I was thinking the same thing, but apparently it does have a detent.However, unless there is a centre detent the resetting accuracy makes all this rather academic.
I've used a number of stepped attenuators bought from eBay. Even had some custom values made in 3 deck models. They worked just fine and were not expensive. I like the little SMD types. But you might not find a good neutral position detent, tho.
Got this measurement from a tone control unit built with ALPS pots. The pots are in flat position. Never trust anybody! Spec says +-20%. As bad as any other pot. Sad...
You have no clue reading a dB scale, sorry
0.5dB error means 6% voltage ratio tolerance, meaning resistance ratio is 6% off , WAY within 20% rated tolerance.
1dB error means 12% error, still WAY within tolerance.
Sad indeed, but that applies to your Electronics knowledge.
OF COURSE, 1% resistors will be within 1% tolerance , not exactly headline news
Your Math skills are even WORSE, my teeth grind at your appalling Math (or plain lack of it) :10k pot has 5.017k and 5.309k in center position. Thats the cause.
5.309 - 5.017 = 0.292 kohm
0.292k/10k (full scale value) = 0.0292 (absolute value) = 2.92% error
WAY WAY within rated 20% tolerance.
Your Math skills are even WORSE, my teeth grind at your appalling Math (or plain lack of it) :
5.309 - 5.017 = 0.292 kohm
0.292k/10k (full scale value) = 0.0292 (absolute value) = 2.92% error
WAY WAY within rated 20% tolerance.
Did I say the opposite?
A wire would have to be exceedingly bad (or exceedingly long) in order to achieve 6dB tone control. I assume "cooper wire" is not an oblique reference to superconductors?diyralf said:+-6dB is not a tone control but a bad cooper wire.
I thought that. Then I thought some more and realised that the difference would not be dramatic. I said 6dB range limits would only halve the error. Now I've thought some more: adding a 5k resistor at each end of the pot (and adjusting cap values appropriately) would halve the error, but actually give about 10dB range limits. A 10k resistor at each end would give 6dB range limits, and give one-third of the error. Maybe the OP has such strange speakers, or strange room, or strange tastes, that he needs a lot of range on his tone controls?DPH said:Do you need the full range of the pot? If not, fixing it between some fixed resistors (and scaling appropriately) will pull the difference down dramatically.
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I happen to have three Alps RK27112-type dual ganged linear pots with center detent. They are marked "510G 10KB x 2". Lacking proper table tools here are the results ("F" unit closest to the shaft, all values in kOhm):
UNIT 1-2 2-3
1F 4.93 4.92
1R 4.92 4.91
2F 4.84 5.07
2R 4.72 4.85
3F 4.70 4.89
3R 4.92 4.75
The third unit is the worst because it is reversed, the first unit is all but exactly identical. Still, the third unit differs only by 7.5% and that's absolute. Pretty good results and resulting in a difference that's absolutely inaudible, even when compared with the TONE DEFEAT position.
UNIT 1-2 2-3
1F 4.93 4.92
1R 4.92 4.91
2F 4.84 5.07
2R 4.72 4.85
3F 4.70 4.89
3R 4.92 4.75
The third unit is the worst because it is reversed, the first unit is all but exactly identical. Still, the third unit differs only by 7.5% and that's absolute. Pretty good results and resulting in a difference that's absolutely inaudible, even when compared with the TONE DEFEAT position.
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