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#4581 |
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diyAudio Member
Join Date: Jan 2005
Location: Hawaii
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When I am connecting the shield from the Mogami cable to the chassis, what is the best method to do that. Should I strip the cable, de-braid the shield and twist it into a wire long enough to reach the chassis or can a wire be soldered to the shield and then run to chassis or is their a better method than these two options?
Thanks in advance. |
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#4582 |
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diyAudio Member
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slowlearner;
You're first method is fine and possibly the best. If you need a longer run solder extra cable onto the braid make sure it is well clear of the insulation for the signal wires and debraid/twist as per the first method. |
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#4583 | |
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diyAudio Member
Join Date: Apr 2010
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Quote:
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#4584 |
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diyAudio Member
Join Date: Jul 2010
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To me that the input cable shield could most easily be terminated to the XLR body tab, right?
Shielding and ground are an interesting topic, considering that most audio cables have the shield terminated to pin 1 solely at the source end of an XLR cable... Typically components use unshielded input wires internally, but considering the additional RF which is likely to be present in a class D amp with SMPS, shielding the input wiring, as well as keeping it as short as possible, and routed away from the modules, is very likely a good practice. I am curious though about connecting the shield to ground (chassis as ground, not necessarily house/AC ground though). Since the SMPS600 is grounded to the chassis, I wonder if this could couple hash from the SMPS to the input cable shield? And, is it really good practice to have pin 1 connect to chassis ground? Could not this couple hash from the grounded SMPS600 back to the source? Not worried about loops here, as AC ground is lifted in my components, but I do wonder about RF travelling around on shields getting to places I'd woudl rather not have it... Last edited by barrows; 26th June 2012 at 01:10 PM. |
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#4585 |
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diyAudio Member
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I was commenting on the method of termination. The shield should go to pin 1 of the xlr and then be linked to chassis, sometimes the tag on the xlr may not give the cleanest contact to chassis so a separate ground point could be preferable but ideally close-by.
I understand that chassis should be at signal ground to be effective as a shield, I would hope the SMPS ground wouldn't introduce hash. |
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#4586 | |
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diyAudio Member
Join Date: Nov 2005
Location: Portland. Oregon
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Quote:
Otherwise, any rf coming in on pin 1 would be coupled directly to the internal shield wire of the wire running to the module. Remember the wire running to ground/chassis is an inductor, especially at rf frequencies, making it a big resistor between ground/chassis and the shield. The rule is that pin 1 *always* connects directly to chassis/ground and nowhere else. cheers, ![]() Alan Last edited by waltzingbear; 26th June 2012 at 05:02 PM. |
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#4587 |
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diyAudio Member
Join Date: Feb 2004
Location: Canada
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I've been thinking about feedback and class-D characterization and the practical impossibility of measuring all relevant variables of a given piece of gear, and have a few speculations to share about possible directions forward. Here's the broader context I see. Because an amplifier's component parts are the very things the distort the signal, we have two routes of dealing with this distortion. We can go the simplicity route (L'Amp or SET, etc) to minimize parts-count and optimize their quality to minimize distortion, or we can go the complexity route. Simplicity is problematic because it has no global means of correcting distortions created by the parts it necessarily uses. Complexity is problematic because the more parts in a given circuit, the greater the accumulated distortion at its output. Feedback must therefore be applied.
But feedback across an analogue circuit is a non-perfect solution, particularly in the time-domain where propagation and phase delays and anomalies, not to mention distorting effects of the feedback circuit itself (which remains outside feedback correction), will remain as distortion on the output. How does one break this logjam of necessary distortion, whether of simple or complex circuits? Why not eschew mere simplicity, retain complexity where useful, but apply global corrective feedback in the digital sphere? Here's where a proper characterization of class D amplification can I think help. Class D, imho, is not merely analogue, and not merely digital, but is both. The pulse output on class D is digital---it is discrete pulses, after all---and given the digitally representative nature of those pulses, one is there offered an access point to apply a global solution at the very source-level that comprises the musical signal, the information-form of that music signal itself. So, why not this: digitize the output waveform, compare that to a digitized version of the input, extract the difference (= distortion) and apply that difference in negative digital form to predistort the digital pulse sequencing on the class D output. This could be done real-time. With a sufficiently flexible and subtle algorithm, I don't see why in principle this could not be made to work. Comments? Last edited by serengetiplains; 26th June 2012 at 05:23 PM. |
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#4588 |
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diyAudio Member
Join Date: Jul 2010
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Rules were meant to be broken:
"The rule is that pin 1 *always* connects directly to chassis/ground and nowhere else." So, how does this work with components which are not designed this way? I know of a few high end manufacturers who prefer to keep their balanced gear floating: no pin 1 connection to chassis at all, no AC ground connection to anything, pin 1 is signal ground only, and the chassis is left entirely floating as well. It seems to me an nCore amp may work perfectly well in this connection scheme: no pin 1 connection to anything, pins 2 and 3 connected, shield of amp (internal) input cable connected to chassis. AC ground no connection, with class 2 construction. This assumes a true balanced signal for the source. What I am wondering about, is that if pin 1 in the nCore amp connects to the chassis, and at the source is the signal gound alone, couldn't there be a transfer of RF from the nCore chassis, to the signal ground at the source? My assumption inherent in this question is that the manufacturers who do not ground the chassis to AC or pin 1 do it for a reason: presumably to avoid RF pick up into the signal ground? |
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#4589 |
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diyAudio Member
Join Date: Jan 2005
Location: Saddleworth
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Serengetiplains
Class d is analogue Read Bruno's papers And a complex circuit does not mean more open loop distortion. The additional components should be added to improve open loop linearity - ie. reduce open loop distortion, and therefore reduce closed loop distortion. ncore has LOTS of feedback Btw, what you describe is zetex/nad class z as used in the m2 and m51 |
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#4590 | |
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diyAudio Member
Join Date: Nov 2005
Location: Portland. Oregon
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Quote:
Saying your equipment will never need a different input configuration is egotistical design and does not interface well with the real world. Alan |
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