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#1 |
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diyAudio Member
Join Date: Dec 2002
Location: Calgary, Alberta
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I am still researching how I would like to build my SET 6L6GC amp. I have a 480V control transformer, and a hybrid bridge with 6AX4's to get 500+ B+. I have been acquiring various candidates for input/driver tubes such as EF184, 1579, 6H8C, 6N6P, 6H30 for this and other projects.
My question is, when you do have plenty of B+ available for your input/driver stage, how best to use this to advantage? One technique I see is a hybrid pentode/SS CCS for plate loading, which needs quite a bit of voltage to work, and I like the idea of a EF184/SS CCS plate loading a triode strapped EF184 as driver. What other techniques can I research, or if too broad a question, what's your favourite?
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#2 |
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diyAudio Member
Join Date: Aug 2003
Location: San Francisco, CA
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I will try the following 2 options:
[1] choke loaded DHT that can take higher voltage. Suggestions: 75TL, 100TL, 100TH, 3C24, 801A, GM70 [2] Aikido type driver stage, with say a 45 loading a 45. |
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#3 | |
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diyAudio Member
Join Date: Dec 2004
Location: Cincinnati, Ohio
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Will 6l6GC as triode really like that sort of B+? You might consider a choke input supply, unless your trying to direct couple or something.
One not so fancy answer to what do do with lots of B+ is to just use a big plate load and LED bias for the pre tube. Possibly with "e-linear" feedback OPT allowing- plate load resistor connected to OPT UL tap. A cross coupled Aikido using 2 identical tubes (such as the 6H8Cs [6N8C], 6N6Ps or 6N1Ps) would also work, the top triodes in one envelope, bottoms in the other. Quote:
45s are rather expensive, and Aikido gain is only about half mu. Gain of the stage would be less than 2. Also 2 filament supplies, one floating, would be a pain.
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