Headphones for music production

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The problem with headphones is that the pinnae perform an equalization function.

You need to find the brand whose dummy (or actual) outer ears most resemble yours.
It is also why a flat frequency response is not usually desirable in 'phones except for dummy-head recordings.
In my own case I have tried a couple of dozen or so and settled for Beyer DT770Pro as they sounded most natural and un-hyped to ME. All Sennheisers sounded just wrong but that doesn't mean that they would not work for you.
 
EQ should be natural to a production engineer, you can tailor headphones response to a useful degree - as long as the base headphone is reasonable

http://www.cpt.univ-mrs.fr/~briolle/11thAESpart1.pdf

http://www.cpt.univ-mrs.fr/~briolle/11thAESpart2.pdf


while budget blowing you should also at least think about what the SVS Realizer does - and those of us who have heard it with a full personalized calibration think it really does it well - this is not a simple crossfeed or Dolby virtual processor

SVS Technology

there's also the http://seanolive.blogspot.com/2009/10/audios-circle-of-confusion.html plot of studio control room measured frequency responses wild bass variation to consider too
 
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Sennheiser HD250 Linear II (or Linear mk1) is an excellent sealed headphone. Ensure the earpads are in good condition and are the official pleather type from the manufacturer.

If you want an open-back headphone that doesn't cost a fortune, my pick is the Sennheiser HD540 Reference II.


Both of these models have a neutral transparent frequency response with high tonal accuracy.
 
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