Is it possible to cover the whole spectrum, high SPL, low distortion with a 2-way?

2-way inspired by an acclaimed 5-way ultra high-end loudspeaker system, which - due to its modest materialization - looks so much better.
 

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Hopefully he doesn't mind this scoop, but here are a few images of Joseph Crowe's ES-600 Bi-Radial horns.
 

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While scrolling through some reviews and comments on PMC speakers, I came across many opinions/experiences similar to mine. A lean (mid)bass, lacking swiftness/coherence, not capable of playing loud etc.

Whereas Lynn Olson states: "Once you hear the TL sound, though, it's not easy to go back to closed or vented-box designs.", for me it's the other way around as regards the PMCs.

Just to be clear, my limited experience with TL speakers is by no means indicative of the concept as such.

I'm like Lynn, but agree that had I auditioned the PMC first rather than decades after my 'adventures' with TL/pipe horns it would have turned me off to the concept. Ditto the English dude's long, skinny, heavily stuffed pipe. pipe.

GM
 

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I want to believe in TM lines....and the group delay is low....but the sealed and ported version beat out my TM modeling for the 18h+ for extension on output so I'm not quite getting it.
Now that I look again, the sealed, has better group delay even. Is there something else to the sonic quality of TM?
 
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TLs are great for squeezing the last iota of performance out of (usually) small drivers but who needs them for large robust drivers in the home?

Key to making the right decision is knowing how loud you actually listen and what the excursion has to kept below at this level to satisfy distortion goals.

Note that if a single sealed TD18H+ per side isn't enough, you could fit two in a fraction of the space that a TL would require.

The artist in you might want a masterly crafted TL but the engineer will likely advise you differently.
 
The only stand oput spec I can find is a much lower impedance peak.....so that must make a noticeable difference in sq. otherwise spl and extension are better with sealed and ported. Group delay is that of a sealed.
You can get a decent response and more of it with less filling but then group delay goes way out the window.
I'm just saying that the allure has to be geared more towards lower impedance and lower energy reflected behind the woofer...
 
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nc535 does have a point.
The vast majority of large format studiomonitors and accompanying subs are either sealed, or (more often) bass reflex.
AFAIK very few TLs are built for larger cones.
Besides, you'll need a gigantic cab, because the TD18H+ isn't the most suitable driver for TLs.
There's also the (increased) risk of damaging the drivers.


I came across keith1962s posts in another forum.

Before:

83ddc348e11b86e262b1d9ceb2bb3359ba5089f7.jpeg



After:

088af0f0dec3faa028c24e00792ce2e643bcd052.jpeg


His horns seem to originate from the same source as yours, camplo.


The response without eq, as posted before by Keith:

784557d1569761385-cover-spectrum-spl-low-distortion-2-a-axi-filters-jpg
 
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Hi Ro808,

Could you please state where you found the posts from Keith1962? Thanks!

Best regards
Peter

nc535 does have a point.
The vast majority of large format studiomonitors and accompanying subs are either sealed, or (more often) bass reflex.
AFAIK very few TLs are built for larger cones.
Besides, you'll need a gigantic cab, because the TD18H+ isn't the most suitable driver for TLs.
There's also the (increased) risk of damaging the drivers.


I came across keith1962s posts in another forum.

Before:

83ddc348e11b86e262b1d9ceb2bb3359ba5089f7.jpeg



After:

088af0f0dec3faa028c24e00792ce2e643bcd052.jpeg


His horns seem to originate from the same source as yours, camplo.


The response without eq, as posted before by Keith:

784557d1569761385-cover-spectrum-spl-low-distortion-2-a-axi-filters-jpg