|
|
#651 | |
|
diyAudio Member
|
Quote:
I hope people read them.
__________________
Less pulp more juice Twisted Pear Audio. |
|
|
|
#652 |
|
diyAudio Member
Join Date: Apr 2003
Location: MA
|
That Monty article has been reposted in every forum thousands of times. Getting to be like spam.
|
|
|
#653 | |
|
Just DIY!
diyAudio Member
|
Quote:
Remember Chord is a company to begin with and they want to sell their products... Keep this in mind. ![]() This is not meant as an insult or to challenge you but mainly discussion. Ciao! Do
__________________
PREAMPs : AMB α10 + JC-80 clone | Balanced DCB1 | AMPs: AMB β24 | Aleph 5 | Symef | Hiraga | ML-2 | Fetzilla | Telos 390 Clone DACs : TPA Buffalo II + NTD1 I/V | TPA OPUS + IVY III Speakers : Jim Holtz Statements | Astasia SD | Tubasson Mark 2 |
|
|
|
#654 |
|
diyAudio Member
Join Date: Mar 2007
Location: Minneapolis, MN
|
...enjoyed the Monty article but in the area of neuroscience it is a bit of a gloss-job over 20th century ideas. Considering how the nervous system's selective attention de-emphasizes so much sound (
witness MP3 technology) it wouldn't surprise me if on a higher level, the brain attends to* certain kinds of harmonics that could arise from hypersonic sources. [* ...like the attention effect of fingernails on a chalk board.] So I don't automatically dismiss the importance of critical binaural timing, and improving a cone's transient ability does have other perceptual effects than just 'punch'. But the upper limit of source frequency for these hypothetical perceptual effects? I'm guessing lots of individual variability. Over and out.
|
|
|
#655 |
|
diyAudio Member
Join Date: Jul 2010
|
Really gloss over the reality. I agree that, perhaps, 18 bits could be enough if indeed no one ever wanted to use any processing on a recording. But 24 bits gives margin for processing, and room for error, which always exists. Additionally, while the ultimate dynamic range does not require more bits, smoother gradations of micro dynamics result from more bits-how audible this is will depend entirely on the system though.
I also agree that frequency response much over 30 kHz or so is not necessary, but the articles do not go deep enough into digital filtering, and the quite audible artifacts of digital filters necessary for the 44.1 KHz sampling rate. I have listened to comparisons of 16/44.1 files and 24/192 files made from the same master, using the same SRC (master is DXD) and can hear differences which matter to me. Additionally, many digital engineers whose judgement I trust, who have spent a lot of time developing digital filters, have pointed out that it is at 24/176.4-24/192 where one can use really benign filters and have no audible artifacts. I would much rather get my music at these rates, and am willing to pay a premium (and do) in order to have the more benign filters in play, and a little margin for error in the design and operation of the DAC. Indeed, 16/44.1 can sound very good when everything (ADC, mixing, mastering, DAC) is done absolutely perfectly, but there is no margin for error, and even when done "perfectly" there are still filter artifacts in the audible spectrum. The first article suggests that the "problem" of high resolution music files is that they take up a lot of space! What nonsense, check the price difference between 500 GB and a 2TB hard drive these days, storage space is a non-issue. The article appears to be written for those who need to have their entire music library available on an iPod: in that case I agree: if one is listening to their music on an iPod, through Apples stock earbuds, then yes, there is no point in high resolution downloads, in fact, higher rate MP3s are entirely adequate for those listeners. Articles like this are a little dangerous IMO, as they may undermine the availability of high resolution audio. Sure, 24/176.4-24/192 files may not be for everyone, but allowing the consumer to choose the quality level they want to purchase is the best option. |
|
|
#656 |
|
diyAudio Member
|
Keep in mind - I did not say I fully agree with either article.
I just think they are interesting, educational, and good food for thought.
__________________
Less pulp more juice Twisted Pear Audio. |
|
|
#657 | |
|
diyAudio Member
Join Date: Jul 2010
|
Quote:
Here at DIY audio, of course, we will read it and do our own listening tests, and come to our own conclusions, but over at Hydrogen Audio... |
|
|
|
#658 |
|
diyAudio Member
|
An absolute tone is natural for someone who is convinced they are correct. I would hope anyone reading this forum would (if interested) read it, and then simply take it for what it's worth. People who take such a tone are neither automatically right or wrong.
You and I have our own opinion on the matter, but reasonable people could disagree. That's just fine. ![]() My own opinion is that there is value in higher sample rates and bit depth - but that there are practical and real limits to that value. Including available material. I agree it would be nice to have more such material available, and I am lucky to have access to a lot of it myself. But almost none of it is more than 196/24. The bulk of the masters I have access to are 96/24. I would say only about 30% are 192Khz. The couple of studios I have access to do not do anything above 192Khz.I consider myself extremely fortunate to have good friends here in Nashville. The fact is very few people will ever have access to such material. I find that sad. I enjoy reading things that challenge my thinking. I do it regularly. It only serves to reinforce my own convictions. I am not afraid to present an opposing point of view if for no other reason than to get people talking.Cheers! Russ
__________________
Less pulp more juice Twisted Pear Audio. |
|
|
#659 |
|
diyAudio Member
|
Can handle DSD?
|
|
|
#660 |
|
diyAudio Member
|
__________________
Less pulp more juice Twisted Pear Audio. |
![]() |
| Thread Tools | Search this Thread |
|
|
Similar Threads
|
||||
| Thread | Thread Starter | Forum | Replies | Last Post |
| TPA metronome and Ivy modules | woodturner-fran | Swap Meet | 7 | 29th January 2010 09:11 PM |
| TPA COD parts | nikongod | Swap Meet | 6 | 8th January 2010 04:07 PM |
| A SD/USB/Ethernet transport | jkeny | Digital Line Level | 8 | 25th September 2009 12:20 PM |
| Tpa 3122 help | kkchunghk | Class D | 2 | 28th August 2009 08:44 AM |
| Maybe have a CD transport source USB to drive a USB DAC? | wa2ise | Digital Source | 0 | 6th February 2007 12:22 AM |
| New To Site? | Need Help? |