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#1 |
diyAudio Member
Join Date: Dec 2008
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It's been a while since I posted something... Since I build a tiny O2 headphone amp back in the day.
Cutting to the point since I got my paws over a decent Gfa535 the first thing as man's nature dictates is to open it up and mess with the guts. Simple beast with a few caps to be changed /upgraded. That is done and out the way. Next step is to change big caps in the power supply... and then I realized something seems odd, even though it's a dual mono with mirror boards I noticed one (L) has and extra cable that runs to the power supply. I'M a newB but there is something the way the grounds are done that seems confusing and TBH I can't quite comprehend the why's and if there is a way to improve it. I searched the forums and the only thing I found is a guy that sells a new PS board... But what can I DIY? .. In the case there is room for some improvement in the grounding section. NUTSHELL 1. Recap - pretty much done 2. New inputs - In process 3. Speaker terminal replacement (speaker selector is being erased plus new 5 way binding posts to come) 4. Q607 will be eliminated from the L+R boards. According to my Guru (dad which is/was and everyday DYIaudio member that actually read pretty much all the posts in the Blowtorch thread LOL) that Q607 gets in the way of the overall circuit just to flash some clipping leads. I don't prefer LEDs over sound quality. Some pics for mere reference and schematic added. Any input and comments welcomed! Cheers from Mexico, ROB. |
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#2 |
diyAudio Member
Join Date: Feb 2001
Location: Madison, WI
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Yes indeed, the grounding on the 535 MK1 is confusing because it doesn't make sense! Nearest I can figure, they botched the design of the power supply board, but had already ordered mass quantities of boards, and so applied a factory bodge to make it work. You'll notice the wire for the signal ground is missing on the right channel. This point is meant to go to star-ground of the amp. You can see where they goofed on the original board. The points marked "E2" seem to be meant for these signal ground points from both channels to connect, and points "E" and "E1" for the zobel ground. However, between these points also flows return currents from the bypass capacitors, and so those points would not be "quiet" anymore, they are pulsating with capacitor charging currents, creating a delta between the signal ground and zobel ground, which is picked up by the feedback network.
![]() The factory bodge ties the right channel's input ground reference to the left channel via the very long shield of the input wires. It's only partially effective. I wrote an article about this a while back, I guess you've read it. Killing the buzz in the Adcom GFA-535. New power supply boards! | Hoppe's Brain If you want to fix the issue without buying one of my boards, here's how! I haven't tried this, but it should work. The idea is to keep the signal and zobel grounds out of the way of capacitor charging currents. ![]() Last edited by Phloodpants; 21st March 2020 at 04:55 AM. |
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#3 |
diyAudio Member
Join Date: Jul 2015
Location: Hong Kong, China
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The extra cable to supply board is a ground line for the amp input, since both channel RCA input jack ground already joined together, so that only one PCB need to join the ground.
But due to this long distance ground arrangement, some model right channel maybe has a few noise introduced. If you built new inputs with separate RCA jacks, you could connect each RCA jack ground to the supply borad "E1(left) and E(right)" where the left PCB input ground connected before, remove the old left PCB input ground connection and then use good shielded cable connect each RCA jack to amp PCB input to finish the input ground mod. For the 1uF big size wima red cap, no need to use big size high voltage cap, sometimes big size cap will introduce noise form the transfomer. For the cap function, a 0.1uF to 1uF 50V cap is ok. |
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#4 |
diyAudio Member
Join Date: Feb 2001
Location: Madison, WI
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Perhaps the best improvement you can make to these amps, is to install a better matched pair of input transistors, Q101 and Q103. The factory matches are hit and miss, and the earlier manufactured models seem to be better.
KSC1845 works great as a replacement. It's a bit of a project to build a matching jig as described in this thread, but it will come in handy over and over again. Matching transistors & measuring the results Also, you can thermally bond these transistors with heatshrink and thermal paste. You have to mount them at a 45 degree angle to get them to touch. |
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#5 | |
diyAudio Member
Join Date: Dec 2008
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#6 | |
diyAudio Member
Join Date: Dec 2008
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Quote:
Regarding the red cap, yes it is larger than I would like but was the only 1uF caps in my stash for the moment. We wanted to keep the value as the original design had. We suspect the 1uF was part of voicing during design? Only Mr. Pass would know LOL |
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#7 | |
diyAudio Member
Join Date: Dec 2008
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Quote:
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#8 |
diyAudio Member
Join Date: Feb 2001
Location: Madison, WI
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@BlueRob Thanks for the compliment.
No, I'm not suggesting cutting those two bypass caps out. In the diagram, I drew two arrows that read "Bodge Wire" A wire is run from the bottom of R901 & R904, and a scraped-away portion of the PCB. This routes the return currents from the charging pulses of the bypass cap where it belongs: On the other side of the analog ground reference points. |
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#9 | |
diyAudio Member
Join Date: Feb 2001
Location: Madison, WI
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Quote:
But Hfe varies a lot with heat, so when you are matching, you need a way to keep both DUTs at the same temperature. I use the fan method to find matches at close to room temperature, (because of the very fast air currents), and then those matches are double-checked without the fan, and an insulating cap placed over the two of them, so they can get warm like they do in the amp. Usually, the ones that match with the fan, also match at warmer temperatures. I have an efficient process down, but it is very boring and time-consuming. If you only need a few pairs, no big deal. A good coronavirus quarantine activity! Also, I suspect one of the reasons the MK2 has a DC servo, is so they didn't really have to worry about matching, or perhaps they could relax the standard. Nevertheless, matching transistors on the MK2 is just as important as the MK1. The less the servo has to correct for, the better. The thing about well-matched transistors, is that when they are properly balanced, you get better inherent linearity in the input stage. Less distortion. The negative feedback system will correct for a great deal of this distortion, and it may not show up that much in distortion measurements. But the amp will sound better with better inherent linearity. Last edited by Phloodpants; 23rd March 2020 at 07:49 AM. |
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#10 |
diyAudio Member
Join Date: Feb 2001
Location: Madison, WI
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Oh, and for the RCA's. This is important! As OEM, both channel's RCA grounds are connected together, and this actually ties the two signal grounds together. Well, now that we have corrected the star-ground topology of the amp, you can connect these RCAs like they are supposed to be! Install new, chassis-mount RCA jacks. Do not connect the grounds together. Simply connect each RCA jack's ground and signal wires to the original locations on the board. The shields of the RCAs don't connect until they get to the star ground on the power supply board. This agrees with the amp's signal ground reference point, which is where the amp gets its idea of what zero is; silence.
Last edited by Phloodpants; 23rd March 2020 at 08:07 AM. |
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