That may not be the best move Dave. After hearing the Rock and the Roksan Xerxes in the '80s and preferring both- in different ways- to the Linn I had at the time, I experimented with a Thorens TD 160 I'd taken to bits and found it sounded better without the springs. It's at least partly a matter of taste, and the sound became less spacious, but the bass seemed tighter and it just sounded more 'together' musically. My suspicion that suspended decks had problems were triggered by watching a friend's Rega 3 in action, oddly enough. Not a suspended deck, but the motor seemed to be in constant motion on it's suspension/ decoupling belt. It struck me then that this must be doing strange things to the speed stability, which seemed to explain the odd bass quality of these decks. Suspended subchassis decks have a similar problem it seems to me, except in the rare cases where the motor is deemed quiet enough to put on the subchassis (Pink Triangle Anniversary) or those that have highly damped suspensions (recent Rock turntables and the SME 20 and 30 series). Just recently I modified the same Systemdek I mentioned on your AT cartridge thread from springs to using sorbothane 'blobs' in their place. Again, to my taste, much better. This was one of the original 'Transcription' decks, later versions of which were known as the 'III'. They are well known for powerful but rather soft bass, but removing the springs completely sorted this out. Slightly less spacious and less bass quantity, but better quality ad a better focused sound. I should point out that all the modified decks were either used on wall shelves or stands on solid concrete floors. All that said, if you prefer sprung turntables, go for it, but you might find it's bunch of effort for worse sound!