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Sledgehammer to crack a Lightspeed walnut
I liked the idea of the Lightspeed volume control, but couldn't live with the channel imbalance.
I liked the idea of a stepped attenuator, but couldn't live with all those dirty contacts. Why choose? I decided to marry the two technologies by making 4 banks of 24 presets, operated by a 24 pole / 4 way switch which could then adjust the LDR voltages precisely, at each stage, whilst monitoring the output. I managed to get perfect channel balance and a perfect log taper. I also like the idea of being able to dial in different tapers. This is a video of it in action: https://www.youtube.com/watch?v=0Px0BDsCEL8 |
Aren't your "dirty" switch contacts still actuating the LDR? I don't know what people have against a pot for the actual signal anyway? When used in front of a high impedance buffer or input (JFET) works very well. Smooth and infinitely adjustable.
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Some people like a little low order distortion with their music. LDR volume controls suit them. Others use them just because they are different, and more expensive than a pot.
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Not the same but similar. If those contacts are dirty and the ldr control voltage is jumping around what do you think will happen to the audio output?
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Just to recap then: All those who think a stepped attenuator is the best solution for a volume control are wrong. All those who think an LDR is the best solution for a volume control are wrong. A normal potentiometer is the best solution for a volume control. Blimey. (Have you ever looked at how they produce a logarithmic taper in pots?) |
A dodgy contact feeding an LED+LDR has a similar effect on the LDR resistance as a dodgy contact has directly. LEDs react very quickly to current changes; LDRs are perhaps a little slower but you will still get LF intermodulation. If you don't trust switches don't use them.
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The best solution is a good quality pot, used in the correct circuit. |
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