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#1 |
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diyAudio Member
Join Date: Mar 2007
Location: London
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Those of you with an interest in vinyl may be aware of the long thread on rumble filtering by removing subsonic anti-phase information (from vertical stylus movements) that has been running at:
http://www.diyaudio.com/forums/analo...s-self-81.html This has so far resulted in an article to be published in Jan Didden's Linear Audio in April, and a planned talk at the AES convention in Paris this June. Hopefully a PCB is going to be produced. In the course of doing this, it struck me that very little seems to have been written about conventional subsonic/rumble filters, unless I've missed it. I would be glad to hear of any articles or papers you know about, and very interested to hear what people think is the ideal conventional rumble filter response. I have a few ideas on this myself, but what do you think?
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Douglas Self |
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#2 |
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diyAudio Member
Join Date: May 2012
Location: Russia, Moscow
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Super deRumble filter.
See circuits. . |
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#3 |
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diyAudio Member
Join Date: May 2012
Location: Russia, Moscow
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#4 |
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diyAudio Member
Join Date: May 2006
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Pardon my ignorance. I have been reading through diyaudio member montypig78's thread but most of it is way above my comprehension.
If I read correctly, the rumble and its proposed 'alleviator' schematics refer both to vinyl lps/vinyl 78's and 78rpm shellac records. My naive question - is the rumble turntable or cartridge and tonearm related? I play both vinyl and 78rpm shellac records and use Garrard 301's and Micro/Micro Seiki turntables. bulgin |
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#5 | |
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diyAudio Member
Join Date: Mar 2007
Location: London
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Quote:
There seems to be something amiss with the graph labelled "Frequency response for signals applied to this channel only." with frequency response deviations up to 400 Hz. But this is all Off Topic. This thread is intended to canvass opinion on conventional rumble-filters- ie just filters, one per channel, with no crossfeeding or antiphase cancellation.
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Douglas Self |
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#6 |
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diyAudio Member
Join Date: Jan 2009
Location: Austria
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the only schematic i have with a rumble filter at the input.........but i have never built it.
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#7 | |
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diyAudio Member
Join Date: Mar 2007
Location: London
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Quote:
'flankensteilheit' means 'edge steepness' which I assume is the rolloff slope, but I don't see how it could ever be 25 dB/octave. Could be a typo for 24dB/octave, of course, but the circuit looks like a second-order filter to me, which would give only 12dB/octave. There could be some subtle interactions with C4,C5 and C9 that yield 24dB/octave; a quick sim would answer that but for the reasons above this doesn't look like a promising path to explore.
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Douglas Self Last edited by DouglasSelf; 16th March 2016 at 05:22 PM. |
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#8 |
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diyAudio Member
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do transformer inputs provide a natural rumble filter due to roll-off of transformer response?
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"The test of the machine is the satisfaction it gives you. There isn't any other test. If the machine produces tranquility it's right. If it disturbs you it's wrong until either the machine or your mind is changed." Robert M Pirsig. |
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#9 | |
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diyAudio Member
Join Date: Mar 2007
Location: London
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Quote:
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Douglas Self |
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#10 | |
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Not a cowbow
diyAudio Member
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Quote:
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