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Musicaltech Musicaltech specialize in top digital audio concepts using powerful programmable logic devices. Original designs include total replacement of off-the-shelf chips - seen by the Musicaltech team as a limitation in performance and flexibility. Information about one of the the most sophisticated dacs avaialable for DIYers, either multibit or delta-sigma, are available in the dedicated forum. |
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#21 | |
diyAudio Member
Join Date: Jan 2004
Location: MD
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Quote:
This is an awesome project. The concept reminds me of a modern version of some of the best DAC's of years past. What is the low end cut-off frequency of the PLL ? Also the idea of multiple digital filters is great especially with the USB port. How are you handling the ground with the FPGA being such high speed, is there possibility of it interferring with the PCM ? |
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#22 | |
diyAudio Member
Join Date: Apr 2003
Location: Mars
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Quote:
the low-end cut-off frequency of the PLL is 0.5 Hz. There are separate ground planes for FPGA and PCM - and we did not found interferences. Yes, the idea was to have a high-performance design without the use of an ASRC. We are using fully the 38 bit frequency resolution of SI570 - to achieve that is was quite a challenge. |
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#23 |
diyAudio Member
Join Date: Apr 2003
Location: Mars
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#24 |
diyAudio Member
Join Date: Apr 2003
Location: Mars
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RD30 FFT plots, 1Khz and 10KHz respectively, -20 dBFS signal.
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#25 |
diyAudio Member
Join Date: Jan 2004
Location: MD
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I really like this, do you have plans for an apodizing filter ?
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#26 |
diyAudio Member
Join Date: Apr 2003
Location: Mars
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I already have an apodizing filter available. I can supply the dac with it, instead of linear phase. Another option - which sound best of all to my ears - is a convolution FFT type, which is impulse response optimized - somewhat a combination between minimum phase and linear.
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#27 |
diyAudio Member
Join Date: Dec 2007
Location: Italy
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Very good job, my compliments.
How is the clock handled between the usb DDC and the i2s at the DSP? The main issue i see with the current interfaces is that they are not slaved to the DAC master clock (which should be as close as possible to the converters). Thanks in advance for your reply.
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"The response of the inner ear extends to at least 200khz" Dr W. Tempest |
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#28 | |
diyAudio Member
Join Date: Jan 2004
Location: MD
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Quote:
See Figure 5, with this RD30 the PLL is intergrated with the DSP. From my perspective this is a modern version of that classic design, similar also to the Pass D1's method of dealing with jitter. I like this approach, if the code is good this will work to give very good jitter performance. But to be honest I sort of like the iancanda fifo buffer approach better just because the code has to be right, in other words if the code is wrong it just won't play (skips). With the RD50 the way to prove it is working as intended is measurement, which is fine I trust the designers work. Either approach is way up there with +$10k commercial DAC's. |
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#29 |
diyAudio Member
Join Date: Dec 2007
Location: Italy
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Any PLL has intrinsic jitter. I would have preferred the usb slaved to the DAC, but I reckon this approach is more flexible and it works for the other inputs (where otherwise a clock signal would have been required).
Did you see the jitter measurements?
__________________
"The response of the inner ear extends to at least 200khz" Dr W. Tempest |
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#30 |
diyAudio Member
Join Date: Apr 2003
Location: Mars
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I guess the term "PLL" induced some misunderstanding. The USB is actually slaved to the dac; when usb is active the Si570 is programmed with a fixed frequency (22.579 or 24.576 Mhz) depending on the signal sample rate; being asynchronous, all transfers are made after this clock, which is as good as a fixed oscillator.
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