Hi,
I have made pair of rca interconnect cables with -20.8 dB attenuation. I used 10k in-line and 1k0 as grounding resistor. The amount was just spot on to get more room to move with my volume pot. Now I am just thinking if I lost some of the low frequencies by using a L-pad if it is affecting the impedances too much.
So to speak, if I would like to have -20db of attenuation while keeping original output and input impedance ratio of my pre/power combo appropriate, is L-pad the right choice. Or should it be T-pad or maybe something else? This is a bit new area for me to explore...
My pre/power combo is following:
Prima Luna Prologue 3 preamp, output impedance 2.8 kOhms
Hypex Ucd180Hg poweramp, input impedance 100kOhms.
One option to try of-course, would be just removing the gain resistor from Hypex amp boards. But I am afraid the attenuation wouldn'tbe enough.
I would be very happy if I could get some help with my issue.
Best,
Mikko
Ps.
This is the original post I got my L-pad values from:
I have made pair of rca interconnect cables with -20.8 dB attenuation. I used 10k in-line and 1k0 as grounding resistor. The amount was just spot on to get more room to move with my volume pot. Now I am just thinking if I lost some of the low frequencies by using a L-pad if it is affecting the impedances too much.
So to speak, if I would like to have -20db of attenuation while keeping original output and input impedance ratio of my pre/power combo appropriate, is L-pad the right choice. Or should it be T-pad or maybe something else? This is a bit new area for me to explore...
My pre/power combo is following:
Prima Luna Prologue 3 preamp, output impedance 2.8 kOhms
Hypex Ucd180Hg poweramp, input impedance 100kOhms.
One option to try of-course, would be just removing the gain resistor from Hypex amp boards. But I am afraid the attenuation wouldn'tbe enough.
I would be very happy if I could get some help with my issue.
Best,
Mikko
Ps.
This is the original post I got my L-pad values from:
2.8K is a high value for output impedance. However, the main issue is the value of the output coupling capacitor. This, together with your 11K attenuator and 2.8K output, forms a high pass filter. I would be surprised if it can't drive 11K, but the high output impedance may be a sign of poor design.
Thanks DF96!
Something I haven´t thought, really. Good points there.
For my life I have been dealing more with visual problems so some electrical things are somewhat new things to me.
I know the output impedance of my pre is really on the high side. On the other hand the Hypex has 100k put impedance that should work with the pre. But as I mentioned my problem seems to be the overall gain in my system which leads me to use the attenuator pads. And obviously this leads to another issue...
To be clear enough with my options that could somehow solve my problem I will tell more of my rig:
Phono Cartridge: Heed Zene MC, 0.4 mV;
Phono Stage: Hagerman Bugle 2, 60dB (DIY);
DAC: Beresford Caiman SE;
Preamp: Prima Luna Prologue 3, 2.8 kOhm out, Gain +/-12dB
Power Amp: 2x Hypex Ucd180Hg + SMPS400, 100 kOhm in, Gain 23dB (DIY);
Sonar OA-14 Omnidirectional speakers, 8 Ohm, around 86dB sensitivity.
And to cut it short, what would be the viable option to get things better? Maybe swap the pre, adding buffer in-between, skip the pre by making Hypex integrated, building passive pre, modifying gains in pre and power amp, maybe building the Grounded Grid Pre (Edit: this seems to have similar gain then the Prologue 3)?
Thanks!
M
Something I haven´t thought, really. Good points there.
For my life I have been dealing more with visual problems so some electrical things are somewhat new things to me.
I know the output impedance of my pre is really on the high side. On the other hand the Hypex has 100k put impedance that should work with the pre. But as I mentioned my problem seems to be the overall gain in my system which leads me to use the attenuator pads. And obviously this leads to another issue...
To be clear enough with my options that could somehow solve my problem I will tell more of my rig:
Phono Cartridge: Heed Zene MC, 0.4 mV;
Phono Stage: Hagerman Bugle 2, 60dB (DIY);
DAC: Beresford Caiman SE;
Preamp: Prima Luna Prologue 3, 2.8 kOhm out, Gain +/-12dB
Power Amp: 2x Hypex Ucd180Hg + SMPS400, 100 kOhm in, Gain 23dB (DIY);
Sonar OA-14 Omnidirectional speakers, 8 Ohm, around 86dB sensitivity.
And to cut it short, what would be the viable option to get things better? Maybe swap the pre, adding buffer in-between, skip the pre by making Hypex integrated, building passive pre, modifying gains in pre and power amp, maybe building the Grounded Grid Pre (Edit: this seems to have similar gain then the Prologue 3)?
Thanks!
M
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Why do you have a 12dB gain preamp followed by a 21dB loss attenuator? The best this can do is add a little noise and distortion. Unless you have very long cables the first improvement would come from ditching the preamp. If you do have long cables then you need a better preamp: less gain, lower output impedance.
Anyway, you need to find the value of the output coupling cap.
Anyway, you need to find the value of the output coupling cap.
Hey,
The attenuator is just purely to tame the overall gain and to get the preamp volume pot into better position. Without it I am only barely able to move the pot before volume is too loud.
Actually, I think I might be thinking something similar you suggested. All of my interconnects are less than 1 meter, usually closer to 50 cm. So ditching the pre should not be problem at all. I was already thinking of building a unity gain buffer / passive with input selector for at least four sources.
This morning I managed to find some time to try the normal interconnect in place of attenuated one. This gave the low frequencies back but the room to move with volume pot is now restricted again. I really cannot move the pot past 8'o clock if 7'o is zero volume.
I will try to open the pre tonight to check the output cap value. I will post an image of the internals and/or to find a schematics.
Thanks for the patience,
M
The attenuator is just purely to tame the overall gain and to get the preamp volume pot into better position. Without it I am only barely able to move the pot before volume is too loud.
Actually, I think I might be thinking something similar you suggested. All of my interconnects are less than 1 meter, usually closer to 50 cm. So ditching the pre should not be problem at all. I was already thinking of building a unity gain buffer / passive with input selector for at least four sources.
This morning I managed to find some time to try the normal interconnect in place of attenuated one. This gave the low frequencies back but the room to move with volume pot is now restricted again. I really cannot move the pot past 8'o clock if 7'o is zero volume.
I will try to open the pre tonight to check the output cap value. I will post an image of the internals and/or to find a schematics.
Thanks for the patience,
M
Last edited:
Here are few images from the internals.
Sorry for the cell phone quality..
First one is overall layout. First capacitor close-up is from the front end, second one from the middle, last one close to the rca jacks.
In the last image the green, blue, black and white insulated wiring goes to pre-outputs. Btw, vol pot is Alps Blue 250k.
Best,
M
Sorry for the cell phone quality..
First one is overall layout. First capacitor close-up is from the front end, second one from the middle, last one close to the rca jacks.
In the last image the green, blue, black and white insulated wiring goes to pre-outputs. Btw, vol pot is Alps Blue 250k.
Best,
M
Attachments
Hi,
I checked and at least, if trusting the text on the pcb it should be the power supply board. This is clearly printed on the lower left corner when looking at the last image. Of course it´s impossible to see this from the small file attached here.
When looking at the first image two left jacks are pre-out, third is tape out and rest are inputs
I checked and at least, if trusting the text on the pcb it should be the power supply board. This is clearly printed on the lower left corner when looking at the last image. Of course it´s impossible to see this from the small file attached here.
When looking at the first image two left jacks are pre-out, third is tape out and rest are inputs
Dunno…
I thought that the design goal was “do a pad, offer same downwind impedance, KISS”.
Your Prima Luna output is 2.8 kΩ
Your power amp is 100k input
The ratio doesn't much matter (in this case), but you want the same 2.8K facing into amp.
Using the Thevenin equivalent resistance identities:
Zout = R// = R1R2 / (R1 + R2)
Zout = 2800
AND using the algebra-derived
R1 = R// / k
R2 = R// / (1 - k) … where k = 10(dB/20)
You rather quickly find
R1 = 28 kΩ
R2 = 3.11 kΩ
You can check, but the output impedance now equals 2.8 kΩ. That old Thevenin equivalent resistance for series voltage dividers is a lovely thing.
However the loading ON the preamp is heavier: it becomes R₁ + (R₂ || Rinput) or 28 kΩ + (3.11 kΩ || 100 kΩ) or about 30.7 kΩ. It was 100 kΩ. Not a material difference.
However I might be reading your original design all wrong.
The real point though is, your choice of resistors wasn't appropriate to simulate the condition you were trying to sim.
GoatGuy
I thought that the design goal was “do a pad, offer same downwind impedance, KISS”.
Your Prima Luna output is 2.8 kΩ
Your power amp is 100k input
The ratio doesn't much matter (in this case), but you want the same 2.8K facing into amp.
Using the Thevenin equivalent resistance identities:
Zout = R// = R1R2 / (R1 + R2)
Zout = 2800
AND using the algebra-derived
R1 = R// / k
R2 = R// / (1 - k) … where k = 10(dB/20)
You rather quickly find
R1 = 28 kΩ
R2 = 3.11 kΩ
You can check, but the output impedance now equals 2.8 kΩ. That old Thevenin equivalent resistance for series voltage dividers is a lovely thing.
However the loading ON the preamp is heavier: it becomes R₁ + (R₂ || Rinput) or 28 kΩ + (3.11 kΩ || 100 kΩ) or about 30.7 kΩ. It was 100 kΩ. Not a material difference.
However I might be reading your original design all wrong.
The real point though is, your choice of resistors wasn't appropriate to simulate the condition you were trying to sim.
GoatGuy
GoatGuy, thanks for your reply.
To clarify my thoughts the following is what I would like to achieve.
As I can barely use my volume pot before things get too loud I was thinking of making one of these inline attenuators. I decided to go with -20db and found that old thread with some resistor values presented. So I sticked with those. But on the other hand I was also worrying that my preamp output impedance vs poweramp input impedance figures would not be so favourable anymore
So I decided to try anyway as I had the material around. The amount of attenuation was good enough to get me to move the volume pot further. But I realized that some of the lower frequencies got lost somewhere. Clearly didn't realize that there is a possibility for high pass filter...
But if If I understood right, the resistor values you calculated would keep the amp impedances close to originals? Meaning those R1= 28k & R2= 3.11k. But on the other hand I would still have the high pass filter thing happening, right?
I appreciate your comments,
M
To clarify my thoughts the following is what I would like to achieve.
As I can barely use my volume pot before things get too loud I was thinking of making one of these inline attenuators. I decided to go with -20db and found that old thread with some resistor values presented. So I sticked with those. But on the other hand I was also worrying that my preamp output impedance vs poweramp input impedance figures would not be so favourable anymore
So I decided to try anyway as I had the material around. The amount of attenuation was good enough to get me to move the volume pot further. But I realized that some of the lower frequencies got lost somewhere. Clearly didn't realize that there is a possibility for high pass filter...
But if If I understood right, the resistor values you calculated would keep the amp impedances close to originals? Meaning those R1= 28k & R2= 3.11k. But on the other hand I would still have the high pass filter thing happening, right?
I appreciate your comments,
M
DF96 is way smarter about the filter-side being causal to the LF response different than I am. He is indicating that the 28 kΩ + 3.11 kΩ approach may lower the LF response to where you're getting back what you perceive is lost.
Give it a try!
Cheap, easy, et.c.
PS: ONLY DO ONE CABLE at a time!! Why pass by the opportunity to hook one to the LEFT channel, and the other to the RIGHT channel. A-B testing on the super-cheap.
GoatGuy
Give it a try!
Cheap, easy, et.c.
PS: ONLY DO ONE CABLE at a time!! Why pass by the opportunity to hook one to the LEFT channel, and the other to the RIGHT channel. A-B testing on the super-cheap.
GoatGuy
Hi,
It's been a while since writing on diyaudio. So, just small update and one new quick question regarding attenuator pads.
After trying few integrated and pre+power amp combos I have come to a conclusion that my problem really is related to having excess gain. So, no need for added pre-amp gain here. Best diy amp project so far has been Hypex UCD180 with Alps Blue. Still the pot does not allow too much rotation until things get too loud. But this can do now for a while, it's manageable.
Then the question:
If I would like to solder attenuator pads directly to the rca sockets inside the amp should I expect problems as all of the audio grounds are tied together? Or can I simply make individual pads on each input sockets and just connect all of the grounding resistors to audio ground?
If I wasn't clear enough with my question, just ask me and I will clarify.
Thanks,
M
It's been a while since writing on diyaudio. So, just small update and one new quick question regarding attenuator pads.
After trying few integrated and pre+power amp combos I have come to a conclusion that my problem really is related to having excess gain. So, no need for added pre-amp gain here. Best diy amp project so far has been Hypex UCD180 with Alps Blue. Still the pot does not allow too much rotation until things get too loud. But this can do now for a while, it's manageable.
Then the question:
If I would like to solder attenuator pads directly to the rca sockets inside the amp should I expect problems as all of the audio grounds are tied together? Or can I simply make individual pads on each input sockets and just connect all of the grounding resistors to audio ground?
If I wasn't clear enough with my question, just ask me and I will clarify.
Thanks,
M
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