So I will say nothing is 'new' and the designs and ideas are probably about there but I've been on a bit of a journey to understand the technology (tubes) understand the designs and the tools.
My guiding principles are:
* Low noise
* Tube stages - with a little help from solid state if needed.
* Headphones - capable of 32ohms
* Class A / AB1
* 6SN7 and 6AS7 based
Design topologies I've experiemented at in my earlier stages:
* SE 6SN7 -> 6AS7
* 6SN7 phase split using concertina -> 6AS7 PP
* 6SN7 input -> 6SN7 LTP -> 6AS7 PP
* 6SN7 other variants of 6SN7 drivers, differential amps, etc
* Negative feedback
* 6SL7 ..
* A 6SN7 version of Marcel's Valve DAC - including driving 6AS7 PP...
So from a LTSpice perspective I feed comfortable with the 6SN7 and 6AS7 and 'ideally' getting what I want...
So with the last piece it's got me thinking of the first stage - and how could I combine common components for the Valve DAC (requires six 6SN7 for both channels).
Then last night I thought - ignore everything you have done, focus on point 1 - noise. After reading around.. focusing on low noise designs for tube amps, removal of caps, reduction of resistors, paralleled tubes, differentials, and ensuring the majority of gain happens in one stage. Some of the ideas I was thinking about:
* Max 3 6SN7s - a total of 6 triodes available
* reduce resistors, capacitors in path
* Earliest gain possible
* Parallel - increase SNR
* Differential - reducing common noise
* Cascode - increasing gain without needing a coupling cap
I found a different back end stage - balanced but given the topology and the use of non-balanced headphones I would prefer PP with an output cap plus crowbar for safety.
So this morning I have decided on this topology:
The volume control is phase based.
I've just done the first run with some guesstimate non calculated cap and resistor values - even the bias on the tubes is not correct at the moment. However it looks promising:
So I think I will continue down the path of this topology as it's looking promising without correct values or negative feedback.
Any thoughts would be welcome.
My guiding principles are:
* Low noise
* Tube stages - with a little help from solid state if needed.
* Headphones - capable of 32ohms
* Class A / AB1
* 6SN7 and 6AS7 based
Design topologies I've experiemented at in my earlier stages:
* SE 6SN7 -> 6AS7
* 6SN7 phase split using concertina -> 6AS7 PP
* 6SN7 input -> 6SN7 LTP -> 6AS7 PP
* 6SN7 other variants of 6SN7 drivers, differential amps, etc
* Negative feedback
* 6SL7 ..
* A 6SN7 version of Marcel's Valve DAC - including driving 6AS7 PP...
So from a LTSpice perspective I feed comfortable with the 6SN7 and 6AS7 and 'ideally' getting what I want...
So with the last piece it's got me thinking of the first stage - and how could I combine common components for the Valve DAC (requires six 6SN7 for both channels).
Then last night I thought - ignore everything you have done, focus on point 1 - noise. After reading around.. focusing on low noise designs for tube amps, removal of caps, reduction of resistors, paralleled tubes, differentials, and ensuring the majority of gain happens in one stage. Some of the ideas I was thinking about:
* Max 3 6SN7s - a total of 6 triodes available
* reduce resistors, capacitors in path
* Earliest gain possible
* Parallel - increase SNR
* Differential - reducing common noise
* Cascode - increasing gain without needing a coupling cap
I found a different back end stage - balanced but given the topology and the use of non-balanced headphones I would prefer PP with an output cap plus crowbar for safety.
So this morning I have decided on this topology:

The volume control is phase based.
I've just done the first run with some guesstimate non calculated cap and resistor values - even the bias on the tubes is not correct at the moment. However it looks promising:

So I think I will continue down the path of this topology as it's looking promising without correct values or negative feedback.
Any thoughts would be welcome.
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