Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part One
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part Two
Some good insights into his modus operandi & methods etc etc
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part One
SoundStage! Ultra | SoundStageUltra.com (UltraAudio.com) | Searching for the Extreme: Bruno Putzeys of Mola-Mola, Hypex, and Grimm Audio -- Part Two
Some good insights into his modus operandi & methods etc etc
Maybe he has ....
Maybe, but he also likes to talk. Maybe he did a digital apmlifier before Tact. But the first digital prototype by Lars Risager was made in 1992, and the principles behind EQUIBIT was finished i 1994.
Very fascinating reading, thanks!
So he did a relatively simple RIAA pre that does -150 dB distortion, huh? Grrr. Not like anyone needs performance like that, but I'd be guessing that higher-order compensation, complementary input, a Class A output stage and possibly higher-than-usual supplies were involved.
So he did a relatively simple RIAA pre that does -150 dB distortion, huh? Grrr. Not like anyone needs performance like that, but I'd be guessing that higher-order compensation, complementary input, a Class A output stage and possibly higher-than-usual supplies were involved.
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