar to say I don't really care how well it's been reproduced. At the cost of being an elitist, a boom box is all right if I have no choice, something is better than nothing, but if I do have a choice, I'll gladly skip the boom box and go for something which sounds better to me.

Just because someone splashes like $100,000 on a Mercedes-Benz does not necessarily mean he's a car freak, perhaps he simply enjoys riding in relative silence and comfort.
 
Just because someone does not splash $100k on a Mercedes-Benz does not necessarily mean he's not a car freak, perhaps he simply enjoys sleeping in relative safety and comfort.

(A relative installed a 50k armored door in his bedroom, after he had to hand over his Benz keys in his PJ's. Neither is a problem any longer, after he unlawfully blew every pre-tax dollar in his company on the stock exchange, the IRS is not likely to stand next to his bed with a cocked Glock)
 
None of the available couplers for headphones can make meaningful measurements above about 8 KHz. The cavity resonances and other aspects of the coupler prevent it. You can try free space measurements (Audeze does this) and get some idea of what happens at the driver. The plot shown has significant response at 20 KHz which is pretty good.

Relating that to what happens at the eardrum is a problem. Even with a probe mike in the ear canal you still get that type of response. If you crank up the HF so you can see it in the plots you get "Beats" sound, something only tenuously connected to reality.

The ear has a transient response that does not match its frequency response. Its much faster I have been told.

Hearing test headphones are more about consistency with measuring a population. Switching headphones can completely invalidate the measurements compared to the thousands of others who have been measured for hearing loss. I would not use headphones as a means for quantitative testing of ultrasonic sensitivity on humans. Just too many variables.
I Agree with each of your words.
I had comparative measurements of a lot of headphones to make for a revue.
The method we used was to chose several "best sounding ones" for their tonal balance, and apply a crorrection in the measuring mic according to the accidents that were shared by headphones. Average way. And even with this, it can change a lot with any difference of positionning, air sealing for the closed air caps etc...
Comparing with free air response in high frequencies too...
A nightmare.
Nb: the accident shown in this curve with this headphone had, helas, some consistancy. Even in free air. Probably due to the back enclosure behind the membrane.
 
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Which is why I simply cringe at the "trust your ears" mantra. That's perfectly fine when it comes to purely subjective preference, bug it does nothing to inform the objective reality. But most of those who parrot that phrase are working from the premise that it does and are in complete denial of our humanity.

se

Exactly.

To them, they say they can hear real differences in all sighted tests regardless of what is being tested. At which point, I ignore them -- that claim is simply not credible. eg. copper vs OCC copper to name one.
 
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Most small headphone transducers will do 30,000 hertz for those who wish to actually try things for themselves.
But they will distort in a non-ideal way and introduce sub-harmonics that we can hear, that is why we might 'perceive' such things. The obsession with being able to perceive super hf in audio makes no sense to me in the context of what real people can physically hear in natural sound. Attached is an extract which shows the effect of age on tone perception threshold, up to age 55, by percentile of population. Be afraid, be very afraid. Above age 55 is restricted viewing only, too gruesome for anyone over age 55 to view. 30kHz, forget it.
 

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  • Hearing thresholds2055yrs.JPG
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what real people can physically hear in natural sound.

Considering the general falling spectral response of real free field music, I turn to the simple tests with/without low-pass filters on real music. I have not found compelling evidence to look there for any answers. As Dave Griesinger has published one first needs artifact free reproduction at these frequencies.

Simple experiment play 1/3 octave noise around 25kHz from a really good 24/96 DAC directly into your analog signal chain at varying levels.
 
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Considering the general falling spectral response of real free field music, I turn to the simple tests with/without low-pass filters on real music. I have not found compelling evidence to look there for any answers. As Dave Griesinger has published one first needs artifact free reproduction at these frequencies.

Simple experiment play 1/3 octave noise around 25kHz from a really good 24/96 DAC directly into your analog signal chain at varying levels.

And your financial interest in replacement tweeters is exactly what? :)

On large scale systems due to air losses the HF limit is usually 8,000 hertz.
 
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For me the scariest thing is how bad the hearing is for professionals in audio. I don't know how many of you read Rolling Stone, but the feature on Jimmy Iovine is most illuminating. In one section he talks about being able to hear immediately what is wrong with something, I think saying "from a block and a half away" if memory serves. Then in another place he talks about his hearing loss and how his kids make fun of him by mumbling.

And of course the characterization by him and Dre of audio engineers as wearing white lab coats and carrying clipboards...
 
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For me the scariest thing is how bad the hearing is for professionals in audio. I don't know how many of you read Rolling Stone, but the feature on Jimmy Iovine is most illuminating. In one section he talks about being able to hear immediately what is wrong with something, I think saying "from a block and a half away" if memory serves. Then in another place he talks about his hearing loss and how his kids make fun of him by mumbling.

And of course the characterization by him and Dre of audio engineers as wearing white lab coats and carrying clipboards...

It figures. The Dr. Dre headphones are shite. Period.
 
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