Here's a complete "turnkey" ORION+ 3.1 speaker system, factory built by Wood Artistry & designed by Siegfried Linkwitz. This includes the speakers, active 3-way crossover, ATI 6012 amplifier and all cabling required. You only need to provide source w/ volume control.
The ORION+ 3.1 are open-baffle dipole design, using an active 3-way crossover and 8-channels of amplification. The drivers are some of the best you can find (Seas, Peerless) and the crossover employs precision tolerance components throughout.
This pair is circa 2010, Rev. 3.1, turnkey systems started at $8400. The brochure can be seen here: https://www.woodartistry.com/pdfs/Orion-Brochure-102208.pdf
All grill covers included. Excellent physical condition, and all electronics work as they should.
Asking $2000 - Local pick-up in Las Vegas, NV or delivery available up to 200 miles from 89147
The ORION+ 3.1 are open-baffle dipole design, using an active 3-way crossover and 8-channels of amplification. The drivers are some of the best you can find (Seas, Peerless) and the crossover employs precision tolerance components throughout.
This pair is circa 2010, Rev. 3.1, turnkey systems started at $8400. The brochure can be seen here: https://www.woodartistry.com/pdfs/Orion-Brochure-102208.pdf
All grill covers included. Excellent physical condition, and all electronics work as they should.
Asking $2000 - Local pick-up in Las Vegas, NV or delivery available up to 200 miles from 89147
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The speakers and xover are now spoken for in a trade deal.
The ATI 6012 amp is available now by itself, for $500 + shipping.
The ATI 6012 amp is available now by itself, for $500 + shipping.
Can I ask where did the crossover pcbs come from?
There's probably a market for them.
I expect they sound as good as they look.
Many years ago I built his Phoenix dipoles after experiencing the advantages and disadvamtages of some Quad ESL57s and 63s. and then went on to buy some Martin Logan Aeon hybrid electrostatics.
There's probably a market for them.
I expect they sound as good as they look.
Many years ago I built his Phoenix dipoles after experiencing the advantages and disadvamtages of some Quad ESL57s and 63s. and then went on to buy some Martin Logan Aeon hybrid electrostatics.
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Not exactly!
I sold the panels & crossovers and cut off the uprights to leave the bass units which I am using as subs.
Sacriledge I know, but the panels needed replacing and I didn't have the £2k needed.
I really recommend & prefer any dipole design over a box.
I'm listening to some TDL RTL3se's with new tweeters just installed (Seas TF22s), having relegated my Naim SBLs to rear surround duty. (poor bass unless against a solid wall). Neither compare too well to the Aeons of course.
I sold the panels & crossovers and cut off the uprights to leave the bass units which I am using as subs.
Sacriledge I know, but the panels needed replacing and I didn't have the £2k needed.
I really recommend & prefer any dipole design over a box.
I'm listening to some TDL RTL3se's with new tweeters just installed (Seas TF22s), having relegated my Naim SBLs to rear surround duty. (poor bass unless against a solid wall). Neither compare too well to the Aeons of course.
When you bought the plans for the Orions from Linkwitz the PCBs were part of the package...you had to buy the components and stuff them then integrate them into an enclosure. I built a set of Orions in 2009 and they have stood the test of time very well.
Yes. I have an Ixo active crossover (3.5Khz) driving a Quad 306 for the mid/woofer and my EL34se/Akido combo for the tweeter (Scanspeak D2008).
The RTL3s are also active using the Ixo but I am replacing this with a new crossover at 2.5Khz.
I am favouring the RTL3s so far, though the tweeters are brand new so will need sometime to settle in.
The Aeon subs will be equalised with a Linkwitz Transform to compensate for the fall off below resonance (~58Hz)
The RTL3s are also active using the Ixo but I am replacing this with a new crossover at 2.5Khz.
I am favouring the RTL3s so far, though the tweeters are brand new so will need sometime to settle in.
The Aeon subs will be equalised with a Linkwitz Transform to compensate for the fall off below resonance (~58Hz)