Current driver for Haruna or other front-exit 6"?

I've been looking for some kind of preferably front-exit horn setup in the 6" driver range. The closest analogue to what I'm looking for would be a 6" version of the Dallas II, except the D2 has so many odd angles it pretty much requires a table saw that I don't have. Something like the Haruna would be easier for me since I could get CNC cut flats w/ grooves in the sides. I'm thinking front-exit may be a better idea because the corners shapes in the room are pretty awkward and asymmetrical.

So two questions:

A) The Haruna calls out the FE166en that isn't available anymore. Just briefly looking at the T/S parameters, it looks to me like the FE168EZ would be closer than the current FE166NV2, but I might be looking at the wrong parameters. I noticed very few horn designs I've seen ever call out the Sigma series. Any particular reason for that?

B) Is there an obvious other front-exit horn design I'm missing? 8" like the Dallas 2 would be OK (as long as it's not wider than 12", ideally <11"), but the Dallas design is just not practical for me to construct.

EDIT: Anecdotally, I have a soft spot for front-exit horns, and especially double front-exit Fostex ever since I heard the Cain & Cain BENs at VSAC a million years ago. I had the room across the hall from them and vividly remember thinking as I first walked past "How/why on earth did they bring an actual piano to the show?" before I realized how incredibly stupid that was. I made a lot of stops back in that room at the show that year.
 
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Agreed, within that size bracket. I also designed Haruna & its predecessor with that unit in mind as an option / optional upgrade, in the same way I did Kirishima for the 206, with the 208ESigma as an option.

The ESigmas are basically horn drivers; underhung, short-coil / gap motors, generally relatively low Q, middling Fs, so all other things being equal, they'll tend to give of their best in a decent horn.

One note: people often get the wrong idea about horns with rear termini & assume they need more space to the boundaries. Usually the opposite is the case: they normally (e.g. my own Victor) use the boundaries as the final part of the horn expansion, so are actually designed to be used quite close to walls and / or corners. At least, the good ones are. I won't comment on the bad ones. 😉
 
Thanks for the replies!

I have a wall where one corner is normal, and the other side has a slight 14" bump out before continuing to the next room, so sort of a fake corner. The problem is there is a large cabinet system in the middle of the wall, creating roughly 20" wide by 20" deep spaces/pockets at each side in the corners. Putting something like Victors in there would have at most say, 2-3 inches at the back top&bottom where the victor is deepest, and then 4-5 inches at each side (adjusting slightly for toe-in). Does that seem like enough space for a rear-exit like that? I can always pull them out a little bit farther but not out more than a couple inches before I'd get in trouble.

Victor obviously has a much simpler profile than the Haruna which wouldn't be awful. I guess though you didn't specify whether you think the FE168EZ vs FE166NV2 is the current choice for the Victors.
 
Both. The website & pdfs need updating to reflect the latest drivers / revisions (too many things to do, never enough time & I've been laid up as well). The alignment is slightly different with each but within intended tolerance given the typical room acoustics. It's tight but you should be fine with Victor -however, I'm not here to sell things & Haruna should also work fine. I suspect you'd feel more comfortable with the latter, so it's the one I'd probably go for.