I've seen images of so-called Voigt pipes circa 2004 modded to have baffle wings (on piano hinges) similar to the wings on OB's.
Is there any reasonable scenario in which the LF from the driver-plus-wide-baffle sums nicely with the LF (such as it is) from the horn mouth? Or is this just a terrible mess?
Or stated another way, is it sane to try to strengthen the bass from what is essentially an OB design by slapping a tapered pipe on the back?
(Why bother with this? Long story, but I can't quite accomodate BiBs which would I realize would be a much better approach...)
I suspect this design must be deeply flawed -- i.e., you just can't correct a so-called Voigt pipe with an OB-esque wide baffle, and vice-versa -- since the design is no longer popular. I guess I'm wondering what the flaws are. (I did search the forum for answers, and I'm definitely aware that this so-called Voigt pipe is sub-optimal, though OB seems well regarded, hence the question.)
Thanks in advance for any insights!
Is there any reasonable scenario in which the LF from the driver-plus-wide-baffle sums nicely with the LF (such as it is) from the horn mouth? Or is this just a terrible mess?
Or stated another way, is it sane to try to strengthen the bass from what is essentially an OB design by slapping a tapered pipe on the back?
(Why bother with this? Long story, but I can't quite accomodate BiBs which would I realize would be a much better approach...)
I suspect this design must be deeply flawed -- i.e., you just can't correct a so-called Voigt pipe with an OB-esque wide baffle, and vice-versa -- since the design is no longer popular. I guess I'm wondering what the flaws are. (I did search the forum for answers, and I'm definitely aware that this so-called Voigt pipe is sub-optimal, though OB seems well regarded, hence the question.)
Thanks in advance for any insights!