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Multi-Way Conventional loudspeakers with crossovers |
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#21 |
diyAudio Member
Join Date: Jan 2008
Location: Florida
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#22 | |
diyAudio Member
Join Date: Oct 2006
Location: San Diego
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Quote:
IE, if you have two horns, one with a big roundover, and one without, the horn with the roundover will have wider directivity. And this isn't just at low frequencies; it appears that it broadens it at high frequencies. The easiest way to determine if this hypothesis is true would be to look at polar plots of LeCleach or spherical horns. In both those horn types, the first half of the horn is about 25 degrees wide. Unfortunately, that data is hard to come by. John Sheerin published a single plot on his site. Besides that, a lot of the polar plots on LeCleach seem to be sims, not 'real' measurements. So I'll find out the hard way, by building and measuring! Plus, I've built nothing but waveguides for years, and it might be fun to try a horn for once. |
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#23 | |
diyAudio Member
Join Date: Jan 2008
Location: Florida
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Quote:
A large roundover will reduce diffraction effects, but won't change the HF dispersion. By increasing the mouth dimension, it may provide pattern control to a lower frequency. Take a look at the E-JMLC-1000 ( the first one I happened to find), goes from a -6 beamwidth of around 20 degrees vertical at 10,000 Hz to 80 degrees at 2000 Hz. At 20 kHz, you tell me, 8 degrees? Even horizontally, looks like about 30 degrees at 16 kHz, 40 at 10 kHz. Have fun! Last edited by weltersys; 24th October 2013 at 06:50 PM. |
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#24 |
diyAudio Member
Join Date: Oct 2006
Location: San Diego
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Initially I was going to 'approximate' the shape of a LeCleach curve, by combining a conical horn with a humongous roundover.
Cosmetically, it looked like crap. I don't have a table saw, and trying to do the angles for a conical horn with a bandsaw didn't work out so hot. So I went back to the method that has always worked well for me: I'm making a mold. I'm using seventeen 1" layers of foamular. The height and width of the horn follow the golden ratio. ![]() ![]() If you look at the mold, it has stair steps like a flower pot in a Devo video. I had to use a rasp, a file, and some sandpaper to make it match the curve we see in Hornresp. ![]() Here's a pic showing the size of the horn in comparison to my Vandersteen 2Cs. I plan on orienting the horn vertically, similar to what JBL does with their Synthesis 1400 array. |
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#25 |
diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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I would shoot for 4 drivers and arrange them like this on the horn.
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Ah, how beautifully the orchestra sounds before a rain! In a dry sunny day there is no way for the instruments to sound this way! |
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#26 |
diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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I would be very tempted to approximate the LeCleach horn using conical sections. Maybe something more like this? Would this make it easier to build?
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Ah, how beautifully the orchestra sounds before a rain! In a dry sunny day there is no way for the instruments to sound this way! |
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#27 | |
diyAudio Member
Join Date: Jan 2008
Location: Florida
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Quote:
Each horn "break" also causes some diffraction, though sanding the transitions takes care of most of that problem, leaving you with a beamy horn ![]() |
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#28 |
diyAudio Member
Join Date: Apr 2005
Location: Indianapolis, IN
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True
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Ah, how beautifully the orchestra sounds before a rain! In a dry sunny day there is no way for the instruments to sound this way! |
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#29 | |
diyAudio Member
Join Date: Jul 2007
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Quote:
![]() Usually he provides some (real) measurements. |
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#30 |
diyAudio Member
Join Date: Oct 2006
Location: San Diego
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