Cable termination

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Re: Reflecting on reflections

Fred Dieckmann said:
"Are you saying that a mismatch introduces jitter?"

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It has been suggested to me that the best sounding connection for dCS upsampling 2 cable gear are two shorts runs of IEEE1394 cable. This seems to makes sense as the dCss are connected inside with 6 in or so of twited pair cables, terminating in 2 XLRs.

Anyone with ideas of charcteristic impedance of 4 wire and 6 wire IEEE 1394 cable and how to terminate in XLR?

The other other Fred
 
Got a Red Light

peranders said:

I think we can make this conclusion:
75 ohms out + 110 ohms cable(or do you have a 75 ohms?) + XLR-contact + 110 ohms input => sounds quite alright but you get a red light. Have you checked in the manual when this light is suppose to be lit? I suspect a weak signal because consumer signal is much weaker than a professional.

If it sounds great, why bother further? You could test to have the right connections and see if it makes any difference.

75 ohms out <-> 75 ohms cable <-> transformer 75 unbal -110 bal <-> 110 ohms cable <-> 110 ohms input.

Hi Per-Anders,
I got a red light! I will not ride to death!
Congratulations, you won!!! You are the owner of the cosmic truth :rolleyes:
Up to 5000++posts! Hurry, hurry, no time to loose!
:bigeyes: :bawling: :clown: :D
 
Based on measurements i have found the surprising conclusion that changing a coax cable from 50 cm to 150 cm did not change jitter performance at all. (Non terminated).

Proper termination of the cable also did not have influence on the jitter at the output of the cable.

It was measured on a steady clock (with 2pS jitter level 3-sigma) , the result might be different if you were to use a bi-phase modulated SP/DIF signal though.
 
Interesting results Lars.

It must be wrong cause I said so also without any measurements.

Anyway, I think we are talking about different things here. Fred's book is about (I'll guess) digital communication with high speed and in such cases it's important to have control over speed in cable, losses, terminations, etc. The question is when these parameters start to matter.

Lars it's also interesting that you got 2 ps from a standard oscillator and Guido gets 6 ps from a special developed one (unkowned what the special thing was).

fmak, it seems very hard to get facts about FW cables. It's not so hard to measure the impedance if you have at least 10 m cable and a squarewave generator with fast rise time. The generator doesn't need to have same impedance as the cable. You just change the termination in the other end. It's clearly visible on an oscilloscope.
 
diyAudio Retiree
Joined 2002
www.sigcon.com

"the result might be different if you were to use a bi-phase modulated SP/DIF signal though."

Yes it might................:smash:

I would back terminate clock lines even for
runs of a few inches. but then again I know what signal integrity is and actually measure and listen to the results of such efforts.
 

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Re: www.sigcon.com

Fred Dieckmann said:

I would back terminate clock lines even for
runs of a few inches

I'm supplying clock signals with 4" and 6" runs. What's the best cable to use for that (shilded, unshielded, twisted pair?)

Also, should the ground (for clock signal) come from clock board (with ea signal), or is it OK just to provide signal alone and connect the ground from main PS?
 
have Any Of You Actually Used One Of These ?...............

AFAIK the only red signal lights on the front panel of the DCX2496 are input and output level overload indicators.
Presumably the input gain controls are after the AES/EBU/SPDIF input stage.

The DCX2496 controller software is worth a look (565k download) http://www.behringer.com/DCX2496/DCX2496_v1-15.zip .

Eric.
 
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