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#1 |
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diyAudio Member
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What's the difference in noise performance of two triodes in parallel ( Anode, grid and cathode connected directly in parallel ) and one with a common anode load and separate cathode resistors with bypass capacitors ?
Unless the sections are very closely matched , the direct connection will not ensure identical operation of the two sections. Which is a better way to operate in 'parallel' ? Conrad Johnson had a design with 12 tubes in parallel. How did they do it ? IIRC some designers claim that parallel operation of tubes ( or even SS chips) sound worse than single device operation. Is this observation confirmed now ? Cheers, Ashok.
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#2 |
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diyAudio Member
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I use paralleled 6L6 in P-P for 25W of power. Sound very clean.
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The devil is not so terrible as his mathematical model! Wavebourn: We Create Creativity! |
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#3 |
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diyAudio Member
Join Date: May 2004
Location: Melbourne
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2 in parallel will give half noise and double the gm (gain). The usual method is to tie the G, K and A directly together. I'm not sure of the good or bad effect of having separate cathode bias circuits.
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Glenn. |
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#4 |
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diyAudio Member
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The gm is doubled but I think the noise improves only by 3db ( 20*log (n^0.5) where n is the number of paralled devices) .
Any info on the Conrad Johnson preamp (ART)? It appears to have 10 paralled sections . Has anyone heard it ? Cheers.
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#5 |
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diyAudio Moderator
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Ashok, that's correct, the noise of each section is uncorrelated, so you only get 3dB noise improvement from paralleling. Separating out the bias won't really change that.
There's no reason from an electrical standpoint that a parallel arrangement should sound worse, but I admit it's entirely possible to cause issues because of layout, grounding, and the like when doing that with actual tubes and wires.
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“Listening to records is like ****ing a picture of Brigitte Bardot.” - Sergiu Celibidache |
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#6 | |
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diyAudio Member
Join Date: May 2005
Location: near Duesseldorf
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Quote:
Depends of the tubes gm in the sum. Separate cathode resistors increases the operation point stability (decreasing gm for DC). The "borderline" is IMHO a gm > 10 ma/V for the tubes in parallel. Andreas |
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#7 |
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diyAudio Member
Join Date: Mar 2005
Location: Paris
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IMHO, paralleling tubes equals increasing the max power, the slope, and reducing the internal impedance (in a rate of 2 for tube doubling) . But the "single plate" of a 300B for example is by itself a twin plate
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#8 |
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diyAudio Moderator
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I used up to 4 sections of 12AX7 in parallel in some of my early phono pre-amplifier designs, this in and of itself resulted in about a 6dB improvement in noise performance.
The design only proved to be tolerant of mismatch between sections when individual cathode bias resistors were used. (higher distortion and lower gain without individual biasing) The source impedance of that first stage was 1/4 of what it would be with a single tube meaning that the passive eq network could be scaled downwards accordingly which also resulted in some (significant) improvement in noise performance. Sounded very good actually, these days I just cut to the chase and use triode connected D3A instead - sound even better and far quieter than even 10 or so 12AX7A sections in parallel and with a lot less miller capacitance - the downside of paralleling so many devices. edit
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#9 |
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diyAudio Member
Join Date: Sep 2003
Location: Alps:Tube amp designs over 150W, SMPS guru.
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Parallel operation of o/p stages is highly recommended, the near halving of output transformer Z reduces copper, improves b/w and easier to design o/p transformer. Related to another thread, with parallel o/p concept, UL operation will completely outstrip triode performance. Naturally the pSU becomes the other issue as stage current goes up and larger chassis.
Parallel tube operation of the p-p output stage doesn't quite follow the "halving Z rule" for optimum output stage performance. Shall have to read up on this. richj |
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#10 |
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diyAudio Member
Join Date: Nov 2006
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* revives thread *
1) ...but surely tubes have such wide tolerances that two or more tubes of the theoretically same type in parallel will all be exibiting (slightly or widely) different characteristics, so will that increase distortion? 2) When paralleling tubes in a line stage (such as is done by CJ) which parameters require the closest matching for best objective performance of the completed stage? |
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