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First cycle distortion - Graham, what is that?
First cycle distortion - Graham, what is that?
I have never heard it before. Quote:
Can you explain? Has music really signals that can be regarded as startup transients? Maybe for slow amp? Can you give me any reference material? |
From the accounts I've read so far it appears to be a rather
disingenuous way of referring to what is already known. It is not as far as I can tell any sort of "new" distortion mechanism, it appears to be the effect of closed loop bandwidth and stability on a sine wave that abruptly starts at t=0. As far as I can tell reproduction of any discontinuity emphasises wide bandwidth design over high feedback levels in the audioband with the necessarily restricted bandwidth required for stability. And by definition such an approach would imply that the JLH class A type circuit favoured by GM would come out well under such analysis. :) sreten. |
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same as any waveform with discontinuities. :) sreten. |
Isn't this the same thing as step response?
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It has do with music is this way (in my world ;-)):
Music is comprised of transients. There is almost - exept when a tone is prolonged on purpose - no steady-state in music. Hit a string on a guitar and it will start swinging as soon as the plectrum or your finger lets go of the string. But the amplitude of the swinging wil not be constant, it will decrease untill it stops. Concluding; No steady state. As you may or may not see/know, the first swing from start point to start point is the one with the biggest amplitude, as it will fade gradually as already sayd. Here comes the question: What can cause for a signal to be dampened in it first swing - or cycle (as Graham appropiately calls it)? Here comes another question: How important is this first swing? Would you be able to hear it, if it wasn't there or if it was unintentionally dampened? And since music is - almost - pure pulses (first swings) will you be able to hear this somehow? If you have looked at the graphics Graham presented you could see that the first period was dampened before reaching a steady state, and I do not know what could cause this - I haven't seen it before. But what intriques me, is that the very sudden start of this first period. There is no "gentle" start of it. But maybe these two factors are not connected? "Must figure this out . . . " he said leaving the house to visit some other friends . . . |
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A discontinuity is a discontinuity, requiring theoretically infinite bandwidth. And reproduction depends on closed loop bandwidth and stability. :) sreten. |
I was rather under the impression (and I could be wrong) that
Graham was making reference to distortion created by the active character of the loudspeaker, not intrinsic distortion of an amplifier using feedback. Feedback in power amplifiers is far too fast to create first cycle distortion due to feedback delay, at least in the context of audio frequencies. The notion that it takes a cycle or two for the amp to "get it" is erroneous. The loudspeaker on the other hand may not exhibit the same impedance on the first cycle as subsequently due to the back emf generated by a moving voice coil, and so can draw more current on the first cycle. It seemed to me that this or something similar was the basis of Graham's argument. |
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I believe jcx summed it up best in this post http://www.diyaudio.com/forums/showt...915#post369915 when he pointed out that a single pole low pass filter has considerable "first cycle distortion" unless the bandwidth is quite large. It's clear from that post that "first cycle distortion" has little to do with non-linearity per se and is mostly due to the transient response of the circuit. |
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