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| Tubes / Valves All about our sweet vacuum tubes :) Threads about Musical Instrument Amps of all kinds should be in the Instruments & Amps forum |
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#1 |
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diyAudio Member
Join Date: Oct 2003
Location: Christchurch
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My PP GE VT4C Amp was going to be an almighty guitar amp, but apart from the drivers issues that I face, with a B+ of 1150 the tube is way to slow!
ie; strike a string, and after a longg time, you hear the note. This maybe fine if your source is vinyl or a cd, but when I plug in a guitar, it feels like driving a huge under-powered truck instead of a responsive amp. This gets worse incorporating multiple driver stages as you need to with a 211. Maybe the B+ is too low, I heard some ppl put 2k onto the plate... |
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#2 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
A mosfet with a lot of gate capacitance can cause a dark muddy sound. What kind of fets did you try? If you can, post your schematic (including the PowerDrive circuit) so we can look at it. I will reply, but it may be delayed due to tropical storm Ernesto, and the associated media (TV) induced hysteria. We were out of work for 2 days, and it will take several more days for things to return to normal, although the storm itself caused little if any damage. I read, with interest about a push pull guitar amp using 4 X 813's that put out 1 killowatt. I have collected some 813's, if I can find an OPT, I could be tempted to make some serious sound.
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#3 |
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diyAudio Moderator
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I too have heard fast and quick sounding 211/845 based amplifiers, and I have also heard an amplifier based on Tubelab's powerdrive design, and it was very quick, detailed, dynamic and powerful. IMHO for driving an 845 this has got to be one of the best ways to do it, particularly if A2 operation for higher power is contemplated.
Svetlana are you using tubelab's powerdrive circuit or something else? Sharing circuit design details might help us to understand what is going on. What operating point have you chosen for the output tube? Is it operating in a range that would be considered appropriate for class A operation or do you have the bias cranked way up so that it is almost cut off? Is it PP or SE, if SE this would be a receipe for massive distortion of course.. The 211 and 845 are pretty fragile so I wouldn't necessarily recommend using an amplifier based on either of these tubes on the road..
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www.kta-hifi.net |
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#4 | |
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#5 |
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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George, I get a kick out your high power guitar amps. But why so much power? Ever since I first heard a Fender Twin Reverb nearly blow the windows out of the room when I cranked it to "10", I figured it was enough for any small venue. Are you scheduled to play in Madison Square Garden?
My guitar amp has four 7591s (an unsual Audio Guild Panaramic). It's too much. A future project is an EL84 guitar amp which could be pushed into output stage overdrive without deafening the neighbors. PS Awaiting Ernesto as you must be. So far nothing's happening, but I'm north of you. Hope you're doing OK.
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Brian |
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#6 | ||
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diyAudio Member
Join Date: Jul 2005
Location: South Florida
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Quote:
I build the big stuff for "bragging rights", or for a customer who wants one, but other than showing off I rarely use it. My hearing is bad enough already. Of all of the guitar amps that I have built for others, the most popular were the "Turbo Champs" that I built several years ago. They made about 8 to 10 watts at full tilt with a KT88 installed in pentode mode. These were usually used in small club gigs or for recording. The user could put in a 6V6 and a 5Y3 and get a sweet distorted sound without being too loud, or an EL34 or KT88 for a relatively clean sound in triode mode. I have also built a few of the typical push pull 2 or 4 tube style amps for the loud crowd. Quote:
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Too much power is almost enough! Turn it up till it explodes - then back up just a little. |
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#7 |
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diyAudio Member
Join Date: Dec 2004
Location: South Florida, USA
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Wow, you have a Panaramic too? I’ll bet mine is in seedier condition than yours. Do you have a schematic for it? I never located one. There is precious little information about this amp or the company on the web.
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Brian |
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#8 |
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diyAudio Member
Join Date: Oct 2003
Location: Christchurch
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Its not the dynamics that is an issue for me, it the delay at which things get presented at my speaker.
I suspect the or delay (lack of speed), of the 211's has to do with the area of the plate, the distance between the plate and grid, and the B+ applied. Possibly higher B+ and the electrons will get there quicker? Hi, Tube lab, the powerdrive was the exact same circuit on your page, with the exact same mosfets. I did not use a 45 to drive it, the drive came straight from my (oil) choke loaded 6sl7 phase splitter. (My 211's are running in push pull, B+1125) I paid particular attention to the supplies (oil chokes, high speed diodes, oil caps). Mosfets were mounted on a large/medium sized heat sink. The -400vdc supply that you use, you said only has to be high enough (voltage) to completely cut off the tube, I used -150. All supplies could deviled good current. Initial impressions from my custom all tube guitar pre-amp (please please take this as constructive, or inexperienced munting on my part): On a clean channel, all the harmonics that gave it the magic disappeared, sound was not as deep, the 3d effect went; it seemed to present a different "format" to the grid of the 211. On the hi-gain channel, I immediately noticed a buzzing sound that was never there before. Instead of a warm thunder, it was like someone inserted a buzzsaw into the mix (think Marshall valvestate) Maybe im hearing this because: 1: my 211 psu is impeccable; a CLC, mercury vapor rectifies, high current oil filled choke and NOS GE Pyranol oil Caps. 2: my source is impeccable; I designed the tube preamp with a very very accurate PP RCA 6L6GC triode amp. Maybe I didn't mess with it enough. I love the tone of the 211's, it seems I can present the grid with a very complex mixture of tones and harmonics, and it faithfully deals with them all without breaking a sweat. With a good PSU, I can see why the hi-fi ppl love them. (and im only using the GE's) If only they were easier to drive, and faster! I agree with tubelab? regarding the 211 grids, one of mine is noisy and rattles and its a pain in the ***. I'd love to try a 813 amp, those pentode look so bad *** |
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#9 |
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diyAudio Member
Join Date: Dec 2004
Location: Cincinnati, Ohio
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Well, if your looking for tough xmit tubes, the GI-7bT is built for tank service.
Vibration loads: frequency, Hz: 5-600 acceleration, m/s²: 59 Multiple loads with acceleration, m/s²: 342 Single impacts with acceleration, m/s²: 1,465 Linear loads with acceleration, m/s²: 490 Not a DHT and Ive no idea what it sounds like though.
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Be sure your foil hat has a good low impedance ground. |
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#10 |
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Banned
Join Date: Jan 2006
Location: Vancouver, BC
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When I read the title of transmitter tubes, I thought ceramic forced air cooled stuff, not measly glass radiative cooled ones... zzzZZZ
Come on guys, how about some OTL 3CX800A7 amps... |
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